At once artist, composer, editor, teacher, wife, and mother of eight children, she was an important force in the musical world of her time. To show how Schumann surmounted the obstacles facing female artists in the nineteenth century, Nancy B. Reich has drawn on previously unexplored primary sources: unpublished diaries, letters, and family papers, as well as concert programs. Going beyond the familiar legends of the Schumann literature, she applies the tools of musicological scholarship and the insights of psychology to provide a new, full-scale portrait.The book is divided into two parts. In Part One, Reich follows Clara Schumann's life from her early years as a child prodigy through her marriage to Robert Schumann and into the forty years after his death, when she established and maintained an extraordinary European career while supporting and supervising a household and seven children. Part Two covers four major themes in Schumann's life: her relationship with Johannes Brahms and other friends and contemporaries; her creative work; her life on the concert stage; and her success as a teacher.Throughout, excerpts from diaries and letters in Reich's own translations clear up misconceptions about her life and achievements and her partnership with Robert Schumann. Highlighting aspects of Clara Schumann's personality and character that have been neglected by earlier biographers, this candid and eminently readable account adds appreciably to our understanding of a fascinating artist and woman.For this revised edition, Reich has added several photographs and updated the text to include recent discoveries. She has also prepared a Catalogue of Works that includes all of Clara Schumann's known published and unpublished compositions and works she edited, as well as descriptions of the autographs, the first editions, the modern editions, and recent literature on each piece. The Catalogue also notes Schumann's performances of her own music and provides pertinent quotations from letters, diaries, and contemporary reviews.

    Scores include all instrumental parts (even drums!), guitar, and bass in both notation and guitar tab, plus chords, and complete lyrics. 212 songs. 1,136 pages, hardcover in deluxe slip case.

    But the Penguin is on Batman's side for once, and the crime boss sees dangerous things on the horizon. How can he convince the Caped Crusader he's on the level? Plus, appearances by Professor Pyg, John Constantine and the boy who wanted to be Bruce Wayne--in the worst way possible! And then, someone is forcing Batman to relive some of his darkest, most traumatizing fears. How will he escape this torment? With a little help from the mysterious hero known only as the Question! Collects Batman #58-63, #66-69, Batman Annual #3 and Batman Secret Files #1.

    He is also a writer, composer and painter and was recently described by the Economist as one of '20 Living Polymaths'.As an international performer he spends much of his life at airports, on planes, and in hotel rooms - and this book expands notes he has made, in his words, 'during that dead time on the road'.He writes about music and the life of a musician, from exploring the broader aspects of what it is to walk out on to a stage or to make a recording, to specialist tips from deep inside the practice room: how to trill, how to pedal, how to practise. He also writes vividly about people he's known, places he's travelled to, books he's read, paintings he's seen; and touches on more controversial subjects, such as assisted suicide and abortion. Even religion is there - the possibility of the existence of God, problems with some biblical texts and the challenge involved in being a gay Catholic.

    Since then, Schott's Original Miscellany and its two sequel volumes have been translated into more than fifteen languages and have sold some three million copies.Now Ben Schott returns to the miscellany format with a brand-new cabinet of curiosities. Inside, you'll find fascinating facts cheek by jowl with information you can't live without. All things are considered, from footwear labeling symbols, airport runway markings, and sign-writing brush sizes to the traditional method of counting sheep and how to smoke cigars while reading the news.Nothing escapes the jeweler's eye of this curator of unconsidered trifles. An essential addition to the bookshelf of all who love life's rich tapestry, Schott's Quintessential Miscellany-equal parts encyclopedia, almanac, treasury, and lexicon-will remind you that there is only one Ben Schott.Praise for Schott's Miscellanies:"If we live in an information age, then Ben Schott has become something of a maestro, or perhaps a master chef, ranging over the whole of knowledge and seasoning his...books with a pinch of this, a drop of that." -Chicago Sun-Times"Genuine practical value...Elegantly designed...A vast empire of informational flotsam and jetsam." -New York Times"One of the oddest and most addictively readable reference books in print."-Boston Globe"Completely earnest and mischievous at the same time."-Newsday

    This vision was, of course, the product of his character and his experience. Beethoven the man and Beethoven the composer are not two unconnected entities, and the known history of the man may be used to throw light upon the character of his music."Clifton Fadiman has said of this classic study:"It is the most interesting book on music that I have ever read and it is not written for musical experts; rather for people like myself who like to listen to music but can boast no special knowledge of it. It deals not only with music, on which I do not speak with authority, but with human life in general, about which you and I speak with authority every day of our lives."

    The newest Broadway musical by Pulitzer Prize-winning collaborators Stephen Sondheim and James Lapine, winner of the Tony Award for Best Musical, 1994.

    (doubling possible.) / 5 ints. or unit set. Recently revived on Broadway to great acclaim, this is the rollicking tale of three down and out troupers who decide to head for Hollywood and try their luck with the newly invented talkies. Due to a series of consistent blunders, the most stupid of the three is carried to pinnacles of fame and fortune until he's literally made a god of the industry. It's a fast paced and wild romp and a marvelous spoof of tinsel land.

    Sherwood Anderson, introducing a collection of Dreiser stories, said of him: "If there is a modern movement in American prose writing, a movement toward greater courage and fidelity to life in writing, then Theodore Dreiser is the pioneer and the hero of the movement." Indeed, his bold example paved the way for a new generation of American writers.The five superb stories in this volume vividly attest to the sincerity and depth of Dreiser's gifts as a powerful and original storyteller. They are "Free," the story of a man trying, as his wife lies dying, to understand why he never found happiness in marriage; "The Second Choice" and "Married," two insightful tales of the complex relationships of men and women; "Nigger Jeff," a powerful, disturbing story of a lynching; and "The Lost Phœbe," a poignant tale of a man's search for a lost life partner.

    Smart, brave, powerful, and most of all mischievous, Monkey King finds himself in the midst of adventure at every turn. Join Monkey as he wins his title as King of the Monkeys, studies with a great sage to learn the secrets of immortality, and even takes on the job as a royal gardener in the Kingdom of Heaven. With Monkey, be prepared for surprises! Red Scarf Girl author Ji-Li Jiang?s retelling of these stories about the legendary Monkey King are accompanied by brand-new illustrations by Youshan Tang, using Chinese brush painting and pen drawings.

    The manga exposes the "illness" of the Japanese hospitals and how their system is not designed to care for the patient.The manga is appropriate for mature audiences and contains blood, nudity, harsh language, and sex.

    This groundbreaking study shows why five central arguments promoting nuclear weapons are, in essence, myths. It is a myth: • that nuclear weapons necessarily shock and awe opponents, including Japan at the end of World War II • that nuclear deterrence is reliable in a crisis • that destruction wins wars • that the bomb has kept the peace for sixty-five years • and that we can’t put the nuclear genie back in the bottle Drawing on new information and the latest historical research, Wilson poses a fundamental challenge to the myths on which nuclear weapons policy is currently built. Using pragmatic arguments and an unemotional, clear-eyed insistence on the truth, he arrives at a surprising conclusion: nuclear weapons are enormously dangerous, but don’t appear to be terribly useful. In that case, he asks, why would we want to keep them? This book will be widely read and discussed by everyone who cares about war, peace, foreign policy, and security in the twenty-first century.

    But after bungling her audition for the prestigious Amberley School of Music--where her father is on faculty--Ruby is suddenly just . . . Ruby. And who is that again? All she knows is that she wants out of the orbit of her relentlessly impressive family, and away from the world of classical music for good. Yes? Yes. Oscar is a wunderkind, a musical genius. Just ask any of the 1.8 million people who've watched him conduct his own compositions on YouTube--or hey, just ask Oscar. But while he might be the type who'd name himself when asked about his favorite composer and somehow make you love him more for it, Oscar is not the type to jeopardize his chance to study under the great Martin Chertok--not for a crush. He's all too aware of how the ultra-privileged, ultra-white world of classical music might interpret a black guy like him falling for his benefactor's white daughter. Right? Right.But as the New York City summer heats up, so does the spark between Ruby and Oscar. Soon their connection crackles with the same alive, uncontainable energy as the city itself. But can two people still figuring themselves out figure out how to be together? Or will the world make the choice for them?

    Here is its story from the inside--a story filled with drama, humor, danger, compassion, and, of course, glorious music.A player who studies and performs the exalted string-quartet repertoire has opted for a very special life. Arnold Steinhardt, tracing his own development as a student, orchestra player, and budding young soloist, gives a touching account of how he and his intrepid colleagues were converted to chamber music despite the daunting odds against success. And he reveals, as no one has before, the intensely difficult process by which--on the battlefield of daily three-hour rehearsals--four individualists master and then overcome the confining demands of ensemble playing.

    For four glittering decades, geniuses like Jerome Kern, George Gershwin, Cole Porter, and Harold Arlen ran their fingers over piano keys, enticing unforgettable melodies out of thin air. Critically acclaimed writer Wilfrid Sheed uncovered the legends, mingled with the greats, and gossiped with the insiders. Now he’s crafted a dazzling, authoritative history of the era that “tripled the world’s total supply of singable tunes.”It began when immigrants in New York’s Lower East Side heard black jazz and blues–and it surged into an artistic torrent nothing short of miraculous. Broke but eager, Izzy Baline transformed himself into Irving Berlin, married an heiress, and embarked on a string of hits from “Always” to “Cheek to Cheek.” Berlin’s spiritual godson George Gershwin, in his brief but incandescent career, straddled Tin Pan Alley and Carnegie Hall, charming everyone in his orbit. Possessed of a world-class ego, Gershwin was also generous, exciting, and utterly original. Half a century later, Gershwin love songs like “Someone to Watch Over Me,” “The Man I Love,” and “Love Is Here to Stay” are as tender and moving as ever.Sheed also illuminates the unique gifts of the great jazz songsters Hoagy Carmichael and Duke Ellington, conjuring up the circumstances of their creativity and bringing back the thrill of what it was like to hear “Georgia on My Mind” or “Mood Indigo” for the first time. The Golden Age of song sparked creative breakthroughs in both Broadway musicals and splashy Hollywood extravaganzas. Sheed vividly recounts how Cole Porter, Richard Rodgers, Jerome Kern, and Johnny Mercer spread the melodic wealth to stage and screen.Popular music was, writes Sheed, “far and away our greatest contribution to the world’s art supply in the so-called American Century.” Sheed hung out with some of the great artists while they were still writing–and better than anyone, he knows great music, its shimmer, bite, and exuberance. Sparkling with wit, insight, and the grace notes of wonderful songs, The House That George Built is a heartfelt, intensely personal portrait of an unforgettable era.A delightfully charming, funny, and most illuminating portrait of songwriters and the Golden Age of American Popular Song. Mr. Sheed’s carefully chosen depictions and anecdotes recapture that amazingly creative period, a moment in time in which I was so fortunate to be surrounded by all that magic.”–Margaret Whiting