It provides a wealth of advice on the choice of subject; it tells what to look for and aim for, and explains the mysteries of color, atmospheric conditions, and other phenomena to be found in nature. Through his profound understanding of the physical nature of landscapes and his highly developed artistic sense, John Carlson is able to explain both the whys and the hows of the various aspects of landscape painting. Among the subjects covered are angles and consequent values (an insightful concept necessary for strong overall unity of design), aerial and linear perspective, the painting of trees, the emotional properties of line and mass in composition, light, unity of tone, choice of subject, and memory work. In the beginning chapters, the author tells how to make the best of canvas, palette, colors, brushes, and other materials and gives valuable advice about texture, glazing, varnishing, bleaching, retouching, and framing. Thirty-four reproductions of Mr. Carlson's own work and 58 of his explanatory diagrams are shown on pages adjoining the text. As Howard Simon says in the introduction: "Crammed into its pages are the thoughts and experiences of a lifetime of painting and teaching. Undoubtedly it is a good book for the beginner, but the old hand at art will appreciate its honesty and broadness of viewpoint. It confines itself to the mechanics of landscape painting but, philosophically, it roams far and wide. . . . This is a book to keep, to read at leisure, and to look into for the solution of problems as they arise, when the need for an experienced hand is felt."

    These are craft or skill, magic, and amusement, each of which, by confusion with art proper, generates a false aesthetic theory. In the course of attacking these theories the author criticizes various psychological theories of art, offers a new theory of magic, and reinterprets Plato's so-called attack on art, showing that it has been entirely misunderstood. Finally, he draws important inferences concerning the position of art in human society.

    The demand for vintage trailers-the smaller the better-has risen dramatically in recent years, with the most in-demand trailers being "teardrops," first manufactured in the 1930s and containing just indoor sleeping space and an outdoor exterior kitchen. Also profiled in the book are "canned ham" trailers, whose shape resembles the profile of a can of ham; small-size examples of America's most beloved vintage trailer, the Airstream; miniscule gypsy caravans in Europe; and fiberglass trailers made in Canada. Two hundred color photographs showcase these trailers' sleek exteriors, retro-styled interiors, and, in many cases, the restored classic cars that tow them. Teardrops and Tiny Trailers includes a resource section chock-full of places to locate vintage trailers, clubs to join, and rallies to attend.

    And the first dirty motion picture was screened just a few months later. Adult movies are nearly as old as cinema itself. "The Big Book of Porn" celebrates this controversial art form in all its timeless glory from the stag films of the 1920s and the Super 8 reels of the 50s to the VHS boom of the 80s and the interactive DVDs of Tomorrow. Chapters include: Know Your Classics: The twenty-five most important adult films of all time, including Debbie Does Dallas, Deep Throat, and an X-rated musical version of Alice in Wonderland. Great Moments in Porn History: From the first on-screen kiss to the invention of the silicone breast implant, these are major events that defined modern-day adult films. The Pantheon of Porn: These mini-bios of mega-stars like Seka, Linda Lovelace, and Marilyn Chambers are filled with surprising trivia. It s A Porn World, After All: We travel around the world from Australia and Canada to Germany and Japan to watch the best of international porn. Make Your Own Porno: All you need is a video camera, a willing partner, and these simple pointers ( Tell a story, Start with a bang, Parody a real film title whenever possible ). And that s just the beginning. You ll also find a glossary of unfamiliar terms, a catalog of favorite porn genres, tons of classic stills and posters, interviews with porn pioneers, the 300 goofiest porn titles of all time (Edward Penishands, Juranal Park, Oklahomo!), and much, much more."

    Lyrical. Poignant. Adapted from the acclaimed and beloved novel by Peter S. Beagle, The Last Unicorn is a tale for any age about the wonders of magic, the power of love, and the tragedy of loss. The unicorn, alone in her enchanted wood, discovers that she may be the last of her kind. Reluctant at first, she sets out on a journey to find her fellow unicorns, even if it means facing the terrifying anger of the Red Bull and malignant evil of the king who wields his power. Adapted by Peter B. Gillis and lushly illustrated by Renae De Liz and Ray Dillon.

    A two-pronged task, it requires great technical skill and an intuitive eye. In both these respects, John Singer Sargent stands out as a portrait artist of major stature.Born in 1856 in Florence of American parents, Sargent showed artistic aptitude at an early age and was enrolled at the Academia delle Belle Arti in that city. Later he studied with Parisian artist Carolus Duran, acquiring the loose, painterly style for which he is renowned. International acclaim as a portrait artist came early in his life and followed him throughout his career.Sargent's portraits done in oil are well known; they appear in major museums throughout the world. A lesser-known but no less respected aspect of his oeuvre, his portrait drawings are the focus of this collection. Included here are early works in pencil and pastels, and later renderings in charcoal, a medium Sargent favored after 1910. They have been selected from both public and private collections by art historian Trevor J. Fairbrother and attest to Sargent's technical skill, versatility, and dexterity in three different mediums.In addition, these works reveal Sargent's ability to treat a diverse group of subjects; he handles the languorous beauties of the Edwardian age, members of the aristocracy, and the great literary and artistic figures of his day with equal virtuosity, capturing their characteristic mood and style. This collection includes portraits of Lord and Lady Spencer, Henry James, William Butler Yeats, Vaslav Nijimsky, Tamara Karsavina, Dame Ethel Smyth, and Jascha Heifetz.Artists, students, historians, and lovers of portraiture will appreciate this selection of drawings by Sargent. Anyone interested in trying his hand at portraiture will find this volume both instructional and inspirational.

    In The Thing Itself, Todd attempts to discover for himself a new way of thinking by asking the simple question: What is true in ourselves and the world around us? With an exquisite eye for detail and an inquisitive spirit, Todd launches into an involving and elegantly crafted investigation of what makes an authentically lived life. As he focuses on an array of exchanges with people, objects, places, and ideas?from the banal to the emotionally poignant?Todd shows us that there?s a great distance between what we can touch, feel, and see, and what interactions mean in our lives. Mining a rich and multifaceted store of modern philosophy and personal experiences, he inches closer to seeing himself and the world through a clearer set of eyes. Engaging and readable, The Thing Itself offers unexpected insights into the very human search for meaning in our lives.

    Using an entertaining, running narrative format to look at key concerns every illustrator must face today, this book covers finding one's unique style and establishing a balance between art and commerce; tackling issues of authorship and promotion; and more. In-depth perspectives are offered by illustrators, art directors, and art buyers from various industries and professional levels on such issues as quality, price negotiation, and illustrator-client relationships.• Includes an afterword by Milton Glaser, well-known designer/illustrator• From the authors of The Education of an Illustrator (1-58115-075-x)

    This new collection brings together, for the first time in English, Lefebvre's reflections on the city and urban life written over a span of some twenty years. The selection of writings is contextualized by an introduction - itself a significant contribution to the interpretation of Henri Lefebvre's work - which places the material within the context of Lefebvre's intellectual and political life and times and raises pertinent issues as to their relevance for contemporary debates over such questions as the nature of urban reality, the production of space and modernity. Writings on Cities is of particular relevance to architects, planners, geographers, and those interested in the philosophical and political understanding of contemporary life.

    She took their cookware, their furniture, their photos, their decorations. She left Rafael alone in an empty all-white apartment. The only thing she didn't take was their bull terrier, whom she'd named after her favorite shoe designer: Jimmy Choo.With only Jimmy for company, Rafael found inspiration in his blank walls and his best friend and started snapping photos of Jimmy Choo as he trotted and cavorted around the house in glee. Then, when Jimmy collapsed in happy exhaustion next to the white wall, on a whim Rafael grabbed a marker and drew a new world around his ginger-eared pup. Suddenly, Rafael felt his long-dormant inspiration—for drawing, for art, for life—returning.The result? Hundreds of charming and cheeky images chronicling the owner and dog's relationship and adventures, including poses in a Star Wars stormtrooper helmet, passed out with liquor bottles, and as the shark in Jaws. Mantesso's Instagram feed quickly garnered fans from all over the world and caught the attention of major media outlets like Today, The Huffington Post, USA Today, and the Daily Mail, as well as Jimmy's namesake, the luxury shoe brand Jimmy Choo Ltd.Now, Mantesso presents a definitive selection of new and classic images of Jimmy and includes the backstory of how the two became such great collaborators. As heartwarming as it is hilarious, A Dog Named Jimmy will delight animal lovers everywhere.

    From the earliest understandings of our place in the solar system, via Darwinism, DNA, neutrons and quarks, right up to the theories that are pushing the boundaries of our knowledge today, we are forever propelled forward by our most gifted scientific minds. In this fascinating book, former BBC Focus magazine editor Jheni Osman explores 100 of the most forward thinking, far-reaching and downright inspired ideas and inventions in history, each nominated by experts from all fields of science and engineering. With selections from established authorities such as Brian Cox, Patrick Moore, Richard Dawkins and Marcus du Sautoy, Osman covers topics as diverse as the Big Bang, vaccination, computing, radioactivity, human genomes, the wheel and many more. Each essay looks at the logic behind these great inventions, discoveries, theories and experiments, studying the circumstances that brought them into being and assessing the impact that they had on the world at large. An intriguing and thought-provoking collection, 100 Ideas that Changed the World offers us a glimpse into the minds behind history's greatest eureka moments.

    Used in college classes, this how-to volume covers all aspects of self-publishing, including layout and design, promotion, marketing and distribution. Historical background covers everything from Benjamin Franklin's Poor Richard's Almanack to the science-fiction mimeographed zines of the 20s. Zines are independent, not-for-profit publications that counter the corporate monoculture of mainstream media, and are thus instrumental in keeping the torch of liberty and freethinking burning. Some very funny stories and illustrations punctuate this alternative-culture document from the underground.

    The poster has now become a postcard and e-mail blast, leaving many to long for the lost age when posters were not only major promotional vehicles, but also artwork worthy of framing.Some of the world's best designers just could not stand idle while the poster fell by the wayside. They turned to the poster for personal expression and as an outlet from more restrictive mediums.This book showcases their breathtaking artwork, which has proven that the poster can still serve as a worthy communications tool. In doing so, they've brought the poster back to prominence. In this book, the author has compiled the world's finest new work at the height of this rebirth. There is currently no book on the market that can claim it features a "definitive" poster collection.

    50 colorplates. Oversized. Companion audio.

    Exposing the true status of the world's dwindling energy supplies, Jeremy Leggett reveals the scale of the disaster looming over our planet, and the action each and every one of us must take - right now - to stand a chance of averting it.