Indeed, his vision of modern warfare powerfully influenced America'sdecision to rethink its military strategy in Iraq and implement the Surge, now recognized as a dramatic success. In The Accidental Guerrilla, Kilcullen provides a remarkably fresh perspective on the War on Terror. Kilcullen takes us on the ground to uncover the face of modern warfare, illuminating both the big global war (the War on Terrorism) and its relation to the associated small wars across theglobe: Iraq, Afghanistan, Indonesia, Thailand, the Pakistani tribal zones, East Timor and the horn of Africa. Kilcullen sees today's conflicts as a complex interweaving of contrasting trends--local insurgencies seeking autonomy caught up in a broader pan-Islamic campaign--small wars in the midst ofa big one. He warns that America's actions in the war on terrorism have tended to conflate these trends, blurring the distinction between local and global struggles and thus enormously complicating our challenges. Indeed, the US had done a poor job of applying different tactics to these verydifferent situations, continually misidentifying insurgents with limited aims and legitimate grievances--whom he calls accidental guerrillas--as part of a coordinated worldwide terror network. We must learn how to disentangle these strands, develop strategies that deal with global threats, avoidlocal conflicts where possible, and win them where necessary. Colored with gripping battlefield experiences that range from the jungles and highlands of Southeast Asia to the mountains of the Afghanistan-Pakistan border to the dusty towns of the Middle East, The Accidental Guerrilla will, quite simply, change the way we think about war. This book is amust read for everyone concerned about the war on terror.

    They include "The New Babylonian Creation", which was recited at the new year festival in honour of the god Marduk and his conquest of Tiamat, "Inanna's Journey to Hell", in which the goddess of fertility descends into a gloomy wasteland of devils and darkness, and "Adapa: the Man", a story of man's fall from grace, not through disobedience but through blind obedience. N.K. Sanders also translated "The Epic of Gilgamesh".

    Then open up Young Americans, seems obvious what Jordan Castro is doing is revolutionary, he expressing emotions through poetry that have never been done before. The style, the way the subject matter is portrayed, even the meter, are new." - Noah Cicero (author of The Human War, The Insurgent, and more)“If you are a person who doesn’t really know what they are doing and you would like to read about another person who doesn’t really know what they are doing either, I recommend reading this poetry book. I enjoyed reading these poems. Or something.” - Chris Killen (author of The Bird Room)“I read these poems three times in one night, then put the duvet over my head and held my knees for a while. It’s good when something makes sense. I really really liked these poems.” - Ben Brooks (author of Grow Up)

    It was here, in the time of the Caliphs, that the Thousand and One Nights were set. Yet it has also been a city of great hardships, beset by epidemics, famines, floods, and numerous foreign invasions which have brought terrible bloodhsed. This is the history of its storytellers and its tyrants, of its philosophers and conquerors.Here, in the first new history of Baghdad in nearly 80 years, Justin Marozzi brings to life the whole tumultuous history of what was once the greatest capital on earth.

    Here is a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language."--Publishers WeeklyStarred Review in Booklist "[C]hoices of poems from each of Harrison's books are passionate and sharp... Of special note is a section from Letters to Yesenin, a book-length poem, and the title poem from The Theory and Practice of Rivers , which contains these echoing lines, 'I forgot where I heard that poems / are designed to waken sleeping gods.' Reading this essential volume, one might imagine that the gods are, indeed, staying up late, reading lights on, turning the pages."Jim Harrison: The Essential Poems is distilled from fourteen volumes--from visionary lyrics and meditative suites to shape-shifting ghazals and prose-poem letters. Teeming throughout these pages are Harrison's legendary passions and appetites, his meditations, rages, and love-songs to the natural world.The New York Times concluded a review from early in Harrison's career with a provocative quote: "This is poetry worth loving, hating, and fighting over, a subjective mirror of our American days and needs." That sentiment still holds true, as Jim Harrison's essential poems continue to call for our fiercest attention.Also included are full-color images of poem drafts--both typescripts and holographs--as well as the letter Denise Levertov sent to publisher W.W. Norton in the early 1960s, advocating for Harrison's debut collection.In his essay "Poetry as Survival," Jim Harrison wrote, "Poetry, at its best, is the language your soul would speak if you could teach your soul to speak." The Essential Poems is proof positive that Jim Harrison taught his soul to speak."In this unforgiving literary moment, we must deal honestly with [Harrison's] life and work, as they are inextricable in a way that is not true of other poets...These poems bear-crawl gorgeously after a genuine connection to being, thrashing in giant leaps through the underbrush to find consolation, purpose, and redemption. In his raw, original keening he ambushes moments of unimaginable beauty, one after another, line after line...The Essential Poems demonstrates perfectly why we should turn to Harrison again. He lived and breathed an American confrontation with the physical earth, married himself to a universe of bodies and stumps and birds, did not try to shuck his grotesque masculinity and stared hard with his one good eye (the left was blinded when he was seven) at the inescapable, beckoning finger of death." --Dean Kuipers, LitHub"The Essential Poems provides a good introduction--or reintroduction--to the work of this singular writer... these pieces illustrate Harrison's range and his ease with various formats, from lyric poems to meditative suites to prose poems. They also spotlight his deep, rugged kinship with rural landscapes and the natural world, where 'the cost of flight is landing.'" --The Washington Post"Jim Harrison's latest collection, The Essential Poems, contains...engaging and enlightening poems [that] should be taught, learned, and loved. Remember this."--New York Journal of Books"Had he been a chef, all the other foodies would have talked about how Jim Harrison dealt with big flavors. In his poems, they're all there -- love and death, remorse and longing, the rocket contrails of living. There's not a lot of small talk in The Essential Poems... this book grabs you by the collar and tells you in eleven hundred ways to wake up."--John Freeman, Executive Editor, "Recommended Reading from Lit Hub Staff""Jim Harrison had an appetite. He devoured the natural world with gusto and wrote about it with wild energy and sweetly caustic wit...Harrison was also a prodigious poet, and this thoughtfully curated collection [The Essential Poems] showcases him at his best. Like his fiction, the poems observe the collision between civilization and the wildness outside our cities; they act like geocaches both harrowing and beautiful... Organized chronologically, the material here becomes a time line distilling Harrison's signature concerns."--Alta"It is hard-boiled poetry, some of the best of its kind, and one is not surprised to know that Harrison has written very tough novels... His poetic vision is at the heart of it all."--Harper's

    It is a collection of religious and philosophic texts gathered and translated into Coptic by fourth-century Gnostic Christians and translated into English by dozens of highly reputable experts. First published in 1978, this is the revised 1988 edition supported by illuminating introductions to each document. The library itself is a diverse collection of texts that the Gnostics considered to be related to their heretical philosophy in some way. There are 45 separate titles, including a Coptic translation from the Greek of two well-known works: the Gospel of Thomas, attributed to Jesus' brother Judas, and Plato's Republic. The word gnosis is defined as "the immediate knowledge of spiritual truth." This doomed radical sect believed in being here now--withdrawing from the contamination of society and materiality--and that heaven is an internal state, not some place above the clouds. That this collection has resurfaced at this historical juncture is more than likely no coincidence.--P. Randall Cohan

    For the first time in the West, the author presents the secret principles and practices of this divine science, based on the 800-year tradition of the Chishti Order. Among the many topics covered are dietary recommendations of the Prophet, the preparation of herbal formulas, healing with essential oils, illnesses arising at various stages of the soul's evolution, fasting and prayer, talismans, and the "infallible remedy."

    There, to distract himself from the physical and psychological torment of beatings and mindless interrogations, he attempts to mentally reconstruct the novel he was writing at the time of his arrest – based on the tragic life of the Uzbek poet-queen Oyxon, married to three khans in succession, and living as Abdulla now does, with the threat of execution hanging over her. As he gets to know his cellmates, Abdulla discovers that the Great Game of Oyxon's time, when English and Russian spies infiltrated the courts of Central Asia, has echoes in the 1930s present, but as his identification with his protagonist increases and past and present overlap it seems that Abdulla’s inability to tell fact from fiction will be his undoing. The Devils’ Dance – by an author banned in Uzbekistan for twenty-seven years – brings to life the extraordinary culture of 19th century Turkestan, a world of lavish poetry recitals, brutal polo matches, and a cosmopolitan and culturally diverse Islam rarely described in western literature. Hamid Ismailov’s virtuosic prose recreates this multilingual milieu in a digressive, intricately structured novel, dense with allusion, studded with quotes and sayings, and threaded through with modern and classical poetry. With this poignant, loving resurrection of both a culture and a literary canon brutally suppressed by a dictatorship which continues today, Ismailov demonstrates yet again his masterful marriage of contemporary international fiction and the Central Asian literary traditions, and his deserved position in the pantheon of both.

    In this classic work, Rahman unravels the Qur’an’s complexities on themes such as God, society, revelation, and prophecy with the deep attachment of a Muslim educated in Islamic schools and the clarity of a scholar who taught for decades in the West. “Generations of scholars have profited from [Rahman’s] pioneering scholarly work by taking the questions he raised and the directions he outlined to new destinations.”—Ebrahim Moosa, from his new foreword “The religious future of Islam and the future of interfaith relationship . . . will be livelier and saner for the sort of Quranic centrality which Major Themes of the Qur’an exemplifies and serves.”—Kenneth Cragg, Middle East Journal “There shines through [a] rare combination of balanced scholarly judgment and profound personal commitment. . . . [Rahman is] eager to open up the mysteries of the Qur’an to a shrinking world sorely in need of both moral regeneration and better mutual understanding.”—Patrick D. Gaffney, Journal of Religion “I can’t think of any book more important, still, than Major Themes of the Qur’an.”—Michael Sells, author of Approaching the Qur’an

    Within a matter of weeks he finds himself in the company of powerful dervishes, God-intoxicated nomads whose eyes blaze with love, and ragged beggars with the smile of the Pure One. These men, the followers of an enlightened Shaykh, speak little, but simply to be in their company fills him with ecstasy and knowledge.

    Specifically, it is the story of the Samashki Massacre, a symbol of the Russian brutality that was employed to crush Chechen resistance. Thomas Goltz is a member of the exclusive journalistic cadre of compulsive, danger-addicted voyeurs who court death to get the story. But in addition to providing a tour through the convoluted Soviet and then post-Soviet nationalities policy that led to the bloodbath in Chechnya, "Chechnya Diary" is part of a larger exploration of the role (and impact) of the media in conflict areas. And at its heart, "Chechnya Diary" is the story of Hussein, the leader of the local resistance in the small town that bears the brunt of the massacre as it is drawn into war. This is a deeply personal book, a first person narrative that reads like an adventure but addresses larger theoretical issues ranging from the history of ethnic/nationalities in the USSR and the Russian Federation to journalistic responsibility in crisis zones." Chechnya Diary" is a crossover work that offers both the historical context and a ground-level view of a complex and brutal war.

    When he adopts her, naming her Aria, he has no idea how profoundly this fiery, blue-eyed orphan will shape his future.As she grows, Aria is torn between the three women fated to mother her: the wife of Behrouz, who beats her; the wealthy widow Fereshteh, who offers her refuge but cannot offer her love, and the impoverished Mehri, whose secrets will shatter everything Aria thought she knew about her life.Meanwhile, the winds of change are stirring in Tehran. Rumours are spreading of a passionate religious exile in Paris called Khomeini, who seems to offer a new future for the country. In the midst of this tumult, Aria falls in love with an Armenian boy caught on the wrong side of the revolution. And before long she will be swept up in an uprising which will change the destiny of the land - and its people - forever.

    He explores the boundaries of human fallibility both in candid personal poems, such as the title piece—a plea for his father, a victim of Alzheimer’s wandering the hallway at night—and in his passionate encounters with classic poetic texts, as when Dante’s Inferno enters his bedroom:When you read Canto Five aloud last night in your naked, singsong, fractured Italian, my sweet compulsion, my carnal appetite, I suspected we shall never be forgiven for devouring each other body and soul . . . From the lighting of a Yahrzeit candle to the drawings by the children of Terezin, Hirsch longs for transcendence in art and in the troubled history of his faith. In “The Hades Sonnets,” the ravishing series that crowns the collection, the poet awakens full of grief in his wife’s arms, but here as throughout, there is a luminous forgiveness in his examination of our sorrows. Taken together, these poems offer a profound engagement with our need to capture what is passing (and past) in the incandescence of language.From the Hardcover edition.

    Here are stories culled from hundreds of writing programs such as the Iowa Writers’ Workshop and Johns Hopkins and from summer conferences such as Sewanee and Bread Loaf—as well as a complete list of contact information for these programs. This collection showcases tomorrow’s literary stars: Julie Orringer, Adam Johnson, William Gay, David Benioff, Rattawut Lapcharoensap, Maile Meloy, Amanda Davis, Jennifer Vanderbes, and John Murray are just some of the acclaimed authors whose early work has appeared in this series since its launch in 2000. The best new American voices are heard here first.

    Bush called “a day of fire,” and ushered in a new era of terrorism. It took a decade of blood and sacrifice, of determination and frustration, but finally, in a nighttime raid at the end of a dirt road in Pakistan, the hunt for Bin Laden ended with a gunshot. It was a dramatic climax to a long and painful chapter.But now what? The terrorist threat that has defined American policy since the attacks of 9/11 did not die with Bin Laden in his walled compound near Islamabad. Radicals still wish us harm, and we must fight on.In this provocative collection of essays edited and introduced by Pulitzer Prize winner Jon Meacham, a group of penetrating analysts and leaders look ahead to the world after Bin Laden—to the future of Al Qaeda, of Afghanistan, of Pakistan. We explore the political, military, and cultural implications of the post–Bin Laden war on terror. From Richard N. Haass of the Council on Foreign Relations to former Secretary of State James A. Baker III, from historian and journalist Evan Thomas to former U.S. Army officer Andrew Exum, Beyond Bin Laden gives readers intelligent, deeply informed, and urgent glimpses of what comes next.Contributors include:• Jon Meacham, executive editor, Random House• James A. Baker III, former Secretary of State• Karen Hughes, former counselor to President George W. Bush and former Under Secretary of State for Public Diplomacy• Richard N. Haass, president, Council on Foreign Relations• Bing West, author, The Wrong War, and former Assistant Secretary of Defense for International Security Affairs• Andrew Exum, fellow, Center for a New American Security• Daniel Markey, senior fellow for India, Pakistan, and South Asia, Council on Foreign Relations• Evan Thomas, award-winning historian and former editor-at-large, Newsweek