The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    Filled with poignancy and humor, The Eves captures the conversations we wish we had had with our parents, if we had taken the opportunity, and the lessons we would want to impart to our children, if they were ready to listen.Told through the voice of the psychologically complex Jessica Barnet, this is her story. As the primary witness in a messy trial she has been torn from the foundation of her existence—her connection to her children. With a partially finished doctoral degree, and incomplete renovations on her Washington, DC row house, she has let go of her ambitions and her appearance, but not her vodka or her sense of loss and guilt. When Jessica meets five diverse, determined, and sometimes ditzy old women living in a sustainable community everything and everybody changes. Through plot twists and turns that cover three continents, we learn the truth of Jessica’s life and lies just as we fall in love with the vividly drawn characters and the vibrantly described settings.

    As far as she knows, she’s alonein the world – till a mysterious letter arrives from India.Suddenly, Diya has a chance at being part of a family again.But moving from Boston to India also brings Diya closer tothe place where the horror of the Chakwa – the MasterTrickster – first started. As bodies and tragedies pile uparound her, Diya’s belief in the urban legend of the Chakwaincreases. Will the monster that ruined her parents’ life nowdestroy Diya’s happiness? Or will she manage to defeat it atits own game? With the help of her newly discovered friendsand family, Diya must fight not just the monster from hernightmares, but also make sense of a fast-unravelling web oflies that makes up her life.VINAYA BHAGAT is an IT professional and author. Her shortstories have been published in anthologies and have beenshort-listed in national and international writing competitions.Trickster is her debut novel.Vinaya lives in Bangalore, India with her husband, who isa radiologist and her eight-year-old son. Weekends find herinventing stories and games with her son.

    "You Got Older" is a tender and darkly comic new play about family, illness, and cowboys - and how to remain standing when everything you know comes crashing down around you.

    "Dark, demented humor, as horrifying as it is hilarious."--Michael Kuchwara, Associated Press

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    Least I've got an excuse. She told me: you're nothing, you're a control. This is all just you.The Effect is a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off-course, much to the frustration of the clinicians involved. This funny, moving and perhaps surprisingly human play explores questions of sanity, neurology and the limits of medicine, alongside ideas of fate, loyalty and the inevitability of physical attraction.Following on from the critical and commercial success of Enron, The Effect is the latest play from Lucy Prebble, and reunites Enron's writer and director once more delivering a vibrant theatrical exploration into the human brain via the heart. This world premiere was performed at the National Theatre's Cottesloe Theatre from November 2012-23 February 2013, starring Billie Piper and Jonjo O'Neill.The Guardian has selected The Effect as one of the highlights of 'the best theatre for autumn 2012' (2/9/12).

    Savage has been left ten million dollars by her husband and wants to make the best use of it, in spite of the efforts of her grown-up stepchildren to get their hands on it. These latter, knowing that the widow's wealth is now in negotiable securities, and seeing they cannot get hold of it, commit her to a "sanatorium" hoping to "bring her to her senses." But Mrs. Savage is determined to establish a fund to help others realize their hopes and dreams. In the sanatorium she meets various social misfits, men and women who just cannot adjust themselves to life, people who need the help Mrs. Savage can provide. In getting to know them, she realizes that she will find happiness with them and plans to spend the rest of her life as one of them. But when the doctor tells her there is no reason why she should remain, she hesitates to go out into a hard world where people seem ready to do anything for money. The self-seeking stepchildren are driven to distraction by their vain efforts to browbeat Mrs. Savage, but she preserves her equanimity and leads them on a merry chase. At last her friends conspire to get rid of her stepchildren, and through their simple belief in the justice of her cause, they enable Mrs. Savage to carry out her plans. The last scene, a farewell party, is a delightful fantasy where each "guest" in the sanatorium realizes at last some hopeless dream for something he was never able to realize. The dominant mood is high comedy, and the audience is left with a feeling that the neglected virtues of kindness and affection have not been entirely lost in a world that seems motivated at times only by greed and dishonesty.

    Theatergoers who have followed August Wilson’s career will find in Gem a touchstone for everything else he has written.”—Ben Brantley, The New York Times“Wilson’s juiciest material. The play holds the stage and its characters hammer home, strongly, the notion of newfound freedom.”—Michael Phillips, Chicago TribuneGem of the Ocean is the play that begins it all. Set in 1904 Pittsburgh, it is chronologically the first work in August Wilson’s decade-by-decade cycle dramatizing the African American experience during the 20th century—an unprecedented series that includes the Pulitzer Prize–winning plays Fences and The Piano Lesson. Aunt Esther, the drama’s 287-year-old fiery matriarch, welcomes into her Hill District home Solly Two Kings, who was born into slavery and scouted for the Union Army, and Citizen Barlow, a young man from Alabama searching for a new life. Gem of the Ocean recently played across the country and on Broadway, with Phylicia Rashad as Aunt Esther.Earlier in 2005, on the completion of the final work of his ten play cycle-surely the most ambitious American dramatic project undertaken in our history-August Wilson disclosed his bout with cancer, an illness of unusual ferocity that would eventually claim his life on October 2. Fittingly the Broadway theatre where his last play will be produced in 2006 has been renamed the August Wilson Theater in his honor. His legacy will animate the theatre and stir the human heart for decades to come.

    The search for a means to an end to apartheid erupts into conflict between a black township youth and his "old-fashioned" black teacher.

    As the composer, lyricist, actors and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the "Slasher" unmasked-but not before the audience has been treated to a sidesplitting good time and a generous serving of the author's biting, satiric and refreshingly irreverent wit.

    . . Um, excuse me Rayven, but you doing the most right now! It’s bad enough my name ain’t on the damn cover. I got this. Well, hello there boys and girls, this is Juju. First off, I want to thank all of you for convincing Rayven to write my autobiography. Well, I guess it isn’t quite an autobiography, since I have to share the spotlight with Janea, Angelle and Kabo, but I’ll take it. As you all know, I’m the new owner of Cut N’ Curl, where you can get yo’ hair fried, dyed, and laid to the side. Of course, just like any other salon with a multitude of personalities, we have our occasional drama—as you shall read, but there ain’t a jealous b@*&h out there who can hold a candle to me when it comes to doing hair. So, sit back, grab you a glass of Moscato, as I share my world. Smooches!

    The truth is, I've lived three very different lives: the one before prison; the one in prison; and my life since then. It has taken years to make sense of it all, but now I've found a voice to speak about it.Paddy Armstrong was one of four people falsely convicted of The Guildford Bombing in 1975. He spent fifteen years in prison for a crime he did not commit.Today, as a husband and father, life is wonderfully ordinary, but the memory of his ordeal lives on. Here, for the first time and with unflinching candour, he lays bare the experiences of those years and their aftermath.Life after Life is a testament to the resilience of the human spirit and the power of forgiveness. It reminds us of the privilege of freedom, and how the balm of love, family and everyday life can restore us and mend the scars of even the most savage injustice.'This book captures the sweet soul of Paddy. Beautifully written. For lovers of freedom everywhere.' Jim Sheridan

    A momentary lapse in supervision. A parent's worst fears realised.--------------------------------------------------------------------Andrew Wicks would do anything for his family. When tragedy strikes, he is forced to make a split-second decision, one that is layered with deception, desperation and self-preservation. As a tenacious police officer unravels his web of lies and exposes the truth, worlds collide.There is no greater pain than losing a child. There is no greater torment than knowing it was avoidable.Gripping, haunting and totally compelling, this is a novel that will make you question how far you would go to preserve the sanctity of family life.