Thomas Edison was a bad guy—and bad guys usually lose in the end. World War II radio host “Tokyo Rose” was branded as a traitor by the US government and served time in prison. In reality, she was a hero to many. Twenty US soldiers received medals of honor at the Battle of Wounded Knee—yet this wasn’t a battle at all; it was a massacre. Paul Revere’s midnight ride was nothing compared to the ride made by a guy named Jack whom you’ve probably never heard of. History is about so much more than memorizing facts. It is, as more than half of the word suggests, about the story. And, told in the right way, it is the greatest one ever written: Good and evil, triumph and tragedy, despicable acts of barbarism and courageous acts of heroism. The things you’ve never learned about our past will shock you. The reason why gun control is so important to government elites can be found in a story about Athens that no one dares teach. Not the city in ancient Greece, but the one in 1946 Tennessee. The power of an individual who trusts his gut can be found in the story of the man who stopped the twentieth hijacker from being part of 9/11. And a lesson on what happens when an all-powerful president is in need of positive headlines is revealed in a story about eight saboteurs who invaded America during World War II. If the truth shall set you free, then your freedom begins on page one of this book. By the end, your understanding of the lies and half-truths you’ve been taught may change, but your perception of who we are as Americans and where our country is headed definitely will.

    Thompson wrote for Rolling Stone magazine while covering the 1972 election campaign of President Richard M. Nixon and his unsuccessful opponent, Senator George S. McGovern. Hunter focuses largely on the Democratic Party's primaries and the breakdown of the national party as it splits between the different candidates.With drug-addled alacrity and incisive wit, Thompson turned his jaundiced eye and gonzo heart to the repellent and seductive race for president, deconstructed the campaigns, and ended up with a political vision that is eerily prophetic

    It is the story of the men who built the transcontinental railroad—the investors who risked their businesses and money; the enlightened politicians who understood its importance; the engineers and surveyors who risked, and sometimes lost, their lives; and the Irish and Chinese immigrants, the defeated Confederate soldiers, and the other laborers who did the backbreaking and dangerous work on the tracks.The U.S. government pitted two companies—the Union Pacific and the Central Pacific Railroads—against each other in a race for funding, encouraging speed over caution. Locomotives, rails, and spikes were shipped from the East through Panama or around South America to the West or lugged across the country to the Plains. In Ambrose's hands, this enterprise, with its huge expenditure of brainpower, muscle, and sweat, comes vibrantly to life.

    Starkey's sense of drama also vividly recreates the atmosphere of pity and terror that fostered the evil and suffering of this human tragedy.

    Whittaker Chambers had just participated in America's trial of the century in which Chambers claimed that Alger Hiss, a full-standing member of the political establishment, was a spy for the Soviet Union. This poetic autobiography recounts the famous case, but also reveals much more. Chambers' worldview--e.g. "man without mysticism is a monster"--went on to help make political conservatism a national force.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    What followed is the American epic, written in blue and gray and gore. So how is that 150 years later, we are still fighting over why the war was fought? Few historical questions stir up as much passionate confusion as that one—even though scholars consider it a settled question. In this ebook, veteran TIME writer, David Von Drehle explores process of forgetting, denying, and rediscovering the meaning of the Civil War.

    First settled by the Karankawa Indians, long suspected of cannibalism, it was where the stranded Cabeza de Vaca came ashore in the 16th century. Pirate Jean Lafitte used it as a hideout in the early 1800s and both General Sam Houston and General James Long (with his wife, Jane, the “Mother of Texas”) stayed on its shores. More modern notable names on the island include Robert Kleberg and the Moody, Sealy and Kempner families who dominated commerce and society well into the twentieth century. Captured by both sides during the Civil War and the scene of a devastating sea battle, the city flourished during Reconstruction and became a leading port, an exporter of grain and cotton, a terminal for two major railroads, and site of fabulous Victorian buildings—homes, hotels, the Grand Opera House, the Galveston Pavilion (first building in Texas to have electric lights). It was, writes Cartwright, “the largest, bawdiest, and most important city between New Orleans and San Francisco.”This country's worst natural disaster—the Galveston hurricane of 1900—left the city in shambles, with one sixth of its population dead. But Galveston recovered. During Prohibition rum-running and bootlegging flourished; after the repeal, a variety of shady activities earned the city the nickname “The Free State of Galveston.”In recent years Galveston has focused on civic reform and restoration of its valuable architectural and cultural heritage. Over 500 buildings are listed on the National Register of Historic Places, and an annual "Dickens on the Strand" festival brings thousands of tourists to the island city each December. Yet Galveston still witnesses colorful incidents and tells stories of descendants of the ruling families, as Cartwright demonstrates with wry humor in a new epilogue written specially for this edition of Galveston. First published in 1991 by Atheneum.

    They held that political participation demanded moral courage. They did not seek popularity (it showed). They lamented the fact that hero worship in America substituted idolatry for results; and they made it clear that they were talking about Benjamin Franklin, George Washington, Thomas Jefferson, and Andrew Jackson.When John Adams succeeded George Washington as President, his son had already followed him into public service and was stationed in Europe as a diplomat. Though they spent many years apart--and as their careers spanned Europe, Washington DC, and their family home south of Boston--they maintained a close bond through extensive letter writing, debating history, political philosophy, and partisan maneuvering.The problem of democracy is an urgent problem; the father-and-son presidents grasped the perilous psychology of politics and forecast what future generations would have to contend with: citizens wanting heroes to worship and covetous elites more than willing to mislead. Rejection at the polls, each after one term, does not prove that the presidents Adams had erroneous ideas. Intellectually, they were what we today call "independents," reluctant to commit blindly to an organized political party. No historian has attempted to dissect their intertwined lives as Nancy Isenberg and Andrew Burstein do in these pages, and there is no better time than the present to learn from the American nation's most insightful malcontents.

    Despite its remote location, the quirky German Renaissance–style castle, with its intricate façade, peculiar interior design, and gargoyle guardians peering down on Central Park, was an immediate hit, particularly among the city’s well-heeled intellectuals and artists.   Over the next century it would become home to an eclectic cast of celebrity residents—including Boris Karloff, Lauren Bacall, Leonard Bernstein, singer Roberta Flack (the Dakota’s first African-American resident), and John Lennon and Yoko Ono—who were charmed by its labyrinthine interior and secret passageways, its mysterious past, and its ghosts. Stephen Birmingham, author of the New York society classic “Our Crowd”, has written an engrossing history of the first hundred years of one of the most storied residential addresses in Manhattan and the legendary lives lived within its walls.

    On February 23, 1836, a Mexican army thousands of soldiers strong attacked a group of roughly 200 Americans holed up in an abandoned mission just east of San Antonio, Texas. For nearly two weeks, the massive force lay siege to the makeshift fort, spraying its occupants with unremitting waves of musket and cannon fire. Then, on March 6th, at 5:30 am, the Mexican troops unleashed a final devastating assault: divided into four columns, they rushed into the Alamo and commenced a deadly hand-to-hand fight. The Americans, despite being hugely outnumbered, fought valiantly--for themselves and for a division of an independent Texas. In the end, they were all slaughtered.Drawing upon newly available primary sources, THE BLOOD OF HEROES is the definitive account of this epic battle. Populated by larger-than-life characters--including Davy Crockett, James Bowie, and William Barret Travis--it is a dynamic story of courage, sacrifice, and redemption.

    Lesy has collected and arranged photographs taken between 1890 and 1910 by a Black River Falls photographer, Charles Van Schaik.

    Thomas Jefferson, a brilliant political thinker, is perhaps best known for the Declaration of Independence, but he was a man of extraordinarily wide interests.He was exceptionally controversial in his own time, and many of his ideas remain the subject of national debate. In his arguments for a system of general education, for local rather than central authority, for caution in international affairs, for religious and intellectual freedom, and for economic and social justice, Jefferson defined the issues that still direct our national political life centuries after the nation's formation. This volume will give readers the opportunity to reassess one of our most influential presidents.Jefferson's First Inaugural Address is a resounding statement of faith in a democracy of enlightened people. His Notes on the State of Virginia (1785) is an invaluable record of the landscape, inhabitants, life, and daily customs of America in the Revolutionary and early national eras. His letters, more than two hundred and fifty of which are gathered here, are brilliant urbane missives to such men as Patrick Henry, Thomas Paine, Lafayette, John Adams and James Madison. His slim Autobiography (1821), written "for my own more ready reference, and for the information of my family," hardly hints at the influence and impact he had as Secretary of State under George Washington, Minister to France, opposition-party Vice President to John Adams, and, after leaving the presidency, founder of the University of Virginia.His public papers and addresses fully demonstrate both the breadth of his interests and the power of his expressive mind. Extensively read (his personal library of ten thousand volumes became the foundation of the Library of Congress) and widely traveled, Jefferson wrote with ease and spontaneity about science, archaeology, botany and gardening, religion, literature, architecture, education, the habits of his fellow citizens, and, of course, his beloved home, Monticello.Jefferson's prose has an energy, clarity, and charming off-handedness, consistent with his conviction that style in writing should impose no barrier between the most educated and the most common reader. For those who want a renewed sense of the opportunity for human freedom that the United States represented to its founders, this is an indispensable book.

    In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style.Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.

    Horrifyingly violent Indian attacks had all but emptied the northern frontier of settlers, and many traumatized refugees—including the main accusers of witches—had fled to communities like Salem. Meanwhile the colony’s leaders, defensive about their own failure to protect the frontier, pondered how God’s people could be suffering at the hands of savages. Struck by the similarities between what the refugees had witnessed and what the witchcraft “victims” described, many were quick to see a vast conspiracy of the Devil (in league with the French and the Indians) threatening New England on all sides. By providing this essential context to the famous events, and by casting her net well beyond the borders of Salem itself, Norton sheds new light on one of the most perplexing and fascinating periods in our history.