After eight years in prison on a drug charge, he's come "uptown"-back to the Washington, DC neighborhood where he grew up, where his old cohorts still work their corners and their angles, trying to get ahead and stay alive. But Lorenzo's had enough of the life: Now he has a job as a Humane Society officer, policing animal abusers and protecting the abused. In the dangerous streets he used to menace, Lorenzo plays a part in maintain- ing order-and it's a role reversal some of his former friends don't appreciate. Rachel Lopez, Lorenzo's parole officer, tries to help him, even as she battles her own demons and excesses. Trying to stay one step ahead of her troubled past is a daily struggle. It looks like they both might make it, until a malevolent young killer, working for the powerful local drug boss, changes everything with one violent act. Now Lorenzo finds himself caught between the light and dark sides of the street, struggling to stay legit-or throw everything away to exact revenge.

    She married a man she grew to hate—and gave birth to a child she could never love. A child so monstrous that she killed it with her own hands…Twenty-five years later, Ellen Harper has a new life, a new husband, and two normal children—Joey loves monster movies, and Amy is about to graduate from high school. But their mother drowns her secret guilt in alcohol and prayer. The time has come for Amy and Joey to pay for her sins… Because Amy is pregnant. And the carnival is coming back to town.With a new afterword by the author

    His car was found. He wasn't. Unbelievably, the police report said, "No foul play suspected." There were a few unreliable sightings over the following months, but little else.Now, on the last day before summer break, her three children have gone missing from their schools, all at the same time.And the note under her windshield wiper asks one simple question: Are you ready to play the game?

    As dawn's shimmering light drenches the humid Iowa air, two families awaken to find their little girls have gone missing in the night.Seven-year-old Calli Clark is sweet, gentle, a dreamer who suffers from selective mutism brought on by tragedy that pulled her deep into silence as a toddler.Calli's mother, Antonia, tried to be the best mother she could within the confines of marriage to a mostly absent, often angry husband. Now, though she denies that her husband could be involved in the possible abductions, she fears her decision to stay in her marriage has cost her more than her daughter's voice.Petra Gregory is Calli's best friend, her soul mate and her voice. But neither Petra nor Calli has been heard from since their disappearance was discovered. Desperate to find his child, Martin Gregory is forced to confront a side of himself he did not know existed beneath his intellectual, professorial demeanor.Now these families are tied by the question of what happened to their children. And the answer is trapped in the silence of unspoken family secrets.

    Was the explosion deliberately set? What was Kate—tall, gorgeous, blond, a CPA for one of the biggest accounting firms in the country, and sister of a rising fashion designer—doing in the museum when it burst into flames? Why was Gus, a retired and disgruntled craftsman, with her at that time of night? What if someone isn't who he claims to be?Now Gus is dead, and Kate lies in the hospital badly injured and in a coma, so neither can tell what drew them there, or what the tragedy may have to do with the hunt for a young woman missing for many years, nor can they warn that somebody may be covering his tracks, willing to kill to save himself . . .Step by step, in a novel of dazzling suspense and excitement, Mary Higgins Clark once again demonstrates the mastery of her craft that has made her books international bestsellers for years. She presents the reader with a perplexing mystery, a puzzling question of identity, and a fascinating cast of characters—one of whom may just be a ruthless killer . . .

    Will under suspicion, they flee. Suddenly a hard-edged FBI agent appears on their doorstep. “I know you’re innocent, because Rachael wasn’t the first ... or the last.”

    To protect her, the lawyer admits to something he shouldn't. So begin the problems and she may have to do something she shouldn't.

    What do you do?Well, if you're David Lindsay from Arbroath, you get the hell out of there and don't return. Not for at least fifteen years. Until Nicola Cruickshank - yes, that Nicola, the girl you always fancied but never had the guts to approach - gets in touch and asks - no, demands - that you go back for a school reunion. To the place where it happened. The place you've been running from for fifteen years. Of course you go. Not to belatedly lay your mate to rest, but because you still fancy Nicola.The thing is, if you are David Lindsay, then returning to Arbroath isn't going to lay any ghosts to rest. And when someone else takes a dive off the cliffs - an act the locals have taken to calling 'tombstoning' - while David's there, he has a choice: run away again, or finally find out why people keep dying around him . . .

    But when her best friend Cass decides to teach mean girl Tara a lesson, Alice finds herself in a nightmare she can't escape.Now Alice is the guardian of a secret too horrific to tell; and a secret too terrible to keep. A secret that will change all of their lives for ever...

     A concrete floor three hundred feet up in the Aurora Tower condo development in SoHo has collapsed, hurling three workers to their deaths. The developer, Roth Properties (owned by the famously abrasive Simon Roth), faces a vast tangle of legal problems, including allegations of mob connections. Roth’s longtime lawyers, the elite midtown law firm of Blake and Wolcott, is assigned the task of cleaning up the mess. Much of the work lands on the plate of smart, cynical, and sea­soned associate Duncan Riley; as a result, he falls into the pow­erful orbit of Leah Roth, the beautiful daughter of Simon Roth and the designated inheritor of his real estate empire. Meanwhile, Riley pursues a seemingly small pro bono case in which he attempts to forestall the eviction of Rafael Nazario and his grandmother from public housing in the wake of a pot bust. One night Rafael is picked up and charged with the mur­der of the private security cop who caught him, a murder that took place in another controversial “mixed income” housing development being built by . . . Roth Properties. Duncan Riley is now walking the knife edge of legal ethics and personal morality. Blind Man’s Alley is a suspenseful and kaleidoscopic journey through a world where the only rule is self- preservation. The New York Times Book Review said of A Cure for Night that “[Peacock] heads toward Scott Turow country . . . he’s got a good chance to make partner.” This taut, topical, and socially alert thriller delivers on that promise.

    Small, dark-haired, shy but tough, a Wisconsin farm girl on the streets of Los Angeles, she roams the city with her small band of video free-lancers in their truck from ten to dawn, looking for news: accidents, robberies, murders, demonstrations — anything they can shoot and sell to the local stations or the networks. It's an exhilarating life . . . until the day two deaths shake their world.The first is the jumper. Five stories up, perched on the ledge of a hotel window, dark pants, white shirt, just standing there — and then he's gone, falling through the air towards the cameras. The second is Jason, one of Anna's cameramen. Strangely affected by the jumper, he quits the scene early that night, not to be seen again until his body turns up on the beach several hours later, shot in the head. The police wonder if it's drug-related, but Anna isn't so sure, and the more she looks into it on her own, the more the ghosts of the past — hers, Jason's, and finally the jumper's — begin to emerge, until her whole world turns as dark and dangerous as the night itself.

    Eager to prove herself grown up, she goes to a dark, secluded park. She’s supposed to meet the boy of her dreams who she met online. But the cute fifteen year old was a fantasy, his pictures fake. She finds herself face to face with Chester Woodran, a man capable of murder.Distraught over his own missing daughter, Chester insists that Macy replace his lost girl. He withholds food, locks Macy up, and roughs her up, demanding that she call him dad. Under duress from his constant threats and mind games, her hold on reality starts to slip. Clinging to her memories is the only way of holding onto her true identity, not believing that she is Chester’s daughter. Otherwise she may never see her family again.

    It’s all he can do to keep his compassionate but ailing mother and his stepfather—a fanatical grassroots minister with a bruising rhetoric—from ruin. But they have no idea they’ve become the obsession of the girl in the woods.Abandoned and nearly feral, Eve has been watching them, seduced by the notion of family—something she’s known only in the most brutal sense. Soon she can’t resist the temptation to get close. Where Henry’s mother sees a poor girl in need, his father sees only wickedness. When Henry forges an unexpected bond with Eve, he believes he might be able to save her. He doesn’t know how wrong he is.Eve is about to take charge of her own destiny—and that of Henry’s family. As both their worlds spin violently out of control, Henry must make an impossible choice: protect the broken young woman who’s claimed a piece of his soul, or put everyone he loves at risk in order to do the right thing.

    Fired from the FBI for inadvertently sleeping with the perp in a murder case, he tries to disappear to a houseboat and retirement. Not having what it takes to relax, Benny starts a service offering discreet investigations. That is until a body is found crucified near his marina. The local police department requests Benny’s help and he knows if he can catch the killer, redemption is his. The Chief gives Benny and the department ten days to solve the crimes before he promises to request the help of the FBI. As the case grows, grabbing national attention, and the murders continue, the media soon fills the normally quiet town. Media goddess, Rachael Martin arrives and adds spice to an already flavorful mix. A few newcomers straggle in as well. An ex-convict fresh out of prison from a thirty year murder rap slinks in unnoticed with revenge on his mind. Days later, a Greyhound bus delivers a strange young man raised by deaf-mute parents from deep within the Ozark Mountains. An old newspaper clipping and a dark secret pulls him to town. Whatever is going on has something strange to do with birds. At each murder site, dead birds are displayed in disturbing ways—the killer arranging them as an artist might. All the strange occurrences and unexplained visitors to this quiet town press Benny James to his max as he vehemently struggles to solve the most important case of his life.

    including the President of the United States?