Leaving behind his beloved Paris gallery, Paul Rosenberg had managed to save his family, but his paintings—modern masterpieces by Cézanne, Monet, Sisley, and others—were not so fortunate. As he fled, dozens of works were seized by Nazi forces and the art dealer's own legacy was eradicated. More than half a century later, Anne Sinclair uncovered a box filled with letters. "Curious in spite of myself," she writes, "I plunged into these archives, in search of the story of my family. To find out who my mother's father really was . . . a man hailed as a pioneer in the world of modern art, who then became a pariah in his own country during the Second World War. I was overcome with a desire to fit together the pieces of this French story of art and war." Drawing on her grandfather's intimate correspondence with Picasso, Matisse, Braque, and others, Sinclair takes us on a personal journey through the life of a legendary member of the Parisian art scene in My Grandfather's Gallery. Rosenberg's story is emblematic of millions of Jews, rich and poor, whose lives were indelibly altered by World War II. Sinclair's journey to reclaim her family history paints a picture of modern art on both sides of the Atlantic between the 1920's and 1950's that reframes twentieth-century art history.

    When they fall in love with the village of La Montagne Noire, they find themselves buying a fixer-upper and starting all over again-but this time, in French McAdams recounts their mishaps and misadventures with humor, capturing the essence of French village life, the awkwardness of being foreigners in a close-knit town, the couple's hilarious linguistic pratfalls, and how the mammoth undertaking that threatens to tear their new marriage apart ultimately brings them closer together and helps them find a place in the community they have grown to love.

    Nevertheless, while they do offer an interesting counterpoint to the great novels, the stories as themselves.For this volume Sylvia Raphael has chosen twelve stories, includingAn Incident in the Reign of Terror, The Atheist's Massand The Red Inn. All of them reveal Balzac's ability to excite curiosity, his intituitive grasp of what made other lives tick and his instinctive understanding of the contradicions in human behavior.El Verdugo --Domestic peace --A study in feminine psychology --An incident in the reign of terror --The conscript --The Red Inn --The purse --La Grande Bretèche --A tragedy by the sea --The atheist's Mass --Facino Cane --Pierre Grassou.

    Their name is inextricably linked to the history of Florence. The city itself remains a living symbol of the peninsula's most splendid epoch. When people around the world think of Italy, they usually think of Florence and Tuscany, and of the priceless art collections that hold, to this day, an irresistible fascination for millions of visitors. This concise and brilliant book reads like a piece of journalism in the best sense of the term. With an entirely original and non-provincial approach, the author traces the dazzling rise and fall of this dynasty, from the first gonfaloniere to the last Grand Duke, tirelessly bringing out its historical links with Florence, Italy and Europe. The many illustrations, clarified by ample captions, do not add up to a mere gallery of official portraits; rather, the

    Louise Vemet. Raised in the slums of Paris. Coming of age around the splendor and corruption of the Second Empire. She ruled the world of fashion, clothing the most fabled women of title and of pleasure in a society where even sin had to have style. She took as her lover a nobleman she could never wed -- and gave a name to their child by entering into a passionless marriage. Sweeping from the Paris of Louis Napoleon to the England of Queen Victoria... and from the depths of despair to the heights of joy and fulfillment... this is the unforgettable saga of a woman of daring and destiny -- and the dazzling world of French haute couture she helped create....

    

    He became the epitome and exemplar of monarchy, the king all his contemporaries and successors imitated, envied, or fought against.King of the World is a magnificent and startlingly insightful account of the man who dominated the seventeenth century more than any other. To what extent did Louis have absolute power, or was decision-making in the hands of ministers and mistresses? How much of the extravagance of Versailles was for show, and how far was Louis himself the show? How could such a civilized man commit so many acts of barbarism? How effective was he as a ruler and a general? Did he leave his country stronger or weaker than it was before? Mansel offers original and persuasive answers to these questions, and weaves a brilliant tapestry of the life of one of the most compelling figures in European history.

    This travel guide maps the region of Provence and sets it in its historical and cultural context. Learn about sites and sounds of Provence with maps, photographs and illustrations. All this and more can be found in the new Eyewitness Travel Guide. Annually revised and updated Beautiful new full-color photos, illustrations, and maps Includes information on local customs, currency, medical services, and transportation Consistently chosen over the competition in national consumer market research

    A fiery and gorgeous Hungarian, he made women swoon at soirees and left a trail of broken hearts behind him. Anne, a countess and talented young pianist whose mother has just died of cholera, hears Franz Liszt in concert and is swept up in his allure. The enigmatic Marie d'Agoult, a friend of Anne's late mother, takes her under her wing and introduces her to the artistic world -- despite the objections of Anne's sullen and sorrowful father. Anne soon finds herself in the midst of dangerous intrigues, discovering a family secret so shocking that her father will go to any lengths to protect it. With the ominous presence of Paris's most deadly epidemic looming over every turbulent event, Liszt's Kiss is a rich evocation of a remarkable period as seen through the eyes of a sensitive young artist.

    But enslaved she was. "Granite Island", much more than a travel book, grew out of years spent in Corsica and is an incomparably vivid and delightful portrait. For the first time Corsica is brought to light as a vital element in Europe: a highly individualistic island culture whose people have nurtured their love of freedom and political justice, as well as their pride, hospitality and poetry.

    Following an unexpected inheritence, they decide to give up their jobs and explore the world of ideas.

    Now, in the hands of the superb biographer Hilary Spurling, the unknown Matisse becomes visible at last.Matisse was born into a family of shopkeepers in 1869, in a gloomy textile town in the north of France. His environment was brightened only by the sumptuous fabrics produced by the local weavers--magnificent brocades and silks that offered Matisse his first vision of light and color, and which later became a familiar motif in his paintings. He did not find his artistic vocation until after leaving school, when he struggled for years with his father, who wanted him to take over the family seed-store. Escaping to Paris, where he was scorned by the French art establishment, Matisse lived for fifteen years in great poverty--an ordeal he shared with other young artists and with Camille Joblaud, the mother of his daughter, Marguerite. But Matisse never gave up. Painting by painting, he struggled toward the revelation that beckoned to him, learning about color, light, and form from such mentors as Signac, Pissarro, and the Australian painter John Peter Russell, who ruled his own art colony on an island off the coast of Brittany. In 1898, after a dramatic parting from Joblaud, Matisse met and married Amélie Parayre, who became his staunchest ally. She and their two sons, Jean and Pierre, formed with Marguerite his indispensable intimate circle.From the first day of his wedding trip to Ajaccio in Corsica, Matisse realized that he had found his spiritual home: the south, with its heat, color, and clear light. For years he worked unceasingly toward the style by which we know him now. But in 1902, just as he was on the point of achieving his goals as a painter, he suddenly left Paris with his family for the hometown he detested, and returned to the somber, muted palette he had so recently discarded.Why did this happen? Art historians have called this regression Matisse's "dark period," but none have ever guessed the reason for it. What Hilary Spurling has uncovered is nothing less than the involvement of Matisse's in-laws, the Parayres, in a monumental scandal which threatened to topple the banking system and government of France. The authorities, reeling from the divisive Dreyfus case, smoothed over the so-called Humbert Affair, and did it so well that the story of this twenty-year scam--and the humiliation and ruin its climax brought down on the unsuspecting Matisse and his family--have been erased from memory until now.It took many months for Matisse to come to terms with this disgrace, and nearly as long to return to the bold course he had been pursuing before the interruption. What lay ahead were the summers in St-Tropez and Collioure; the outpouring of "Fauve" paintings; Matisse's experiments with sculpture; and the beginnings of acceptance by dealers and collectors, which, by 1908, put his life on a more secure footing.Hilary Spurling's discovery of the Humbert Affair and its effects on Matisse's health and work is an extraordinary revelation, but it is only one aspect of her achievement. She enters into Matisse's struggle for expression and his tenacious progress from his northern origins to the life-giving light of the Mediterranean with rare sensitivity. She brings to her task an astonishing breadth of knowledge about his family, about fin-de-siècle Paris, the conventional Salon painters who shut their doors on him, his artistic comrades, his early patrons, and his incipient rivalry with Picasso.In Hilary Spurling, Matisse has found a biographer with a detective's ability to unearth crucial facts, the narrative power of a novelist, and profound empathy for her subject.From the Hardcover edition.

    She loves Henri of Guise, but is married off to Henry of Navarre, which – her mother hopes – will bring peace to the realm. But, within days, the streets of Paris are awash with blood, and Marguerite and her new husband are held hostage by her own family. Can they ever hope to escape alive? In a court rife with murder, jealousy and the hunger for power, it will not be an easy task.

    Eventually, he led tours and gave lectures on the demolition and reconstruction that changed the city forever. Walks through Lost Paris chronicles Paris's great periods of urban reconstruction through four walking tours. With a special focus on the work of Georges-Eugene Haussmann, this book provides a history of each site along with the motives behind the urban redesign and the reactions of Parisians who witnessed it. Detailed maps take you through a city whose changes were captured by photographers and artists in each stage. Hundreds of color photos, diagrams, and engravings splendidly survey the massive transformation that resulted in the Paris of today.

    A murdered man is found in a Parisian cemetery in 1786, where struggling writer Aristide Ravel recognizes the strange symbols surrounding the body to be Masonic.