His father had been disinherited and has left Scotland leaving his son penniless. After a brief apprenticeship to a surgeon, the innocent Roderick travels to London where he encounters various rogues.

    Formerly a governess, she has landed on the occupation of prestidigitator, and thanks to her overwhelming beauty—and to a lesser extent her professional talents—she takes the town by storm, gaining admittance to her grandfather's college. It is there, at the institution inspired by Beerbohm's own alma mater, that she falls in love with the Duke of Dorset, who duly adores her in return. Ever aware of appearances, however, Zuleika breaks the Duke's heart when she decides that she must abandon the match. The epidemic of heartache that proceeds to overcome the academic town makes for some of the best comic writing in the history of English literature.

    Minutes after the axe falls, his right index finger is severed in a freak accident. Doctors manage to reattach the finger, but when the bandages come off, Nelson realizes that he has acquired a strange power—he can force his will onto others with a touch of his finger. And so he obtains an extension on the lease of his university-owned townhouse and picks up two sections of freshman composition, saving his career from utter ruin. But soon these victories seem inconsequential, and Nelson's finger burns for even greater glory. Now the Midas of academia wonders if he can attain what every struggling assistant professor and visiting lecturer covets—tenure. The Lecturer's Tale is a pitch-perfect blend of satire and horror.

    The dying Freud hustled out of Vienna into exileA Broadway musical on the subject of Trotsky in New YorkThe last throes of the planet Earth in AD 2000These are all items onThe End of the World NewsPsychoanalysis, international socialism and The End - three themes, three stories - outrageously counterpointed into trinity, in a novel stuffed with verbal pyrotechnics, amazing sleights of fantasy, and tantalizing jokes, and which is crowned by a brilliant, unexpected, out-of-this-world finale - all written by one novelist at the height of his powers.

    Randall Jarrell’s classic novel was originally published to overwhelming critical acclaim in 1954, forging a new standard for campus satire—and instantly yielding comparisons to Dorothy Parker’s razor-sharp barbs. Like his fictional nemesis, Jarrell cuts through the earnest conversations at Benton College—mischievously, but with mischief nowhere more wicked than when crusading against the vitriolic heroine herself.

    But the countryside and people are war-battered, and their reception at the Chateau Beaumesnil is not all the open-hearted Americans could wish for.

    David Lodge, portraying two American and British professors who replace one another at their respective institutions, gives greed, pettiness, and pretense full rein.

    But he suddenly discovers that he can inherit seven times as much from his eccentric uncle if he spends every cent of his grandfather's money within a year. The carefree prospect of running through a fortune in order to receive an even greater windfall turns into a comic burden because of his uncle's stipulations: Monty must spend responsibly, showing good business sense, limiting his charitable contributions, and maintaining utter secrecy about the second inheritance.Can Monty run through the million according to his uncle's terms? His friends are aghast at his madcap extravagance — the gambling, the risky investments, the lavish parties — and Monty's romance with a banker's daughter is imperiled by his seemingly reckless spending. This sprightly comedy, originally published in 1902, offers an atmospheric picture of New York City at the turn of the twentieth century and its intriguing premise has served as the source of ten movie adaptations.

    Here Mary has spent thirty-five years, devoting herself to her sister, now dead, and to her father, Canon Jocelyn. Although she is pitied by her neighbours for this muted existence, Mary is content. But when she meets Robert Herbert, Mary's ease is destroyed and years of suppressed emotion surface through her desire for him. First published in 1924 this novel is an impressive exploration of Mary's relationship with her father, of her need for Robert and the way in which, through each, she comes to a clearer understanding of love.

    Battling the sea and struggling against each other as the dreaded williwaw approaches, strikes, and subsides, the men reveal the storms within their souls, stark, fierce, and compelling. And pervading all is the grim atmosphere, set down with a mastery of description, of the desolate Arctic and the harsh destructive storm.

    In this fine and funny adventure set in the backlands of modern Turkey, a group of highly unusual travel companions makes its way from Istanbul to legendary Trebizond, encountering potion-dealing sorcerers, recalcitrant policemen, and Billy Graham on tour with a busload of Southern evangelists. But though the dominant note of the novel is humorous, its pages are shadowed by heartbreak as the narrator confronts the specters of ancient empires, religious turmoil, and painful memories of lost love.

    In this period the Italian Communist Party is very strong, but the Second World War and fascism are still vividly remembered. Boscaccio has a communist mayor named Peppone. He wants to realise the communist ideals, and the Roman Catholic priest Don Camillo is desperately trying to prevent this. But despite their different views these men can count on each other in the fight against social injustice and abuses.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    Along the way, they meet with a series of adventures in which, through their own innocence and honesty, they expose the hypocrisy and affectation of others.

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.