Religion and magic permeated their civilization, and this book provides a unique insight into their religious beliefs and practices, from 5000 BC to the 4th century AD, when Egyptian Christianity replaced the earlier customs. Arranged chronologically, this book provides a fascinating introduction to the world of half-human/ half-animal gods and goddesses; death rituals, the afterlife and mummification; the cult of sacred animals, pyramids, magic and medicine. An appendix contains translations of Ancient Eygtian spells.

    The title, Regarding Wave,reflects "a half-buried series of word origins dating back through theIndo-European language: intersections of energy, woman, song and 'GoneBeyond Wisdom.'" Central to the work is a cycle of songs for Snyder'swife, Masa, and their first son, Kai. Probing even further than Snyder'sprevious collection of poems, The Back Country, this newvolume freshly explores "the most archaic values on earth… the fertilityof the soil, the magic of animals, the power-vision in solitude, theterrifying initiation and rebirth, the love and ecstasy of the dance,the common work of the tribe…”

    Eliot, published individually from 1936 to 1942, and in book form in 1943; it was considered by Eliot himself to be his finest work. Each of the quartets has five "movements" and each is titled by a place name -- BURNT NORTON (1936), EAST COKER (1940), THE DRY SALVAGES (1941), and LITTLE GIDDING (1942). Eliot's insights into the cyclical nature of life are revealed through themes and images woven throughout the four poems. Spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. The work addresses the connections of the personal and historical present and past, spiritual renewal, and the very nature of experience; it is considered the poet's clearest exposition of his Christian beliefs. (The Merriam-Webster Encyclopedia of Literature)

    49 plates, 93 illustrations.

    . . whom dreamers find always at the end of their dreams."-- Theophile Gautier, 1845Arrestingly beautiful and fiercely intelligent, Cleopatra VII of Egypt was barely more than a teenager when she inherited the richest empire in the world--one that stretched from the scorching deserts of lower Egypt to the shining Mediterranean metropolis of Alexandria, with its famed libraries, storehouses, and treasuries. Imperiled at every turn by court conspiracies and Roman treachery, the young queen was forced to flee Alexandria and live in exile while a foreign army overran her city and her own siblings plotted her downfall. With nothing to lose, Cleopatra brazenly sought a partnership with the only man who could secure Egypt's safety: Julius Caesar, a wily politician and battle-hardened general with a weakness for women. The result was a passionate love affair that scandalized Rome and thrust Cleopatra into the glittering but deadly world of imperial intrigue and warfare-- a world that she would mesmerize and manipulate even after Caesar was gone.At the height of her power and fame, Cleopatra fell in love with Caesar's protégé and successor, Marc Antony, a handsome general known as much for his drunken hedonism as for his victories in  battle. Brash, irresistible, and fatally unreliable, Antony's once-strong hold on the Roman Empire was slipping fast, and with it slipped Cleopatra's fortunes. When the tide had finally, irrevocably turned against her, the proud queen plotted a last, spectacular maneuver that was to save her children, her empire, and her place in the pantheon of gods. Colin Falconer's bold, sensuous prose takes the reader inside the walls of Alexandria's great palaces and into Cleopatra's very heart, creating a vivid portrait of an unforgettable woman who thrived and triumphed in a world ruled by men. This is the story of a legendary woman's most glorious time, a story that blazes through thousands of years of history to capture the imagination of readers today.From the Hardcover edition.

    Phillis Wheatley was born in Africa, sold as a slave in America, and became a celebrity in Europe. This volume also contains a short memoir of her life.

    A book of aphorisms, poems, and parables by the author of "The Prophet" - a philosopher at his window commenting on the scene passing below.

    In addition to including many more pieces, Tomlinson has organized the whole in chronological order.It isn't what he [the poet] says that counts as a work of art," Williams maintained, "it's what he makes, with such intensity of purpose that it lives with an intrinsic movement of its own to verify its authenticity.

    In Temples, Tombs, and Hieroglyphs, Dr. Mertz explores the breathtaking reality behind her fiction by casting a dazzling light on a remarkable civilization that, even after thousands of years, still stirs the human imagination and inspires awe with its marvelous mysteries and amazing accomplishments.A fascinating chronicle of an extraordinary epoch—from the first Stone Age settlements through the reign of Cleopatra and the Roman invasions—Temples, Tombs, and Hieroglyphs brings ancient Egypt to life as never before. Lavishly illustrated with pictures, maps, photographs, and charts, it offers tantalizing glimpses into Egyptian society and everyday life; amazing stories of the pharaohs and the rise and fall of great dynasties; religion and culture; folklore and fairy tales; stories of the explorers, scientists, and unmitigated scoundrels who sought to unravel or exploit the ageless mysteries; and breathtaking insights into the magnificent architectural wonders that rose up from the desert sands.Revised and updated to include the results of the most recent historical research and archaeological finds, Dr. Mertz's book is unhampered by stuffy prose and dry academic formality. Instead, it is a vibrant, colorful, and fun excursion for anyone who's ever fantasized about exploring the Valley of the Kings, viewing up close the treasures of the temple of Queen Hatshepsut, or sailing down the Nile on Cleopatra's royal barge.

    Rainer Maria Rilke was staying at Duino Castle, on a rocky headland of the Adriatic Sea near Trieste. One morning he walked out onto the battlements and climbed down to where the cliffs dropped sharply to the sea. From out of the fierce wind, Rilke seemed to hear a voice: Wer, wenn ich schriee, horte mich denn aus der Engel Ordnungen? (If I cried out, who would hear me up there, among the angelic orders?). He wrote these words, the opening of the first Duino Elegy, in his notebook, then went inside to continue what was to be his major opus—completely only after another ten, tormented years of effort—and one of the literary masterpieces of the century. Duino Elegies speaks in a voice that is both intimate and majestic on the mysteries of human life and our attempt, in the words of the translator David Young, “to use our self-consciousness to some advantage: to transcend, through art and the imagination, our self-deception and our fear.”

    A ruba'i is a two-line stanza with two parts (or hemistichs) per line, hence the word rubáiyát (derived from the Arabic language root for "four"), meaning "quatrains". (Courtesy: Wikipedia)(less)

    Regularly, repeatedly, and with impunity, queens like Hatshepsut, Nefertiti, and Cleopatra controlled the totalitarian state as power-brokers and rulers. But throughout human history, women in positions of power were more often used as political pawns in a male-dominated society. What was so special about ancient Egypt that provided women this kind of access to the highest political office? What was it about these women that allowed them to transcend patriarchal obstacles? What did Egypt gain from its liberal reliance on female leadership, and could today's world learn from its example?Celebrated Egyptologist Kara Cooney delivers a fascinating tale of female power, exploring the reasons why it has seldom been allowed through the ages, and why we should care.

    E. Called the religious revolutionary, he is the earliest known creator of a new religion. The cult he founded broke with Egypt's traditional polytheism and focused its worship on a single deity, the sun god Aten. Erik Hornung, one of the world's preeminent Egyptologists, here offers a concise and accessible account of Akhenaten and his religion of light.Hornung begins with a discussion of the nineteenth-century scholars who laid the foundation for our knowledge of Akhenaten's period and extends to the most recent archaeological finds. He emphasizes that Akhenaten's monotheistic theology represented the first attempt in history to explain the entire natural and human world on the basis of a single principle. Akhenaten made light the absolute reference point, Hornung writes, and it is astonishing how clearly and consistently he pursued this concept. Hornung also addresses such topics as the origins of the new religion; pro-found changes in beliefs regarding the afterlife; and the new Egyptian capital at Akhetaten which was devoted to the service of Aten, his prophet Akhenaten, and the latter's family.

    Chamber Music is a collection of poems by James Joyce.The collection originally comprised thirty-four love poems, but two further poems were added before publication ("All day I hear the noise of waters" and "I hear an army charging upon the land").

    Sin