There he meets the eminent professor, Gordon Stone, and his beautiful wife, Judith Silver, with whom he soon falls into a passionate affair. Into this explosive mix, a young woman appears--a single mother at the end of her emotional rope. Crystal desperately needs David. Yet caught between two women, David bears witness to a heartbreaking turn of events that seems as inevitable as the push and pull of ocean waves. . . .

    First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman’s words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal.Dana Seitler’s introduction provides historical context, revealing The Crux as an allegory for social and political anxieties—including the rampant insecurities over contagion and disease—in the United States at the beginning of the twentieth century. Seitler highlights the importance of The Crux to understandings of Gilman’s body of work specifically and early feminism more generally. She shows how the novel complicates critical history by illustrating the biological argument undergirding Gilman’s feminism. Indeed, The Crux demonstrates how popular conceptions of eugenic science were attractive to feminist authors and intellectuals because they suggested that ideologies of national progress and U.S. expansionism depended as much on women and motherhood as on masculine contest.

    In Mary (1788), Mary Wollstonecraft explores the position of an alienated intellectual woman and, in portraying her struggle against the constraints of a claustrophobic feminine world, began a line that would include the more substantial heroines of Jane Eyre and Villette. In the posthumously published Maria (1798) she continues in fiction the arguments of the Vindication - she moves from her own experiences to examine the miseries of women of all classes. Mary Shelley wrote Matilda in 1819, while in mourning for her first son. It was her second novel and it remained unpublished during her lifetime. William Godwin, Mary's father, found its subject of father-daughter incest so 'disgusting and detestable' that he refused to publish it and the work remained suppressed for over a century. In her illuminating introduction to this edition Janet Todd explores how these novels are linked, not only through the mother-daughter relationship of their authors, but in their perceptions of feminism and female sexuality, personal conflict and in their autobiographical richness.

    Not everything is easy to discover.' In war-torn France, charismatic Spaniard Luis elopes with high-born Elise from Paris and takes her to live in a small village in Catalonia. Little do they know that war will rip them apart, sending Elise into unhappy exile in England, and Luis to his death in the Resistance. Many years later their daughter Madeleine returns to France to seek out her roots and the truth of her parents' story. But her arrival in the Catalan village of her childhood unleashes more than she had bargained for, as Madeleine confronts the secrets of war and learns the shocking truth behind her father's death. And as her own love story begins, she must come to terms with her past, and learn to forgive and to believe in the legacy of love her parents left behind.

    But for a beautiful young woman of limited means, Eliza’s choices appear to lie between the stifling domesticity of marriage or a downwards spiral to the streets – no matter how determined she is to forge her own path.One night at a run-down theatre, she meets the charismatic Devil Wix – showman, master of illusion, fickle friend. Drawn into his circle, Eliza becomes the catalyst of change for his colleagues – a dwarf, an eccentric engineer, and an artist – as well as Devil himself. And as Eliza embarks on a dangerous adventure, she must decide which path to choose, and how far she should go when she holds all their lives in her hands.

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    This story is brutal and shockingly unpredictable. In the year 1823, at the height of the British Empire and the colonization of Australia, Pat Roche sits on board a convict ship, sentenced for the term of his natural life to the New Colonies. All hope of ever seeing his wife and child again appeared to be lost. The ship is a fraught with tension under such a strict military guard; with one hundred and fifty criminals confined to a small space, it can only mean trouble. By the time the ship arrives at Van Dieman’s Land, there will be fighting, flogging, rape, murder and mutiny. Pat Roche will find himself involved in it all. Sarah Roche has now been shunned by the local community and is struggling to fend for herself and her little boy. There is a terrible turn of events and she is soon to follow in her husband’s footsteps. So too will a desperate voyage begin for her on board the female convict ship, otherwise known as ‘Floating Brothels’. She arrives in Hobart a broken woman, only regaining her strength after a fleeting moment with her husband. Pat is being taken away to a place of unbearable torment; the notorious Sarah Island settlement, where escape is punishable by death. Many colourful characters weave their way through the pages, creating a plot intertwined with deceit, retribution, murder, tragedy and enduring love, resulting in a heart wrenching climax.For Pat Roche, when there is nothing more worth living for, a chance to escape and find his family is worth dying for.

    In this story, so full of excitement and mystery that it would seem incredible fiction if it were not based on real life, Jean Plaidy has created a fascinating portrait of one woman's tragic life.

    Moreland was engaged to Argyll’s daughter, Eleanor, and suspicion soon falls upon the lawyer’s protégé, Richard Redfield. Desperate to clear his name, Redfield seeks the help of Mr. Burton, a famous New York City detective—but the case has more twists and turns than either of the two men could possibly imagine.   Set against the political turmoil of the Reconstruction Era, The Dead Letter is a fascinating historical document, a pioneering work of genre fiction, and a mystery with a cleverly satisfying conclusion.   This ebook has been professionally proofread to ensure accuracy and readability on all devices.

    Published in 1884, Jewett’s first novel, A Country Doctor, is a luminous portrayal of rural Maine and a semiautobiographical look at her world. In it, Nan’s struggle to choose between marriage and a career as a doctor, between the confining life of a small town and a self-directed one as a professional, mirrors Jewett’s own conflicts as well as eloquently giving voice to the leading women’s issues of her time. Perhaps even more important, Jewett’s perfect details about wild flowers and seaside wharfs, farm women knitting by the fireside and sailors going upriver to meet the moonlight, convey a realism that has seldom been surpassed and stamp her writing with her signature style. A contemporary and friend of Willa Cather, Harriet Beecher Stowe, and Julia Ward Howe, Sarah Orne Jewett is widely recognized as a pathfinder in American literary history, courageously pursuing a road less traveled that led the way for other women to follow.

    But Aurelia leaves Amy with one last gift.A bundle of letters with a coded key. A treasure hunt that only Amy can unlock.A life-changing secret awaits... if only she can reach it.

    But Rosemary has a secret, and he’s lying comatose in a hospital only a few miles away. Should she let him live, or let him go? Into the midst of Rosemary’s dilemma comes bohemian artist, Ben. His abstract pictures and fixation with painting God disturb Rosemary, and yet she finds herself unable to keep away. As summer passes and an unlikely friendship develops, it becomes clear that Rosemary is not the only one with something to hide. Nor is she the only one battling the ghosts of the past. Rosemary and Ben must decide whether to trust each other, choosing between the madness of admitting the truth and the insanity of maintaining their lies. With their lives unravelling around them, can they help each other to confront the past, or are there some secrets too terrible to be told?

    When she reaches the British lines in Kabul she is bewitched by the exotic world of Afghanistan -- and by Alexander Bewick, the scandalous adventurer who arouses an instant response in her heart. As bloodshed and misery crumble Kabul, Charlotte is forced to choose between her devoted husband and her reckless lover.Always shadowed by her legendary grandmother Charlotte, Alexandra has been raised by resentful mother in a gloomy Scottish castle. Can she find the strength to reach out and create a life of her own?Filled with the wildness, passion and also the selfishness of her great -- grandmother Charlotte, Cara smoulders with resentment over the care of her crippled mother. As the tragedies of World War II slowly erode her life, she discovers she has also inherited Charlotte's courage -- a courage that will eventually bring her happiness.

    As a young child, Moth's father smiled, tipped his hat and walked away from her forever. The summer she turned twelve, her mother sold her as a servant to a wealthy woman, with no intention of ever seeing her again. These betrayals lead Moth to the wild, murky world of the Bowery, filled with house-thieves, pickpockets, beggars, sideshow freaks and prostitutes, where eventually she meets Miss Everett, the owner of a brothel simply known as "The Infant School." Miss Everett caters to gentlemen who pay dearly for companions who are "willing and clean," and the most desirable of them all are young virgins like Moth. Through the friendship of Dr. Sadie, a female physician, Moth learns to question and observe the world around her, where her new friends are falling prey to the myth of the "virgin cure" - that deflowering a "fresh maid" can heal the incurable and tainted. She knows the law will not protect her, that polite society ignores her, and still she dreams of answering to no one but herself. There's a high price for such independence, though, and no one knows that better than a girl from Chrystie Street.

    This is a must-read for anyone who loves an underdog and celebrates justice; the perfect accompaniment for our present times."  -  Olivia Hawker, international bestselling author of The Ragged Edge of Night Nellie Bly has the story of a lifetime. But will she survive to tell it?Enraged by an article entitled ‘What Girls Are Good For’, Elizabeth Cochrane pens an angry letter to the Pittsburgh Dispatch, never imagining a Victorian newspaper would hire a woman reporter. Taking the name Nellie Bly, she struggles against the male-dominated industry, reporting stories no one else will – the stories of downtrodden women.Chased out of Mexico for revealing government corruption, her romantic advances rejected by a married colleague, Bly earns the chance to break into the New York’s Newspaper Row if she can nab a major scoop – life inside a madhouse. Feigning madness, she dupes the court into committing her to the Insane Asylum on Blackwell’s Island. But matters are far worse than she ever dreamed. Stripped, drugged, beaten, she must endure a week of terror, reliving the darkest days of her childhood, in order to escape and tell the world her story. Only, at the end of the week, no rescue comes, and she fears she may be trapped forever...Based on the real-life events of Nellie Bly’s life and reporting, What Girls Are Good For is a tale of rage, determination, and triumph - all in the frame of a tiny Pennsylvania spitfire who refused to let the world tell her how to live her life, and changed the world instead. Praise for What Girls Are Good For: ★★★★★ - "With rich imagination and meticulous research, David Blixt has brought the hectic, exciting world of nineteenth-century journalism vividly to life. His Nellie Bly is determined, independent, crafty, irresistible -- a heroine any reader would be delighted to get to know." - Matthew Goodman, New York Times bestselling author ★★★★★ - "David Blixt pens a heroine for the ages in "What Girls Are Good For," which follows the extraordinary career of pioneer newspaperwoman Nellie Bly. A pint-sized dynamo who refuses to stay in the kitchen, Nellie fights tooth and nail to make a name for herself as a journalist, battling complacent men, corrupt institutions, and her own demons along the way. This real-life Lois Lane had me cheering aloud as I turned the pages - simply a delight!" - Kate Quinn, author of The Alice Network