Best of
American

1911

The Unabridged Devil's Dictionary


Ambrose Bierce - 1911
    There, a bore is "a person who talks when you wish him to listen," and happiness is "an agreeable sensation arising from contemplating the misery of another." This is the most comprehensive, authoritative edition ever of Ambrose Bierce’s satiric masterpiece. It renders obsolete all other versions that have appeared in the book’s ninety-year history.A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil’s Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth.This new edition is based on David E. Schultz and S. T. Joshi’s exhaustive investigation into the book’s writing and publishing history. All of Bierce’s known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included.Ambrose Bierce’s Devil’s Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.

Jennie Gerhardt


Theodore Dreiser - 1911
    Today it is generally regarded as one of his three best novels, along with Sister Carrie and An American Tragedy. But the text of Jennie Gerhardt heretofore known to readers is quite different from the text as Dreiser originally wrote it. In the tradition of the University of Pennsylvania Dreiser Edition, James L. W. West III has recaptured the text as it was originally written, restoring it to its complete, unexpurgated form. As submitted to Harper and Brothers in 1911, Jennie Gerhardt was a powerful study of a woman tragically compromised by birth and fate. Harpers agreed to publish the book but was nervous about its subject matter and moral stance. Jennie has an illegitimate child by one man and lives out of wedlock with another - but Dreiser does not condemn her for her behavior. As a requirement for publication, Harpers insisted on cutting and revising the text. Although Dreiser fought against many of the cuts and succeeded in restoring some material, Harpers shortened the text by 16,000 words and completely revised its style and tone. These changes ultimately transformed Jennie Gerhardt from a blunt, carefully documented work of social realism to a touching love story merely set against a social background. Passages critical of organized religion and of the institution of marriage were reduced and altered. Perhaps most important, Jennie's point of view - her innate romantic mysticism - was largely edited out of the text. As a consequence, the central dialectic of the novel was skewed and the narrative thrown out of balance.

Hearts of Three


Jack London - 1911
    When his father's business partner Thomas Regan suggests that Francis take a holiday in Central America, ostensibly to search for the treasure of the Morgans' legendary ancestor, Francis thinks it's a splendid idea. But he never suspects what adventures await across the border...Meanwhile, back in New York, a cunning enemy is positioning himself to destroy the Morgan fortune. Francis must get back in time to thwart the takeover and save his family's business.

When God Laughs and Other Stories


Jack London - 1911
    Named after the first story — about a couple that tries in vain to uphold an intensely idealistic romance against the erosions of time and the inconstancy of human nature — the collection explores themes for which London became famous: the struggle for survival in the midst of hostile environments, human nature’s most elemental drives, and worker abuse in industrialized society.In The Apostate his concerns with the working poor and his dislike of pre-union-era capitalism are evident in a grim story about a young man who is brutalized by the subhuman working conditions in a textile mill, yet achieves a kind of liberation in the end.London’s fascination with primitive male characters is evident in Just Meat, a story of two thieves who plot each other’s demise in a selfish grab for a hoard of recently stolen jewelry.Like his famous novel The Sea Wolf, the stories Make Westing and The ‘Francis Spaight’ (described as "A True Tale Retold") portray corrupt sea captains abusing and terrorizing their crews during nightmarish voyages.In the concluding story, A Piece of Steak London starkly portrays the desperate struggles of an aging boxer as he grapples with a younger contender through most of a grueling twenty-round fight.As all of these stories vividly reveal, many of them brilliantly, no one had a more dispassionate and uncompromising view of human nature at its worst or could express it more forcefully than Jack London.Contents:- When God laughs- The apostate- A wicked woman- Just meat- Created he them- The Chinago- Make westing- Semper Idem- A nose for the king- The Francis Spaight- A curious fragment- A piece of steak

The Quest of the Silver Fleece


W.E.B. Du Bois - 1911
    Du Bois. A controversial title of its time, the novel chronicles the complex interactions between Northern financing and Southern politics as it follows the story of free-spirited Zora, child of a Southern swamp, and her romance with Yankee-educated Bles, who will eventually face the opportunity to claim political power through corrupt means. In the middle of it all is the silver fleece, a crop of cotton rich with meaning and symbolism. In the tradition of other incendiary novels that explore market forces at the turn of the century, such as Frank Norris’s The Pit and Upton Sinclair’s The Jungle, The Quest of the Silver Fleece was seen as an “economic study” by Du Bois, yet it was also a romantic and otherwordly saga, loosely based on the Greek myth from which it takes its name. Using literary conventions to expose and oppose America’s views on race, Du Bois presents a sprawling and provocative work that continues to engage readers and inspire debate among literary scholars today.