Book picks similar to
Cause of Death: A Writer's Guide to Death, Murder, and Forensic Medicine by Keith D. Wilson
writing
reference
non-fiction
nonfiction
Deadly Doses: A Writer's Guide to Poisons
Serita Stevens - 1990
Never before has such specialized information been so thoroughly compiled and easily accessible to writers Each book is written by a professional in their respective field, providing the inside details that writers need to weave a credible -- and salable -- story.
Scene of the Crime: A Writer 's Guide to Crime Scene Investigation
Anne Wingate - 1992
Provides information on how evidence is measured, collected, identified, and analyzed, the timetable of activity at a crime scene, and technical terms and professional techniques used.
Armed and Dangerous: A Writer's Guide to Weapons
Michael Newton - 1990
Today’s readers of mysteries, thrillers, Westerns, true crime, police procedurals, and romantic suspense are better informed about weapons than ever before. If you think you can slip one past these readers, you’re wrong. Dead wrong. You don’t have to be a gun buff to need this book. If you care enough about your readers and your craft to strive for accuracy, then this book is your comprehensive source for information on: • The characteristics, advantages, and disadvantages of hundreds of weapons • Which weapons were available during each period of history, including their wars • Weapons favored by various types of criminals and terrorists • Weapons used by law enforcement • Weapons used for hunting You’ll also find a glossary of weapon-related terms and a series of appendices including: • A selective chronology of firearms development • Comparative handgun identification information • Comparative trajectories of rifle cartridges In the past, this kind of information was attainable only through hours of digging. Now it’s available at your fingertips in one handy guide. Make sure your story is accurate—refer to Armed & Dangerous.
Howdunit: How Crimes Are Committed and Solved
John Boertlein - 2000
Readers will learn how crimes are plotted, committed, investigated and solved.
Forensics: A Guide for Writers
D.P. Lyle - 2008
Lyle, M.D., takes each area of forensics--from fingerprint analysis to crime scene reconstruction--and discusses its development, how the science works, how it helps in crime solving, and how you as a writer might use this technique in crafting your plot. This comprehensive reference guide includes:Real-life case files and the role forensic evidence played in solving the crimesA breakdown of the forensics system from its history and organization to standard evidence classification and collection methodsDetailed information on what a dead body can reveal--including the cause, mechanism, and manner of deathThe actual steps taken to preserve a crime scene and the evidence that can be gathered there, such as bloodstains, documents, fingerprints, tire impressions, and moreForensics is the ultimate resource for learning how to accurately imbue your stories with authentic details of untimely demises.
Body Trauma: A Writer's Guide to Wounds and Injuries
David William Page - 1996
Never before has such specialized information been so thoroughly compiled and easily accessible to writers! Each book is written by a professional in their respective field, providing the inside details that writers need to weave a credible -- and salable -- story.
Police Procedure & Investigation: A Guide for Writers
Lee Lofland - 2007
In fact, a lot of it is flat out wrong. Police Procedure & Investigation helps you get your facts straight about the inner workings of law enforcement.With a career in law enforcement that spanned nearly two decades, author Lee Lofland is a nationally acclaimed expert on police procedures and crime scene investigations who consults regularly with best-selling authors and television producers. Now you can benefit from his years of experience with Police Procedure & Investigation.This comprehensive resource includes:More than 80 photographs, illustrations, and charts showing everything from defensive moves used by officers to prison cells and autopsiesDetailed information on officer training, tools of the trade, drug busts, con air procedures, crime scene investigation techniques, and moreFirst-person details from the author about his experiences as a detective, including accounts of arrests, death penalty executions, and criminal encountersPolice Procedure & Investigation is the next best thing to having a police detective personally assigned to your book!
Novelist's Boot Camp: 101 Ways to Take Your Book From Boring to Bestseller
Todd A. Stone - 2006
Stone, a former assistant professor at the U.S. Military Academy at West Point, draws on his experience as novelist, writing instructor, and military officer to help get you and your writing into tip-top shape.This boot-camp-in-a-book includes 101 carefully crafted drills designed to show you how to:Identify and develop story ideas with laser-like perceptionCreate realistic "alpha" characters who can take charge of any sceneKnow what motivates your protagonist's enemy so that you can amp up the conflictOutline your story to avoid sneak attacks from flawed plot twistsDodge the land mines of bad writing like Deadly Modifier Buildup (DMBU)Triage your scenes to ensure a thorough and precise revision processPlus, there's a twelve-week boot camp battle plan that you can use to stay the course and finish your novel.Novelist's Boot Camp provides you with all the ammunition you need to approach your work with dedication, confidence, and skill. Now, report for duty and start writing that bestseller!
Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime
Val McDermid - 2014
To the right listener, they tell us all about themselves: where they came from, how they lived, how they died - and who killed them. Forensic scientists can unlock the mysteries of the past and help justice to be done using the messages left by a corpse, a crime scene or the faintest of human traces. Forensics uncovers the secrets of forensic medicine, drawing on interviews with top-level professionals, ground-breaking research and Val McDermid's own experience to lay bare the secrets of this fascinating science. And, along the way, she wonders at how maggots collected from a corpse can help determine time of death, how a DNA trace a millionth the size of a grain of salt can be used to convict a killer and how a team of young Argentine scientists led by a maverick American anthropologist uncovered the victims of a genocide.In her crime novels, Val McDermid has been solving complex crimes and confronting unimaginable evil for years. Now, she's looking at the people who do it for real, and real crime scenes. It's a journey that will take her to war zones, fire scenes and autopsy suites, and bring her into contact with extraordinary bravery and wickedness, as she traces the history of forensics from its earliest beginnings to the cutting-edge science of the modern day.
Final Exits: The Illustrated Encyclopedia of How We Die
Michael Largo - 2006
In 1789 Ben Franklin wrote, "In this world nothing is certain but death and taxes." Death remains a certainty. But how do we die? It's the enormous variety of how that enlivens final exits.According to death certificates, in 1700 there were less than 100 causes of death. Today there are 3,000. With each advance of technology, people find new ways to become deceased, often causing trends that peak in the first year. People are now killed by everything, from cell phones, washing machines, lawn mowers and toothpicks, to the boundless catalog of man—made medicines. In Final Exits the causes of death—bizarre or common—are alphabetically arranged and include actual accounts of people, both famous and ordinary, who unfortunately died that way. (Ants, bad words, Bingo, bean bag chairs, flying cows, frozen toilets, hiccups, lipstick, moray eels, road kill, starfish, and toupees are only some of the more unusual causes.)
Writing Mysteries
Sue GraftonJonathan Kellerman - 1992
It's all the information you need to solve the mystery-writing riddle!
Breathing Life Into Your Characters: How to Give Your Characters Emotional & Psychological Depth
Rachel Ballon - 2003
Through a mix of instruction, examples, and writing and visualization exercises, readers learn how to tap into their own stories and emotions to create realistic, complex characters.
Bullies, Bastards and Bitches: How to Write the Bad Guys of Fiction
Jessica Page Morrell - 2008
Realistic, credible bad guys create essential story complications, personalize conflict, add immediacy to a story line, and force the protagonist to evolve. From mischief-makers to villains to arch nemeses, "Bullies, Bastards & Bitches" shows you how to create nuanced bad guys who are indispensable to the stories in which they appear. Through detailed instruction and examples from contemporary bestsellers and classic page-turners, author Jessica Page Morrell also shows you how to: Understand the subtle but key differences between unlikeable protagonists, anti-heroes, dark heroes, and bad boys Supply even your darkest sociopath with a sympathetic attribute that will engage readers Set the stage for an unforgettable standoff between your hero and your villain Choose the right type of female villainfemme fatale, mommy dearest, avenger, etc.for your story "Bullies, Bastards & Bitches" is your all-encompassing bad-guy compendium to tapping into any character's dark side.
How to Write a Mystery
Larry Beinhart - 1996
There's more to it than just a detective, a dead body, and Colonel Mustard in the drawing room with the candlestick. Fortunately, Larry Beinhart--Edgar Award-winning author of You Get What You Pay For, Foreign Exchange, and American Hero--has taken a break from writing smart, suspenseful thrillers to act as your guide through all the twists and turns of creating the twists and turns of a good mystery. Drawing on advice and examples from a host of the best names in mystery writing--from Raymond Chandler and Mickey Spillane to Scott Turow and Thomas Harris--plus some of his own prime plots, Larry Beinhart introduces you to your most indispensable partners in crime: *Character, plot, and procedure * The secrets to creating heroes, heroines, and villains ("All writers draw upon themselves and their experience. While the whole of yourself might not be capable of being either a serial killer or an FBI agent, there are parts in each of us that are capable of almost anything.") * The fine art of scripting the sex scene *The low-down on violence ("A crime novel without violence is like smoking pot without inhaling, sex without orgasm, or a hug without a squeeze." ) *And much more!From the opening hook to the final denouement, Larry Beinhart takes the mystery out of being a mystery writer.
How to Write a Damn Good Mystery: A Practical Step-by-Step Guide from Inspiration to Finished Manuscript
James N. Frey - 2004
Frey, author of the internationally best-selling books on the craft of writing, How to Write a Damn Good Novel, How to Write a Damn Good Novel II: Advanced Techniques, and The Key: How to Write Damn Good Fiction Using the Power of Myth, has now written what is certain to become the standard "how to" book for mystery writing, How to Write a Damn Good Mystery.Frey urges writers to aim high-not to try to write a good-enough-to-get-published mystery, but a damn good mystery. A damn good mystery is first a dramatic novel, Frey insists-a dramatic novel with living, breathing characters-and he shows his readers how to create a living, breathing, believable character who will be clever and resourceful, willful and resolute, and will be what Frey calls "the author of the plot behind the plot."Frey then shows, in his well-known, entertaining, and accessible (and often humorous) style , how the characters-the entire ensemble, including the murderer, the detective, the authorities, the victims, the suspects, the witnesses and the bystanders-create a complete and coherent world.Exploring both the on-stage action and the behind-the-scenes intrigue, Frey shows prospective writers how to build a fleshed-out, believable, and logical world. He shows them exactly which parts of that world show up in the pages of a damn good mystery-and which parts are held back just long enough to keep the reader guessing.This is an indispensable step-by-step guide for anyone who's ever dreamed of writing a damn good mystery.