Then, on January 17, Iraq’s dictator Saddam Hussein went to war with thirty-four nations lead by the United States.Over the next forty-three days, Ali and his family survived bombings, food shortages, and constant fear. Ali and his brothers played soccer on the abandoned streets of their Basra neighborhood, wondering when or if their medic father would return from the war front. Cinematic, accessible, and timely, this is the story of one ordinary kid’s view of life during war.

    The recent murder of Anna Politkovskaya is grim evidence of the danger faced by journalists passionately committed to writing the truth about wars and politics.  A longtime critic of the Russian government, particularly with regard to its policies in Chechnya, Politkovskaya was a special correspondent for the liberal Moscow newspaper Novaya gazeta.  Beginning in 1999, Politkovskaya authored numerous articles about the war in Chechnya, and she was the only journalist to have constant access to the region.Politkovskaya's second book on the Chechen War,  A Small Corner of Hell, offers an insider's view of this ongoing conflict.  In this book, Politkovskaya focuses her attention on those caught in the crossfire.  She recounts the everyday horrors of living in the midst of war, examines how the Chechen war has damaged Russian society, and takes a hard look at the ways people on both sides profited from it.  Now available in paperback,  A Small Corner of Hell ensures that Politkovskaya's words will not be erased.         "[A Small Corner of Hell] skips harrowingly from year to year and place to place.  The arch-villains are the Russian death squads, venal and brutal, and the complacent, lying politicians and generals who profit from the illegal trade in booty, oil, and captives.  Her heroes are not the Chechen resistance—a gangsterish and ill-fed lot—but the long-suffering civilian population, whose natural grit and solidarity has gradually dissolved under the relentless brutality of daily life."—Economist         "A personal, unblinking stare at the casualties of war."—Jonathan Kaplan, Los Angeles Times

    This book explores the universal heroine's journey as she quests through world myth. Numerous stories from cultures as varied as Chile and Vietnam reveal heroines who battle for safety and identity, thereby upsetting popular notions of the passive, gentle heroine. Only after she has defeated her dark side and reintegrated can the heroine become the bestower of wisdom, the protecting queen and arch-crone.

    It dramatizes a 13th century view of the past, from the pagan anarchy of the Viking age to the settlement of Iceland, the coming of Christianity and the beginnings of organized society.

    Published in September 2008, it coincides with the passing of a decade since the military operation was initiated on snow-tipped mountains in the winter of 1998-1999.

    In this detailed retelling, Robert Graves draws the major characters of this timeless classic in broad, gritty strokes, making Agamemnon, Paris, Odysseus, and others accessible for young readers.Written with a younger audience in mind, The Siege and Fall of Troy is nevertheless exhaustively researched and compelling enough to be of interest to both students of history and adult readers. With humor, wit, and energy, Graves is expert at weaving a story based on exhaustive scholarly research and deep imaginative prowess

    These “pagans” were actually pious Greeks, Romans, Syrians, and Gauls who observed the traditions of their ancestors. To these devout polytheists, Christians who worshipped only one deity were immoral atheists who believed that a splash of water on the deathbed could erase a lifetime of sin.Religious scholar James J. O’Donnell takes us on a lively tour of the Ancient Roman world through the fourth century CE, when Romans of every nationality, social class, and religious preference found their world suddenly constrained by rulers who preferred a strange new god. Some joined this new cult, while others denied its power, erroneously believing it was little more than a passing fad.In Pagans, O’Donnell brings to life various pagan rites and essential features of Roman religion and life, offers fresh portraits of iconic historical figures, including Constantine, Julian, and Augustine, and explores important themes—Rome versus the east, civilization versus barbarism, plurality versus unity, rich versus poor, and tradition versus innovation—in this startling account.

    When a bystander recognizes in the folds of the cloth the visage of Abu-Muslim, defender of the oppressed, al-Muqanna becomes a prophet and great leader — and within a year his followers have defeated seven armies sent to stop him!“The Armed Garden,” set in the 15th century, tells the story of the bloody quest for a Paradise on Earth. Rohan, a humble Prague blacksmith, is visited by Adam and Even who urge him lead his followers, soon dubbed “Adamites,” on this mission. They soon must contend, bloodily, with the rival Paradise-seekers the “Taborites,” led by John Zizka.“The Drum Who Fell in Love,” a sequel of sorts, begins with Zizka’s death: His people have him skinned and his skin stripped onto a drum, and the drum, speaking in Zizka’s voice, leads the Taborites into battle anew. But the touch of a beautiful girl softens Zizka’s spirit, and the unlikely couple begin a journey together…

    The realm is divided on what should be done. Wilek and Trevn join those who are preparing the realm for a seaward evacuation, but the king stands in their way. Wilek must battle against his own father to try and save the people of Armania.

    Through these incisive, perceptive, and poignant essays, readers will gain unique insight into the narratives behind the litany of grim destruction broadcasted nightly on the news, as well as deeper understanding of the conflict as experienced by the people who live in the occupied territories. Together, these stories stand witness to the human cost of the occupation.

      Continuing his interest in the history of emotion, this book explores how fear has been shaped into images of monsters and monstrosity. From the Protestant Reformation to contemporary horror films and fiction, he explores four major types: the monster from nature (King Kong), the created monster (Frankenstein), the monster from within (Mr. Hyde), and the monster from the past (Dracula). Drawing upon deep historical and literary research, Braudy discusses the lasting presence of fearful imaginings in an age of scientific progress, viewing the detective genre as a rational riposte to the irrational world of the monstrous. Haunted is a compelling and incisive work by a writer at the height of his powers.

    And yet, as historian and linguist Nicholas Ostler persuasively argues, English will not only be displaced as the world's language in the not-distant future, it will be the last lingua franca, not replaced by another.Empire, commerce, and religion have been the primary raisons d'etre for lingua francas--Greek, Latin, Arabic have all held the position--and Ostler explores each through the lens of civilizations spanning the globe and history, from China and India to Russia and Europe. Three trends emerge that suggest the ultimate decline of English and other lingua francas. Movements throughout the world towards equality in society will downgrade the status of elites--and since elites are the prime users of non-native English, the language will gradually retreat to its native-speaking territories. The rising wealth of Brazil, Russia, India, and China will challenge the dominance of native-English-speaking nations--thereby shrinking the international preference for English. Simultaneously, new technologies will allow instant translation among major languages, enhacing the status of mother tongues and lessening the necessity for any future lingua franca.Ostler predicts a soft landing for English: It will still be widely spoken, if no longer worldwide, sustained by America's continued power on the world stage. But its decline will be both symbolic and significant, evidence of grand shifts in the cultural effects of empire. The Last Lingua Franca is both an insightful examination of the trajectory of our own mother tongue and a fascinating lens through which to view the sweep of history.

    Edited by two of anthropology's most passionate voices on this subject, Violence in War and Peace: An Anthology is the only book of its kind available: a single volume exploration of social, literary, and philosophical theories of violence. Brings together a sweeping collection of readings, drawn from a remarkable range of sources, that look at various conceptions and modes of violence. Juxtaposes the routine violence of everyday life against the sudden outcropping of extraordinary violence such as the Holocaust, the Rwandan genocide, the state violence of Argentina's Dirty War, and organized criminal violence. Edited by two of the most prominent researchers in the field. Offers a thought-provoking tool for students and thinkers from all walks of life: an exploration of violence at the broadest levels: personal, social, and political.

    His hopes of inheriting his family's manor are dashed when Prince John takes power in his brother's absence. With a handful of men Sir Thomas is forced to travel to Sweden where he joins The Jarl Birger Brosa fighting the Estonians, Karelians and Slavs. Fighting in a the harsh environment of a Baltic winter makes Sir Thomas and his men stronger. There he learns of further treachery and dishonour among Bishops, Kings and Princes who value thrones more than men.

    The Latin poet Statius reworks a familiar story from Greek myth, dramatized long before by Aeschylus in his tragedy Seven against Thebes. Statius chose his subject well: the Rome of his day, ruled by the emperor Domitian, was not too distant from the civil wars that had threatened the survival of the empire. Published in 92 A.D., the Thebaid was an immediate success, and its fame grew in succeeding centuries. It reached its peak of popularity in the later Middle Ages and Renaissance, influencing Dante, Chaucer, and perhaps Shakespeare. In recent times, however, it has received perhaps less attention than it deserves, in large part because there has been no accessible, dynamic translation of the work into English.Charles Stanley Ross offers a compelling version of the Thebaid rendered into forceful, modern English. Casting Statius's Latin hexameter into a lively iambic pentameter more natural to the modern ear, Ross frees the work from the archaic formality that has marred previous translations. His translation reinvigorates the Thebaid as a whole: its meditative first half and its violent second half; its intimate portrayal of defeat and retribution, and the need to seek justice at any cost. In a wide-ranging introduction, Ross provides an overview of the poem: its composition, reception and legacy; its major themes and literary influences; and its place in Statius' life. And in a helpful series of notes, he offers background information on the major characters and incidents.