Having no memory of her captivity or her former life, Lady Mechanika eventually built a new life for herself as an adventurer and private investigator, using her unique abilities to solve cases the proper authorities couldn't or wouldn't handle. But she never stopped searching for the answers to her own past. Set in a fictionalized steampunk Victorian England, a time when magic and superstition clashed with new scientific discoveries and inventions, Lady Mechanika chronicles a young woman's obsessive search for her identity as she investigates other mysteries involving science and the supernatural. This volume collects the entire first Lady Mechanika mini-series The Mystery of the Mechanical Corpse, including its prequel chapter The Demon of Satan's Alley, plus a complete cover art gallery.

    From celebrated author Beryl Evans and illustrator Ned Dameron comes a story about friendship, loyalty, and hard work.Beryl Evans is the pseudonym adopted by Stephen King for this picture book, 'Charlie the Choo-Choo'.

    In this parody of a children's classic, a very hungry zombie eats his way through a variety of his favorite foods, including clowns, astronauts, rock stars, fingers, and brains.

    At least it is for Blue, since his dad died and Hopper, the town bully, started knocking him and the other kids around. But Blue's story has a life of its own -- weird and wild and magic and dark -- and when the savage pays a nighttime visit to Hopper, Blue starts to wonder where he ends and his creation begins.

    A special edition of this classic picture book to celebrate its 40th anniversary - with a glow-in-the-dark cover!In the first ever Funnybones book, we are introduced to the wonderful humour and fun of the much-loved series.The Funnybones books are a must for children just starting to learn to read - these funny skeletons are definitely not the scary sort!Allan Ahlberg has published over 100 children's books and with his late wife Janet, created many award-winning children's picture books.The Ahlbergs' books are nursery bookshelf standards and have been the recipient of worldwide acclaim and awards, including the Kate Greenaway Medal.__________ Look out for these other classics by Allan Ahlberg: Burglar Bill; Cops and Robbers; Each Peach Pear Plum; The One and Only Two Heads; Son of a Gun; The Little Worm Book; Two Wheels Two Heads; The Baby's Catalogue; A Pair of Sinners; Happy Families; Peepo!; The Ha Ha Bonk Book; Help Your Child to Read; Ten in a Bed; Please mrs Butler; Daisy Chains; Yum Yum; Playmates; Foldaways; Woof; The Cinderella Show; The Jolly Postman; The Jolly Christmas Postman; The Jolly Pocket Postman; The Clothes Horse and Other Stories; The Mighty Slide; Starting School; Heard it in the Playground; The Bear Nobody Wanted; It was a Dark and Stormy Night; The Giant Baby; Baby Sleeps; Blue Buggy; Doll and Teddy; See the Rabbit; Please Mrs Butler; The Better Brown Stories; The Boyhood of Burglar Bill

    Death, Duck and the Tulip will intrigue, haunt and enchant readers of all ages. Simple, unusual, warm and witty, this book deals with a difficult subject in a way that is elegant, straightforward, and thought-provoking.

    At the end of each day, he drew a cartoon of the one event that stuck out in his mind, from the sublime to the ridiculous. This is his sketch diary.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    It's not like she will turn into gum . . . except, that's exactly what happens! With her new, stretch-tastic powers Gabby can help save the day, but she will have to keep her gummy alter-ego a secret from her mother or else she'll find herself in a really sticky situation.

    A practical thirteen year old in charge of the family laundry business, her daily routine features unforgiving customers, unbearable P.E. classes, and the fastidious Mr. Saubertuck who is committed to destroying everything she’s worked for.Wendell is a ghost. A boy who lost his life much too young, his daily routine features ineffective death therapy, a sheet-dependent identity, and a dangerous need to seek purpose in the forbidden human world.When their worlds collide, Marjorie is confronted by unexplainable disasters as Wendell transforms Glatt’s Laundry into his midnight playground, appearing as a mere sheet during the day. While Wendell attempts to create a new afterlife for himself, he unknowingly sabotages the life that Marjorie is struggling to maintain.

    Can the original Hank and Molly coexist in the same world as their clones? In Upgrade Soul, McDuffie Award-winning creator Ezra Claytan Daniels asks probing questions about what shapes our identity-Is it the capability of our minds or the physicality of our bodies? Is a newer, better version of yourself still you? This page-turning graphic novel follows the lives of Hank and Molly as they discover the harsh truths.

    Ivankovic, H.P. Lovecraft's The Call of Cthulhu (for beginning readers) from Chaosium.com.108 pages, hardback - and in full color!

    Who says zombie horror comics can't have a little humor?) Cullen Bunn, writer of the fan-favorite Deadpool Killogy, brings us one of Deadpool's darkest tales ever...and we're not just saying that because it's in black and white (and red)! So ring the dinner bell and nail shut the door, as Deadpool takes on the undead! COLLECTING: Night of the Living Deadpool 1-4

    It is true that I am nervous. But why will you say that I am mad? In "The Cask of Amontillado," a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In "The Masque of the Red Death," a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can t see his tormentors in "The Pit and the Pendulum," and in "The Tell-Tale Heart," a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems "The Raven," "The Bells," and Poe s poignant elegy to lost love, "Annabel Lee." The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror."

    But when a bully goes too far, Mary's revenge will have a lasting effect on the bully, on Mary, and on Thornhill itself.Years later, Ella moves to a new town where she has a perfect view of the dilapidated, abandoned Thornhill Institute. Determined to befriend the mysterious, evasive girl she sees there, Ella resolves to unravel Thornhill's history and uncover its secrets.Ella's story is told through striking, bold art; Mary's is told through diary entries. Each informs the other until the two eventually intersect to reveal the truth behind Thornhill's shadowy past, once and for all. Strikingly told and masterfully illustrated, Pam Smy bends genres and expectations alike.