Over the last decade the West has undergone a political and demographic upheaval comparable only to the opening of the frontier. Now, in Desert America, a work of powerful reportage and memoir, Rubén Martínez, acclaimed author of Crossing Over, evokes a new world of extremes: outrageous wealth and devastating poverty, sublime beauty and ecological ruin. In northern New Mexico, an epidemic of drug addiction flourishes in the shadow of some of the country's richest zip codes; in Joshua Tree, California, gentrification displaces people and history. In Marfa, Texas, an exclusive enclave triggers a race war near the banks of the Rio Grande. And on the Tohono O'odham reservation, Native Americans hunt down Mexican migrants crossing the most desolate stretch of the border.With each desert story, Martínez explores his own encounter with the West and his love for this most contested region. In the process, he reveals that the great frontier is now a harbinger of the vast disparities that are redefining the very idea of America.

    This vividly detailed cultural history of L.A. from 1940 to 1970 traces the rise of a new suburban consciousness adopted by a generation of migrants who abandoned older American cities for Southern California's booming urban region. Eric Avila explores expressions of this new "white identity" in popular culture with provocative discussions of Hollywood and film noir, Dodger Stadium, Disneyland, and L.A.'s renowned freeways. These institutions not only mirrored this new culture of suburban whiteness and helped shape it, but also, as Avila argues, reveal the profound relationship between the increasingly fragmented urban landscape of Los Angeles and the rise of a new political outlook that rejected the tenets of New Deal liberalism and anticipated the emergence of the New Right. Avila examines disparate manifestations of popular culture in architecture, art, music, and more to illustrate the unfolding urban dynamics of postwar Los Angeles. He also synthesizes important currents of new research in urban history, cultural studies, and critical race theory, weaving a textured narrative about the interplay of space, cultural representation, and identity amid the westward shift of capital and culture in postwar America.

    Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA.As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign.Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.

    This book marks an unprecedented encounter between two of the most influential thinkers of our age as here, for the first time, Habermas and Derrida overcome their mutual antagonism and agree to appear side by side. As the two philosophers disassemble and reassemble what we think we know about terrorism, they break from the familiar social and political rhetoric increasingly polarized between good and evil. In this process, we watch two of the greatest intellects of the century at work.

    Almost two hundred years later, a charismatic preacher founded a utopian community in Oneida, New York, that practiced socialism and free love. In the 1960s and ’70s, a new generation of seekers gathered in vegetarian restaurants in Los Angeles, Satanic coffee shops in New Orleans, and fortified communes in Philadelphia. And in the twenty-first century, gurus use self-help seminars and get-rich-quick schemes to evangelize to their flocks.Across the decades, Americans in search of divine truths have turned to unconventional prophets for the answers. Some of these prophets have demanded their faith, fortunes, and even their very lives. In American Cult, over twenty cartoonists explore the history of these groups with clarity and empathy—looking beyond the scandalous headlines to find the human stories within.Featuring the talents of Lara Antal, Brian “Box” Brown, Ryan Carey, Rosa Colón Guerra, Mike Dawson, Lisa Rosalie Eisenberg, Mike Freiheit, Emi Gennis, Andrew Greenstone, Janet Harvey, Josh Kramer, Jesse Lambert, Ellen Lindner, Lonnie Mann, Ben Passmore, Jim Rugg, Robert Sergel, Vreni Stollberger, Steve Teare, and J.T. Yost.

    I should write Clifford’s story. The thought emerges fully formed . . . The thought dissipates. I close my eyes and the earth and the sky disappear. The warmth of my sleeping bag wraps around me and sleep pulls me under into that half-world where reality and fantasy mingle in a place where coherent thoughts disintegrate.When Harold Johnson returns to his childhood home in a northern Saskatchewan Indigenous community for his brother Clifford’s funeral, the first thing his eyes fall on is a chair. It stands on three legs, the fourth broken off and missing. So begins a journey through the past, a retrieval of recollections that have too long sat dormant. Moving from the old family home to the log cabin, the garden, and finally settling deep in the forest surrounding the property, his mind circles back, shifting in time and space, weaving in and out of memories of his silent, powerful Swedish father; his formidable Cree mother, an expert trapper and a source of great strength; and his brother Clifford, a precocious young boy who is drawn to the mysterious workings of the universe.As the night unfolds, memories of Clifford surface in Harold’s mind’s eye: teaching his younger brother how to tie his shoelaces; jousting on a bicycle without rubber wheels; building a motorcycle. Memory, fiction, and fantasy collide, and Clifford comes to life as the scientist he was meant to be, culminating in his discovery of the Grand Unified Theory.Exquisitely crafted, funny, visionary, and wholly moving, Clifford is an extraordinary work for the way it defies strict category and embraces myriad forms of storytelling. To read it is to be immersed in a home, a family, a community, the wider world, the entire cosmos.

    More than 3.5 million people in Ukraine alone, not to mention many citizens of surrounding countries, are still suffering the effects. Life Exposed is the first book to comprehensively examine the vexed political, scientific, and social circumstances that followed the disaster. Tracing the story from an initial lack of disclosure to post-Soviet democratizing attempts to compensate sufferers, Adriana Petryna uses anthropological tools to take us into a world whose social realities are far more immediate and stark than those described by policymakers and scientists. She asks: What happens to politics when state officials fail to inform their fellow citizens of real threats to life? What are the moral and political consequences of remedies available in the wake of technological disasters?Through extensive research in state institutions, clinics, laboratories, and with affected families and workers of the so-called Zone, Petryna illustrates how the event and its aftermath have not only shaped the course of an independent nation but have made health a negotiated realm of entitlement. She tracks the emergence of a "biological citizenship" in which assaults on health become the coinage through which sufferers stake claims for biomedical resources, social equity, and human rights. Life Exposed provides an anthropological framework for understanding the politics of emergent democracies, the nature of citizenship claims, and everyday forms of survival as they are interwoven with the profound changes that accompanied the collapse of the Soviet Union.

    Customize your trip with simple planning tools • Top experiences & attractions • Practical advice for getting around • Easy-to-read color regional mapsExplore the Portland, Seattle, British Columbia and beyond • Discerning Fodor’s Choice picks for hotels, restaurants, sights, and more • “Word of Mouth” tips from fellow Fodor’s travelers • Illustrated features on whale-watching, wineries, and Pike's Market Place • Best open-air adventures, local breweries, and regional cuisineOpinions from destination experts • Fodor’s writers reveal their favorite local haunts • Revised annually to provide the latest information

    In 1972 the Hamburg State Court acquitted Walter Becker, the German chief of police in the Polish city of Starachowice, of war crimes committed against Jews. Thirty years before, Becker had been responsible for liquidating the nearby Jewish ghetto, sending nearly 4,000 Jews to their deaths at Treblinka and 1,600 to slave-labor factories. The shocking acquittal, delivered despite the incriminating eyewitness testimony of survivors, drives this author’s inquiry. Drawing on the rich testimony of survivors of the Starachowice slave-labor camps, Christopher R. Browning examines the experiences and survival strategies of the Jewish prisoners and the policies and personnel of the Nazi guard. From the killings in the market square in 1942 through the succession of brutal camp regimes, there are stories of heroism, of corruption and retribution, of desperate choices forced on husbands and wives, parents and children. In the end, the ties of family and neighbor are the sinews of survival. 10 photos.

    Blackmail, a secret organization hiding within the elite society of New Orleans, a white supremacist running for governor of Louisiana; these are the key ingredients in this fine Southern crawfish boil of a novel about guilt, privilege and racism in one of America's most exotic cities.

    But a youthful Tubby chanced to see it happen, and the tragic event's haunted him throughout his life. Decades later, an established (but not exactly driven) lawyer, yet successful enough to have time on his hands, Tubby decides to conduct his own investigation into the forgotten crime. He quickly stirs up a hornets’ nest of far-reaching political feuds, police corruption, government agents, and old men with secrets to hide.But as in all Tubby Dubonnet novels, the plot takes a backseat to local color, colorful characters, odes to fine food, wry observations, and a whole lot of humor. It's a little like spending a weekend in da Big Easy, dawlin'--complete with three well-chosen meals a day!Vol 2 – FAT MAN BLUES – The NINTH installment in Tony Dunbar’s humorous, hard-boiled Tubby Dubonnet mystery seriesEx-con Angelo Spooner is trying to start a legit business, but he just can’t catch a break. Just as his healing Holy Water, “Angelo’s Elixir” is about to go upscale, the sticky strands of the Big Sleazy’s tangled web of crime and corruption reach out to ensnare him. What’s a law-abiding parolee to do? He can’t get caught with a gun, but maybe that axe in his shed could help him extricate himself. But when low-level creep Frenchy Dufour’s henchman turns up nearly beheaded, Angelo’s fate rests in the capable hands of laid-back lawyer Tubby Dubonnet.Tubby’s been trying hard to lay low, too. As those closest to him are targeted by frightening attacks, he suspects his dealings with the clandestine society of Cuban exiles who’ve plagued him lately are far from over. Tubby would love to have nothing further to do with “that crazy band of geriatric lunatics”. But the old Cuban revolutionaries have taught their sons well. Now their grandchildren, heirs to a substantial cache of weapons and money, burn with a dangerous zeal to prove themselves.Meanwhile … a man’s got to eat! The epicurean counselor does his best thinking when he’s well-fed. Our good luck! –as we vicariously sample our way across New Orleans’ culinary panorama on the hunt for an axe murderer. But sleuth does not live by bread alone—even in a Tony Dunbar legal thriller. Ignoring his own advice to his client to “keep your head on your shoulders”, Tubby’s lost his to the lovely Peggy O’Flarity. It’s about time Tubby had some steamy sex – and maybe a little happiness? But fortune teller Sister Soulace has her doubts.

    From the Cape of Good Hope to the Sea of Galilee, along the Great Rift Valley of East Africa, their goal was to symbolically retrace the passage of early Man, from Australopithecus to Modern Man. Starting where volume I leaves off, this volume entrances readers with new, unexpected events both heart-warming and horrifying.

    In the tradition of Owen and Mzee, this beautiful picture book is a testament to the spirit that defined post-Katrina rescue missions. During Hurricane Katrina, evacuating New Orleans residents were forced to leave their pets behind. Bobbi the dog was initially chained to keep her safe, but after her owners failed to return, she had to break free. For months, Bobbi wandered the city's ravaged streets-dragging her chain behind her-followed by her feline companion, Bob Cat. After months of hunger and struggle, the Two Bobbies were finally rescued by a construction worker helping to rebuild the city. When he brought them to a shelter, volunteers made an amazing discovery about the devoted friends-Bob Cat was actually blind! He had survived the aftermath of the storm by following the sound Bobbi's chain made as she dragged it along the ground.At the shelter, the two bob-tailed friends refused to be parted, even for a moment. Could rescue workers find the Bobbies' owners? Or could they find a new home that would take them together?

    In this magisterial book, Hans Belting traces the longhistory of the sacral image and its changing role in European culture.Likeness and Presence looks at the beliefs, superstitions, hopes,and fears that come into play as people handle and respond to sacredimages, and presents a compelling interpretation of the place of theimage in Western history."A rarity within its genre—an art-historical analysis of iconographywhich is itself iconoclastic. . . . One of the most intellectuallyexciting and historically grounded interpretations of Christianiconography." —Graham Howes, Times Literary Supplement"Likeness and Presence offers the best source to survey the facts ofwhat European Christians put in their churches. . . . An impressivelydetailed contextual analysis of medieval objects." —Robin Cormack,New York Times Book Review"I cannot begin to describe the richness or the imaginative grandeur ofHans Belting's book. . . . It is a work that anyone interested in art,or in the history of thought about art, should regard as urgent reading.It is a tremendous achievement."—Arthur C. Danto, New Republic

    But the war produced the largest biological crisis of the nineteenth century, and as historian Jim Downs reveals in this groundbreaking volume, it had deadly consequences for hundreds of thousands of freed people.In Sick from Freedom, Downs recovers the untold story of one of the bitterest ironies in American history--that the emancipation of the slaves, seen as one of the great turning points in U.S. history, had devastating consequences for innumerable freed people. Drawing on massive new research into the records of the Medical Division of the Freedmen's Bureau-a nascent national health system that cared for more than one million freed slaves-he shows how the collapse of the plantation economy released a plague of lethal diseases. With emancipation, African Americans seized the chance to move, migrating as never before. But in their journey to freedom, they also encountered yellow fever, smallpox, cholera, dysentery, malnutrition, and exposure. To address this crisis, the Medical Division hired more than 120 physicians, establishing some forty underfinanced and understaffed hospitals scattered throughout the South, largely in response to medical emergencies. Downs shows that the goal of the Medical Division was to promote a healthy workforce, an aim which often excluded a wide range of freedpeople, including women, the elderly, the physically disabled, and children. Downs concludes by tracing how the Reconstruction policy was then implemented in the American West, where it was disastrously applied to Native Americans.The widespread medical calamity sparked by emancipation is an overlooked episode of the Civil War and its aftermath, poignantly revealed in Sick from Freedom.