Its arteries run throughout the country. Its lifeblood flows into Westminster, into Scotland Yard, into every village and every city. It flows into you, and into your mother. It keeps you alive. It makes you feel safe. Those same arteries tangle you up and night and make it hard for you to breathe. But come morning, you thank it for what it has done for you, and you sip from its golden cup, and kiss its perfect feet, and you know that all will be right in this godforsaken world as long as it is there to watch over you.Three years ago, Alice spent one night in an abandoned house with her friends Ila and Hannah. Since then, things have not been going well. Alice is living a haunted existence, selling videos of herself cleaning for money, going to parties she hates, drinking herself to sleep. She hasn’t spoken to Ila since they went into the House. She hasn’t seen Hannah either. Memories of that night torment her mind and her flesh, but when Ila asks her to return to the House, past the KEEP OUT sign, over the sick earth where teenagers dare each other to venture, she knows she must go. Together Alice and Ila must face the horrifying occurrences that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, who the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that confronts both supernatural and real-world horrors as it examines the devastating effects of trauma and the way fascism makes us destroy ourselves and each other.

    Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.Anton Hur’s translation skilfully captures the way Chung’s prose effortlessly glides from being terrifying to wryly humorous. Winner of a PEN/Heim Grant.

    A tragic coming-of-age tale of horror and drama in the setting of a hot New Orleans summer. "Original, touching coming of age." ~Jack Ketchum, author of THE GIRL NEXT DOOR "With OF FOSTER HOMES & FLIES, Lutzke is firing on all cylinders. It's a lean mean emotional machine. Coming-of-age presented in a fresh direction. Bearing tremendous emotional weight and heart. It made me cry. " -John Boden, author of JEDI SUMMER and DOMINOES “Disturbing, often gruesome, yet poignant at the same time, Chad Lutzke’s OF FOSTER HOMES AND FLIES is one of the best dark coming-of-age tales I’ve read in years. You’ll laugh (sometimes when you know you shouldn’t), you’ll cry, you’ll find yourself wondering how soon you can read more of this guy’s work. Highly recommended!” - James Newman, author of MIDNIGHT RAIN, UGLY AS SIN, and ODD MAN OUT "OF FOSTER HOMES AND FLIES by Chad Lutzke is a lovely addition to the coming of age subgenre. He creates in the character of Denny an authentic young man with passions and foibles, someone easy to relate to and root for. The novella hits all the right notes you expect out of a coming of age tale, while also providing a plot that has originality and surprises." ~Mark Allan Gunnells, author of FLOWERS IN A DUMPSTER and THE SUMMER OF WINTERS

    Killer, they called me, and killing is what I'm best at.Except her.The one I was supposed to take, the one I should have killed - I didn't.The cult that once controlled me wants her, and I'm not about to lose my new toy to them.RaeI've always believed in the supernatural. Hunting for ghosts is my passion, but summoning a demon was never part of the plan. Monsters are roaming the woods, and something ancient - something evil - is waking up and calling my name.I don't know who I can trust, or how deep this darkness goes.All I know is my one shot at survival is the demon stalking me, and he doesn't just want my body - he wants my soul.Her Soul to Take is book 1 in the Souls Trilogy. Although all the books are interconnected, they are stand-alone and can be read in any order.Content WarningThis book contains graphic sexual scenes, violence, kink/fetish content, horror elements, and depictions of hard kink/edgeplay. This book is strictly fictional and is not meant to represent realistic expectations of BDSM or kink.Kinks/Fetishes Within: consensual non-consent (CNC), breathe play/choking, bloodplay, spit, needle play (body modification fetish), pain play, fear play, public play, bondage, restraint, spanking/impact play.

    But none like Netherwell Bay… ‘Sis, I’m in trouble. Real trouble. And I need help.’ After receiving a worrying message from her estranged brother, Beth Davis sets out to find and help him, ending up in the strange, coastal town of Netherwell Bay. There, she begins to witness terrifying and unexplainable things, and reports of ritualistic murders have the town panicked. A sinister cult soon makes its presence known, and the dark history of Netherwell Bay is unveiled. Beth then finds herself in a race against time to stop a doorway to Hell from opening… permanently. The Netherwell Horror is a Lovecraftian mystery that quickly descends into madness, sickening violence, and chaos. Fans of Silent Hill will love this nightmarish tale, but those of a squeamish disposition need not apply…

    It's a collection of short pieces -- sort of like stories, but more like wild fantasies -- that take surrealistic organ distortions, drug-infused hallucinatory sexual nightmares and grotesque organic urban-machinery delusions, to whole new levels of "Whoa! Can't believe I'm actually eating lunch while reading this." Reminiscent of J. G. Ballard in his Crash/Atrocity Exhibition phase, or else J. K. Huysmans on an ether binge in Los Angeles.

    Every morning, employees arrive to find broken Kjerring bookshelves, shattered Glans water goblets, and smashed Liripip wardrobes. Sales are down, security cameras reveal nothing, and store managers are panicking. To unravel the mystery, three employees volunteer to work a nine-hour dusk-till-dawn shift. In the dead of the night, they’ll patrol the empty showroom floor, investigate strange sights and sounds, and encounter horrors that defy the imagination. A traditional haunted house story in a thoroughly contemporary setting, Horrorstör is designed to retain its luster and natural appearance for a lifetime of use. Pleasingly proportioned with generous French flaps and a softcover binding, Horrorstör delivers the psychological terror you need in the elegant package you deserve.Designed by Andie Reid, cover photography by Christine Ferrara.

    But when a car accident reveals her husband’s secret life as a serial killer, she must remake herself as Gwen Proctor—the ultimate warrior mom.With her ex now in prison, Gwen has finally found refuge in a new home on remote Stillhouse Lake. Though still the target of stalkers and Internet trolls who think she had something to do with her husband’s crimes, Gwen dares to think her kids can finally grow up in peace.But just when she’s starting to feel at ease in her new identity, a body turns up in the lake—and threatening letters start arriving from an all-too-familiar address. Gwen Proctor must keep friends close and enemies at bay to avoid being exposed—or watch her kids fall victim to a killer who takes pleasure in tormenting her. One thing is certain: she’s learned how to fight evil. And she’ll never stop.

    A haunted author. A horror that spans centuries. Men are disappearing from Toronto's gay village. They're the marginalized, the vulnerable. One by one, stalked and vanished, they leave behind small circles of baffled, frightened friends. Against the shifting backdrop of homophobia throughout the decades, from the HIV/AIDS crisis and riots against raids to gentrification and police brutality, the survivors face inaction from the law and disinterest from society at large. But as the missing grow in number, those left behind begin to realize that whoever or whatever is taking these men has been doing so for longer than is humanly possible.Woven into their stories is David Demchuk's own personal history, a life lived in fear and in thrall to horror, a passion that boils over into obsession. As he tries to make sense of the relationship between queerness and horror, what it means for gay men to disappear, and how the isolation of the LGBTQ+ community has left them profoundly exposed to monsters that move easily among them, fact and fiction collide and reality begins to unravel.A bold, terrifying new novel from the award-winning author of The Bone Mother.

     (No previous DEAD CLOWN BARBECUE reading experience required.) This 21,000-word collection contains the first-ever publication of "Gave Up The Ghost," the basis for the horror/comedy short movie directed by Gregory Lamberson, that will appear in the upcoming anthology film CREEPERS. In addition to a report from the movie set, this collection contains... "The Car." A pair of vampires get together for an evening of vicious fun. "The Loneliest Jackalope." Bunnies with antlers! You can't go wrong with bunnies with antlers. "Inside the Boxes." Whatever is in there can't be good... "A Bit of Christmas Mayhem." Andrew Mayhem vs. a trio of axe-wielding Santa Clauses. "Scrumptious Bone Bread." It's not just for giants anymore. "A Flawed Fantasy." Sometimes, two girls at once isn't the best idea. "Tin Cans." What will you hear when you put one to your ear?

    The future, in which they plan to get married and start a family, is bright. The other residents of their building seem friendly too, including the Newtons, a married couple who welcome them to the building with open arms.But then strange things start to happen. Dead rats are left on their doorstep. They hear disturbing noises, and much worse, in the night. After Jamie's best friend is injured in a horrific accident, Jamie and Kirsty find themselves targeted by a campaign of terror.As they are driven to the edge of despair, Jamie vows to fight back—but he has no idea what he is really up against . . .The Magpies is a gripping psychological thriller in which the monsters are not vampires or demons but the people who live next door. It is a nightmare that could happen to anyone.

    Penthouse access is available via the broken freight elevator. Black tie optional.A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Whether privileged or deprived, besides a postcode, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls.By the end of the night, their host is dead, and none of the guests ever said what happened. His death remains one of the biggest unsolved mysteries - until now.But are you ready for their stories?Jonathan Sims' debut is a darkly twisted, genre-bending journey through one of the most innovative haunted houses you'll ever dare to enter.

    She's not put off by his pedantic corrections of her writing, despite the slow reveal that he is less than perfect himself.'The Unsuspecting Gold-digger' -- a woman gradually poisons her husband so that she doesn't have to break his heart.

    A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street.All these things are true. And yet they are all lies...You think you know what's inside the last house on Needless Street. You think you've read this story before. That's where you're wrong.In the dark forest at the end of Needless Street, lies something buried. But it's not what you think...

    She lives with no name.She has never left her room.All she has ever known is pain and abuse.Until now.Today, she will breathe fresh air for the first time, feel sunshine against her skin and even witness human kindness.But she has a point to make - a bleak, violent point - and when she meets her neighbour, Serenity, she finds the perfect pupil.Forced to endure a lesson distilled from a nightmarish existence, Serenity must face unflinching evil, witness the unspeakable, and question her most deeply-held views, until at last she has no choice but to fight for her family's survival.