An epic SF war story spanning space and time, The Forever War explores one soldier's experience caught up in the brutal machinery of a war that reaches across the stars.

    Scandalous affairs rage behind closed doors, broken hearts are tossed aside, fires rip through the wings of the house and paparazzi lie in wait outside the front door for the latest tragedy in this never-ending saga. This is the home of the great architect of the twentieth century, a man of extremes in both his work and his private life: at once a force of nature and an avalanche of need and emotion that sweeps aside everything in its path. Sharp, savage and subtle in equal measure, "The Women" plumbs the chaos, horrors and uncontainable passions of a formidable American icon.

    Phonomancer David Kohl hadn't spared his old patron a thought for almost as long... at which point his mind starts to unravel. Can he discover what's happened to the Mod-Goddess of Britpop while there's still something of himself left? Dark modern-fantasy in a world where music is magic, where a song can save your life or end it.Collects Phonogram: Rue Britannia #1-6.

    Pub in February of 2003

    Often imitated but never duplicated, Pekar proved that he still has the power to "make mundane reality seem like the highest drama" (Entertainment Weekly) in his critically acclaimed Vertigo series.Now, Harvey Pekar is back with an all-new volume of AMERICAN SPLENDOR, featuring his funniest, most poignant, somber and uplifting stories from the complex life of an ordinary man. Once again, AMERICAN SPLENDOR pairs Harvey with some of the most exciting, innovative artists currently in comics, including David Lapham (YOUNG LIARS, Stray Bullets), Darick Robertson (THE BOYS), Chris Weston (THE FILTH, Fantastic Four), Dean Haspiel (THE QUITTER, THE ALCOHOLIC), Warren Pleece (INCOGNEGRO), longtime Pekar collaborators Greg Budgett and Gary Dumm, and other luminaries from both the mainstream and indie worlds.

    The Complete Crumb Comics: The Early Years of Bitter Struggle is the first of a multivolume series, and includes previously unpublished strips created from 1958 to 1962. Crumb's earliest works, some written when he was as young as 15, range from an encounter with Dracula ("I didn't try to escape Dracula, my mind was consentrated [sic] on one thing . . . I was thirsty . . . very thirsty") to Nikita Khrushchev's 1958 visit to the U.S. ("Ever watchful guards stay with Khruschev during a refreshing hot bath."). Crumb aficionados and neophytes alike should rejoice in this classic collection of comic strips; sketchbooks; underground comics; dramatic and autobiographical strips; classic cartoon creations Fritz the Cat and Mr. Natural; and a pithy, biographical preface by Crumb's friend Marty Pahls.

    Based on the bestselling comic book and graphic novel series, this is the ultimate compendium of Strangers in Paradise, the critically acclaimed story of two ordinary women whose friendship turns to love during one violent summer.Author Terry Moore weaves a fascinating director's cut of the entire series from its quiet beginnings to the terrifying climax, compiling the best of the best from the first sixty-plus issues, adding never-before-seen pages and insightful commentary, and reconstructing the lives of Katchoo (the beautiful young rebel), Francine (the lovable neurotic), and the rest of his cast into a spellbinding story all its own, perfect for newcomers and hardcore fans alike.

    Featuring work by Margaret Atwood (The Heart Goes Last), Mariko Tamaki (This One Summer), Trina Robbins (Wonder Woman), Marguerite Bennett (Marvel's A-Force), Noelle Stevenson (Nimona), Marjorie Liu (Monstress), Carla Speed McNeil (Finder), and over fifty more creators. It's a compilation of tales told from both sides of the tables: from the fans who love video games, comics, and sci-fi to those that work behind the scenes: creators and industry insiders.

    I’ve gone back and repurchased a lot of the CDs I sold off—which, thanks to the bargain bin at Half-Price Books, has actually been a fairly inexpensive proposition—and reacquainted myself with groups that I once adored before they died off, broke up, or settled into respectable but uninspired careers. My goal is to rediscover what I saw in these bands when I was a teenager, and figure out why the music went from enlightening to deadening so rapidly, from the bucolic early years of Lollapalooza to the apocalyptic assault of Woodstock ’99. Because as easy as it is now to take potshots at the mumbly, histrionic sounds of the ’90s, this is music that meant a great deal to me and many others at the time. Out of respect for my teenaged self, I’m giving it an honest re-examination.Each installment of Whatever Happened To Alternative Nation? will be tied to a year, starting with 1990—which I’m packaging with this introduction, since it’s really a prologue year—and proceed chronologically up through 1999. However, this isn’t intended to be a definitive history of grunge; I won’t be writing about every single Seattle band, or even most Seattle bands. A lot of it won’t even be about grunge; I also plan on looking at the feel-good bro tunes of Sublime, and the ironic arena-rock posturing of Urge Overkill, among other groups, and how they fit in with the overall narrative of ’90s alt-rock’s rise and fall. I promise I’ll completely overlook at least one of your favorite bands; please don’t take it personally. As a general rule, I’m interested in discussing ’90s bands that were played regularly on MTV and on the radio, even in a small city like my hometown of Appleton, Wisconsin, because this was the last time (as of now, anyway) that rock music acted as the engine under the hood of American pop culture. Inevitably, this series will reflect what I liked and cared about back then, which fortunately matches up with what millions of other teenaged residents of Alternative Nation liked and cared about. More than an exercise in nostalgia—or, worse, an excuse to pick on bands that haven’t aged all that well—I hope to give those who deserve it their due, and maybe figure out how something that seemed so promising at the time went so wrong." - excerpt from Whatever Happened To Alternative Nation?

    Misery Loves Comedy collects the first three issues of the legendary comic book series Schizo in their entirety, as well as a host of miscellaneous flotsam and jetsam from various anthologies, c. 1992-2005. Readers will find the author's unwitting self-caricature as a paranoid, deluded young man intriguingly repugnant and often chuckle-inducing. Besides Brunetti's trademark nihilism, self-loathing, relentless depression, and inchoate, spittle-soaked misanthropy, these earlier comics offer a dollop of scatology and blasphemy for that extra puerile, lowbrow tang. These are comics for those who enjoy witnessing one man's sanity in its final death rattle, swinging its tail from anhedonia to schadenfreude and back again. Also: lots and lots of filthy jokes.

    A brilliant visual storyteller, Redniss has hand-designed more than 100 color collages to tell Curie’s story, fascinating in its scientific significance and its sometimes whimsical, sometimes haunting mix of romance and intrigue. Bringing together archival photos, images, and clippings with dazzling line drawings and a compelling narrative, Radioactive is far more than just an art book or a graphic novel: It is a stunning visual biography and a true work of art.

    A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo’s dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known.

    Ask any woman you know to tell you a drinking story, and she’ll come up with one—in fact, she may even come up with five. With friends and with coworkers, at date night and at ladies' night, and on special occasions ranging from Valentine’s Day to the Super Bowl, we encounter alcohol—yet when it comes to discussing the nature of our relationship with drinking, few of us do so honestly and openly.In Drinking Diaries, editors Leah Odze Epstein and Caren Osten Gerszberg take women's drinking stories out of the closet and into the light. Whether it’s shame, sober sex, and relapsing, or college drinking, bonding, and comparing the benefits of pot vs. booze, no topic related to alcohol is off limits in this illuminating anthology. With contributions from celebrated writers including Jacquelyn Mitchard, Daphne Merkin, Kathryn Harrison, Ann Hood, Ann Leary, Pam Houston, Jane Friedman, Elissa Schappell, Asra Nomani, Priscilla Warner, Rita Williams, and Joyce Maynard, Drinking Diaries is a candid look at the pleasures and pains of drinking, and the many ways in which it touches women’s lives.

    The entire run has been collected in nine trade paperback editions. The final monthly issue, number 66, was published in July 2000.Preacher follows the story of Preacher Jesse Custer, his best friend, and his girlfriend, as they explore a world that fuses Southern culture and supernatural elements, especially religious ones, in a way that is highly provocative, exploratory, and controversial.Preacher draws on movies, particularly Westerns, for many of its stylistic elements.

    It's Wolverine!