Heatherwick is known as one of the greatest innovators of our era, and for the first time, this publication provides an inside look at the creation and development of his projects. It answers the one question always asked of Heatherwick's work: How did he do that? The book covers the studio's complete output over more than fifteen years—some 170 projects—including designs large and small: zippered bags that can be expanded to five times their size, a bridge that rolls open and closed, the in-progress one-million-square-foot mall in Hong Kong and glass bridge in London.

    So how do we define the city as it evolves in the 21st century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities.

    All three are in their mid-thirties and have been unlucky in love. “Out of every ten replies I’ll probably get two perverts, two nerds, two frauds – usually married – and four genuine guys. Not a bad percentage really.” Claire is apprehensive about it and Megan downright sceptical but Viv, with her usual joie de vivre, takes to it with gusto. Many men and many dates later – from the boring to the bizarre – Viv thinks she has found her Mr Right. But does the course of true love ever run smooth? Meanwhile she coerces a doubtful Claire into joining the dating site too. Add to this mix Claire’s nasty sister Sarah who, bored with marriage, embraces online-dating with even more enthusiasm than Viv. Not to mention Megan’s thrice-married mother who’s looking for a toy boy not a husband . . . Is online dating the answer for all these women?

    Appropriated, chewed up, mulled over, digested, contemplated, and contorted - gathering up along the way fashion, ecology, politics, and art - architectural concepts become veritable things unto themselves in the present tense. As astoundingly diverse as contemporary architecture is, most importantly it is a reflection of what's happening right now all over the world, in people's minds and in the global collective consciousness. The many faces of world architecture today make for a mind-expanding book. Here you'll find the most recent work of over 60 architects and firms, including familiar names such as O. Gehry, Meier, Ando, Foster, and Starck, as well as a host of newcomers sure to be the architecture-celebrities of future generations. Highlights include Jakob & MacFarlane's morphological Restaurant at the Centre Georges Pompidou, Diller & Scofidio's "Blur Building" proposal for the International Expo 2001 in Switzerland (an ovular structure suspended over a lake, encapsulated by a fine mist of water, creating the look of a cloud hovering over the lake), and Herzog & de Meuron's remarkable Tate Modern. Proving that contemporary architecture is not limited to physical building design, New York firm Asymptote's Guggenheim Virtual Museum is also included, a place where visitors can take a cyber-stroll through rooms that are designed to be "compelling spatial environments." Presented alphabetically by architect or firm, Architecture Now! can be used like a reference guide, with extensive photographs and illustrations, biographical and contact information for designers, and a careful selection of today's most influential architects.

    It is also a book they may want to keep out of view of their professors, for it expresses in clear and simple language things that tend to be murky and abstruse in the classroom. These 101 concise lessons in design, drawing, the creative process, and presentation--from the basics of "How to Draw a Line" to the complexities of color theory--provide a much-needed primer in architectural literacy, making concrete what too often is left nebulous or open-ended in the architecture curriculum. Each lesson utilizes a two-page format, with a brief explanation and an illustration that can range from diagrammatic to whimsical. The lesson on "How to Draw a Line" is illustrated by examples of good and bad lines; a lesson on the dangers of awkward floor level changes shows the television actor Dick Van Dyke in the midst of a pratfall; a discussion of the proportional differences between traditional and modern buildings features a drawing of a building split neatly in half between the two. Written by an architect and instructor who remembers well the fog of his own student days, 101 Things I Learned in Architecture School provides valuable guideposts for navigating the design studio and other classes in the architecture curriculum. Architecture graduates--from young designers to experienced practitioners--will turn to the book as well, for inspiration and a guide back to basics when solving a complex design problem.

    The architect Rem Koolhaas itemized in delirious detail how our cities are being overwhelmed. His celebrated jeremiad is updated here and twinned with Running Room, a fresh response from the cultural critic Hal Foster. Junkspace describes the bleak and featureless world of capitalism, while Running Room seeks to find a space within the junk in which the individual might still exist.

    Joining Nate in the fun at P.S. 38 are his best pals, Francis and Teddy. Whether he's setting the school record for detentions, earning an A for annoying teacher's pet Gina, or inventing new ways to trash talk during a chess tournament, Nate's talent for making mischief is second to none.

    Why does everyone look like they’re smashing motherhood when she’s barely made it out of the house? She’s usually covered in sick, eating yet another beige freezer dinner, and relying on wet wipes to clean the baby, herself and the house. And coffee. All the coffee. Surely she can’t be the only new mum totally winging it?Emily’s about to discover that when you’re starting a family, what you really need are your friends...

    His name is Tadao Ando, and he is one of the world's greatest living architects. Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never been witnessed elsewhere in architecture. This book provides the perfect introduction to Ando's work, including private homes, churches, museums, apartment complexes, and cultural spaces throughout Japan, and in France, Italy, Spain, and the USA.

    The Empire State Building is the companion volume to the Museum of the City of New York's definitive exhibition: "A Dream Well Planned: The Empire State Building."

    Banister Fletcher has been the standard one volume architectural history for over 100 years and continues to give a concise and factual account of world architecture from the earliest times.In this twentieth and centenary edition, edited by Dan Cruickshank with three consultant editors and fourteen new contributors, chapters have been recast and expanded and a third of the text is new. * There are new chapters on the twentieth-century architecture of the Middle East (including Israel), South-east Asia, Hong Kong, Japan and Korea, the Indian subcontinent, Russia and the Soviet Union, Eastern Europe and Latin America. * The chapter on traditional architecture of India has been rewritten and the section on traditional Chinese architecture has been expanded, both with new specially commissioned drawings* The architecture of the Americas before 1900 has been enlarged to include, for the first time, detailed coverage of Latin America and the Caribbean* The book's scope has been widened to include more architecture from outside Europe* The bibliography has been expanded into a separate section and is a key source of information on every period of world architecture* The coverage of the 20th century architecture of North America has been divided into two chapters to allow fuller coverage of contemporary works* 20th century architecture of Western Europe has been radically recast* For the first time the architecture of the twentieth century is considered as a whole and assessed in an historical perspective* Coverage has been extended to include buildings completed during the last ten years* The coverage of Islamic architecture has been increased and re-organised to form a self contained sectionThis unique reference book places buildings in their social, cultural and historical settings to describe the main patterns of architectural development, from Prehistoric to the International Style. Again in the words of Sir Banister Fletcher, this book shows that 'Architecture ... provides a key to the habits, thoughts and aspirations of the people, and without a knowledge of this art the history of any period lacks that human interest with which it should be invested.'

    Every building type is covered - from the largest publicly-funded art museums and airports to private houses - and each project is illustrated with colour photographs, line drawings and an analytical text.Eminent architectural critics, curators, journalists and practitioners from all parts of the globe nominate what they consider to be the most outstanding works of contemporary architecture in their regions and beyond. The resulting 1,050 buildings confirm the far-reaching influence of well-known and respected international practitioners such as Jean Nouvel, Tadao Ando, Renzo Piano, Sir Norman Foster, Rem Koolhaas and Herzog & De Meuron, as well as introducing a host of lesser-known architects whose work provides an illuminating point of comparison with their famous counterparts.This magnificent book provides a unique opportunity to examine contemporary architecture as an evolving global phenomenon with all the cross-cultural influences this suggests, while illustrating the powerful diversity that is generated by climate (from the Arctic circle to the African deserts), culture (from the technologically advanced secularism of western Europe to traditional rural communities) and economics (from the wealthy post-industrial mega-economies to some of the most economically challenged countries of the developing world).The colossal volume is divided into six geographical regions with meticulous maps in each section, providing geographical orientation and an understanding of where contemporary architecture is being commissioned, designed and built. Its composition, scale, range and depth are truly unprecedented. The Phaidon Atlas of Contemporary World Architecture is essential reading for all those interested in gaining a true understanding of where the best contemporary architecture is located in the world.

    The narrator, a Polish shepherd called Jacob, is deliberately a cipher, serving as a Polish everyman. After a bombing that signals the outbreak of an unnamed war, Jacob finds himself alone in the enormous palace of his master, the local lord. Everyone else has fled, and as Jacob wanders from room to room, he marvels at the wealth manifested there. He feels anger, too, and gives vent to an incongruously articulate monologue expressing his bitter resentment of the stratification of Polish society. Surveying portraits of the noble family, Jacob himself assumes the role of the lord of the manor--or perhaps several generations of lords, as this ``character'' has many voices. He personifies others as well, including a peasant girl who is treated as a sexual slave by the master of the estate. In his ramblings, Jacob portrays both classes unflatteringly-- the palace nobles as genuinely evil, the local peasants as little more than animals. Mysliwski is a master of literary pyrotechnics--Jacob's voices are grand opera, dramatic, exaggerated--and they are propelled by the author's moral outrage, which makes the destruction of the palace not only inevitable but justifiable. Yet the novel's sense of urgency seems to have been dispelled by time and intervening events.

    HE LIED.‘Twisty’ Crime Monthly‘Taut, unpredictable … The perfect escape’ Newsweek‘Page-turner’ Publisher's WeeklyA decadent summer thriller about marriages tainted by ambition, wealth, and desire from the Sunday Times bestselling author. She’s in too deep….Meet the first Mrs Ford. Beautiful. Accomplished. Wealthy beyond imagination. Married to a much younger man. And now… dead.Meet the second Mrs Ford. Waitress. Small-town girl. Married to a man she never forgot, from an affair ten years before. And now, she’s wealthy beyond imagination.But who is Connor Ford? Two wives loved him, and knew him as only wives can…Who is the victim? Who is the villain? And who will be next to die?Set amongst the glittering mansions of the Hamptons, The Wife Who Knew Too Much is a decadent thriller about the lives of those who will do anything for love and money from the Sunday Times bestselling author Michele Campbell.Praise for The Wife Who Knew Too Much:‘Gripping’ and ‘Twisty’ Crime Monthly‘Taut, unpredictable and sensual, Campbell's writing provides the perfect escape’ Newsweek‘This page-turner is poolside ready’ Publisher's Weekly‘Cleverly revealed subterfuge and a genuine aura of danger and confusion make this a fast and exciting read for fans of Liv Constantine’ Booklist‘A fantastic poolside or at-the-beach read, but just as perfect curled up in a chair inside, escaping from the summer heat, The Wife Who Knew Too Much will have your fingers busy turning page, after page, after page’ The Nerd Daily‘Campbell has crafted a practically perfect thriller with plenty of twists and turns that still relies on the believable to drive its thrills home’ Bookreporter.com‘I will read anything Michele Campbell writes! Her stories are shocking and suspenseful. No one is superhuman just human and that resonates with me’ Rachel Howzell Hall, bestselling author of They All Fall Down

    Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen if architects liberated their minds from the constraints of site, program, and budget? he asks. The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.The 1001 building forms in SITELESS include structural parasites, chain link towers, ball bearing floors, corrugated corners, exponential balconies, radial facades, crawling frames, forensic housing--and other architectural ideas that may require construction techniques not yet developed and a relation to gravity not yet achieved. SITELESS presents an open-ended compendium of visual ideas for the architectural imagination to draw from. The forms, drawn freehand (to avoid software-specific shapes) but from a constant viewing angle, are presented twelve to a page, with no scale, order, or end to the series. After setting down 1001 forms in siteless conditions and embryonic stages, Blanciak takes one of the forms and performs a "scale test," showing what happens when one of these fantastic ideas is subjected to the actual constraints of a site in central Tokyo. The book ends by illustrating the potential of these shapes to morph into actual building proportions.