The whole collection is strong, passionate, and poignant, but the mother and daughter poems, fierce and emotional, with their intense ambivalence, pain and joy, themes of separation and reconnecting, are among the very strongest about that difficult relationship."These striking, original, beautifully sensuous poems do just that. Ordinary moments--a sunset, a walk, a private religious ritual--are so alive in poems like 'Shabbat moment'  and 'Rosh Hodesh.' In the same way that she celebrates ordinary moments, small things become charged with memories and feelings: paper snowflakes, buttons, one bird, a bottle-cap flower made from a ginger ale top and crystal beads. "She celebrates the body in rollicking, gusto-filled poems like 'Belly good' and 'The chuppah,' where 'our bodies open their portals wide.' So much that is richly sensuous: 'hands that caressed you,  . . . untied the knot of pleasure and loosened your flesh till it fluttered,' and lush praise for 'life in our spines, our throats,  our knees, our genitals, our brains, our tongues.'"I love the humor in poems like 'Eat fruit,' the nostalgia and joy in 'The rabbi's granddaughter and the Christmas tree,' the fresh, beautiful images of nature--'In winter . . .the sun hangs its wizened rosehip in the oaks.'"I admire Piercy's sense of the past alive in the present, in personal and social history. The poems are memorials, like the yahrtzeit candle in a glass. 'We lose and we go on losing,' but the poems are never far from harsh joy, the joy that is 'the wine of life.'"Growing up haunted by Holocaust ghosts is an echo throughout the book, and some of the strongest poems are about the Holocaust, poems that become the voices of those who had no voice: 'What you  carry in your blood is us,  the books we did not write, music we could not make, a world  gone from gristle to smoke, only  as real now as words can make it.'"Marge Piercy's words make such a moving variety of experiences beautifully and forcefully real."

    Suffused with hope yet unafraid to mock his own credulity, Simic's searing metaphors unite the solemn with the absurd. His raindrops listen to each other fall and collect memories; his wildflowers are drunk with kissing the red-hot breezes; and his God is a Mr. Know-it-all, a wheeler-dealer, a wire-puller. In this latest lyrical gathering, Simic continues to startle his fans with the powerful and surprising images that are his trademark-slangy images of the ethereal, fantastic visions of the everyday, foreign scenes of the all-American-and moments full of humor and full of heartache.

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    Dunn's landscape at the end of the century embraces the spectrum of urgencies and obsessions that we live with and for. It's a landscape that we share with citizens and spies, revelers and mourners, women who weep, men who keep secrets, and especially with the poet himself.

    The influence of Hafez and Rumi is clear, and yet the poems descend into the wealth of Western history, referring at times to Monet, Giordano Bruno,Emerson, St. Francis, Newton, and Chekhov, as well as to events in Bly's own life. The leaping between joy and "ruin" produces a poetry which makes him, as Kenneth Rexroth noted, "one of the leaders in a poetic revival which has returned American literature to the world community."

    Political and iconoclastic, Anne Boyer’s poems dally in pastoral camp and a dizzying, delightful array of sights and sounds born from the dust of the Kansas plains where dinner for two is cooked in Fire King and served on depression ware, and where bawdy instructions for a modern “Home on the Range” read:Mix a drink of stock lot:vermouth and the water table.And the bar will smell of IBP.And you will lick my Laura Ingalls.In Boyer’s heartland, “Surfaces should be worn. Lamps should smolder. / Dahlias do bloom like tumors. The birds do rise like bombs.” And the once bright and now crumbling populism of Marxists, poets, and folksingers springs vividly back to life as realism, idealism, and nostalgia do battle amongst the silos and ditchweed.Nothing, too, is a subject:dusk regulating the blankery.Fill in the nightish sky with ardent,fill in the metaphorical smell.A poet and visual artist, Anne Boyer lives in Kansas, where she co-edits the poetry journal Abraham Lincoln and teaches at Kansas City Art Institute.

    "Clifton mythologizes herself: that is, she illuminated her surroundings and history from within in a way that casts light on much beyond."--The Women's Review of Books

    Although Kathleen Norris’s best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet.  Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

    A practicing physician for more than 40 years, Williams worked in the idiom of modern American speech ― unlike his friend and mentor, Ezra Pound ― and his poems are redolent with a warmth and generosity of spirit. The Beat poets were particularly impressed with the accessibility of his language, and Williams's widely quoted dictum, "No ideas but in things," influenced a generation of American poets.This fine selection offers readers the opportunity to study and enjoy the richness and variety of Williams's early work. More than 70 poems, published between 1917 and 1921, include "Peace on Earth," "Tract," "El Hombre," "Danse Russe," "Keller Gegen Dom," "Willow Poem," "Queen-Anne's-Lace," "Portrait of a Lady," "The Widow's Lament in Springtime," and many others.

    "Sweetheart, was I talking war in my sleep / again?" he asks, and the question is hardly moot: "Sometimes I hold you like Achilles' / shield," and indeed all relationships, in this telling, are sites of violence and battle. His line is longer and looser than in Taboo and Talking Dirty to the Gods, and in long poems like "The Autobiography of My Alter Ego" he sounds almost breathless, an exhausted, desperate prophet. Warhorses is the stunning work of a Pulitzer Prize–winning poet who never ceases to challenge and delight his readers.

    Here are all the lyrics, series, and narratives that established Wakoski as a mythologizer of sex and self, a fierce free-verse imagist, and one of the most important and controversial poets in the United States today (Contemporary Poets). About these poems, Wakoski writes: My themes are loss, justice, truth, transformation, the duality of the world, the possibilities of magic, and the creation of beauty out of ugliness. My language is dramatic, oral, and as American as I can make it. I am impatient with stupidity, bureaucracy, and organizations. Poetry, for me, is the supreme art of the individual using language to show how special, different, and wonderful his perceptions are. With verve and finesse. With discursive precision. Arid with utter contempt for pettiness of imagination or spirit. Emerald Ice is a contemporary classic, the essential poems of a uniquely American female sensibility..

    In "How This Night Is Different," Albert boldly illuminates the struggles of young, disaffected Jews to find spiritual fulfillment. With wit and wisdom, she confronts themes -- self-deprecation, stressful family relationships, sex, mortality -- that have been hallmarks of her literary predecessors. But Albert brings a decidedly fresh, iconoclastic, twenty-first-century attitude to the table.Holidays, gatherings, and rites of passage provide the backdrop for these ten provocative stories. The characters who populate "How This Night Is Different" are ambivalent, jaded, and in serious want of connection. As they go through the motions of familial duty and religious observance, they find themselves continually longing for more. In prose that is by turns hilarious and harrowing, Albert details the quest for acceptance, a happier view of the past, and above all the possibility of a future.From the hormonally charged concentration camp teen tour in "The Living" to the sexually frustrated young mother who regresses to bat mitzvah-aged antics in "Everything But," and culminating with the powerful and uproariously apropos finale of "Etta or Bessie or Dora or Rose," "How This Night Is Different" is sure to titillate, charm, and profoundly resonate with anyone who's ever felt conflicted about his or her faith, culture, or place in the world.The mother is always upset --When you say you're a Jew --So long --Everything but --Spooked --How this night is different --The living --Hotline --We have trespassed --Etta or Bessie or Dora or Rose

    We are introduced to her friends and family, as she struggles to launch herself out into the world, to take the risks of love—the one constancy in all the change.Told with a great good humor and underlying affection for all her characters, Death and Other Holidays announces a brilliant and assured new voice in American fiction.

    W. Tozer include two of Tozer most loved books; The Pursuit of God and Man, the Dwelling Place of God. Each has a linked table of contents.

    Now beautifully repackaged, the poems in Book of Mercy brim with praise, despair, anger, doubt and trust. Speaking from the heart of the modern world, yet in tones that resonate with an older devotional tradition, these verses give voice to our deepest, most powerful intuitions.