The book, which is profusely illustrated, contains chapters on all aspects of the history, culture, values & achievements of Athenian life. Teachers & students of Reading Greek now have a full & instant guide to the cultural & historical topics in which the course is so diverse & rich. The book is essential for all users of Reading Greek.

    Bernard Williams's original and radical book questions this picture of Western history. While we are in many ways different from the Greeks, Williams claims that the differences are not to be traced to a shift in these basic conceptions of ethical life. We are more like the ancients than we are prepared to acknowledge, and only when this is understood can we properly grasp our most important differences from them, such as our rejection of slavery.The author is a philosopher, but much of his book is directed to writers such as Homer and the tragedians, whom he discusses as poets and not just as materials for philosophy. At the center of his study is the question of how we can understand Greek tragedy at all, when its world is so far from ours.Williams explains how it is that when the ancients speak, they do not merely tell us about themselves, but about ourselves. Shame and Necessity gives a new account of our relations to the Greeks, and helps us to see what ethical ideas we need in order to live in the modern world.

    It tells how Hades abducted Persephone & how her mother, the grain goddess Demeter, forced the gods to allow Persephone to return to her part of each year. Foley presents the Greek text, an annotated translation & selected essays on its historical context & its religious, literary, social & psychological meaning. The Hymn reflects both the crisis when marriage separates mother & daughter as well as the bonds allowing them to survive this transition. Demeter & Persephone, who suffered the pains of mortality, found the Eleusinian Mysteries that offered their initiates a "different lot once dead in the dreary darkness." A version of the same myth formed the basis of exclusively female religious cults. The essays, contributed by Foley, Mary Louise Lord, Jean Rudhardt & Nancy Felson-Rubin, Harriet M. Deal, Marilyn Arthur Katz, & Nancy Chodorow, give a rich understanding of the Hymn's structure & artistry, its role in the religious life of the ancient world & its meaning for moderns. The essays study the Hymn in the context of early Greek epic & cosmology, examine its critical attitude to marriage & analyze mother-daughter dynamics.Text & Translation of the Homeric Hymn to DemeterCommentary on the Homeric Hymn to DemeterBackground: The Eleusinian Mysteries & Women's Rites for DemeterInterpreting the Hymn to DemeterThe "Theology" of the MysteriesVariants of the Myth & the Importance of the Version in the Hymn to DemeterFemale Experience in the Hymn to DemeterMarriageGender Conflict & the Cosmological TraditionThe Mother/Daughter RomanceThe Psychology of the MysteriesThe Hymn to Demeter & the PolisChristianity & the Hymn to DemeterThe Influence of the Hymn to Demeter & Its Myth

    For this volume, Professor Hadas chose nine plays which display the diversity and grandeur of tragedy, and the critical and satiric genius of comedy, in outstanding translations of the past and present. His introduction explores the religious origins, modes of productions, structure, and conventions of the Greek theater, individual prefaces illuminate each play and clarify the author's place in the continuity of Greek drama.

    The Oracle of Delphi was one of the most influential figures in ancient Greece. Human mistress of the god Apollo, she had the power to enter into ecstatic communion with him and deliver his prophesies to men. Thousands of years later, Pulitzer Prize–winning journalist William J. Broad follows a crew of enterprising researchers as they sift through the evidence of history, geology, and archaeology to reveal—as far as science is able—the source of her visions.

    But throughout generations of education in ancient Greek philosophy, drama, poetry, politics, and art, a crucial aspect of the ancient Greek world has come to be overlooked, avoided, distorted, or denied--the role of the homosexual relationship. K.J. Dover's scholarly, thorough, and fair study is a landmark in the opening of the issue to the public.

    See the city through their eyes as it teeters on the edge of the fateful war that would end its golden age. Athens, 416 BC. A tenuous peace holds. The city-state's political and military might are feared throughout the ancient world; it pushes the boundaries of social, literary and philosophical experimentation in an era when it has a greater concentration of geniuses per capita than at any other time in human history. Yet even geniuses go to the bathroom, argue with their spouse and enjoy a drink with friends.Few of the city's other inhabitants enjoy the benefits of such a civilized society, though - as multicultural and progressive as Athens can be, many are barred from citizenship. No, for the average person, life is about making ends meet, whether that be selling fish, guarding the temple or smuggling lucrative Greek figs.During the course of a day we meet 24 Athenians from all strata of society - from the slave-girl to the councilman, the vase painter to the naval commander, the housewife to the hoplite - and get to know what the real Athens was like by spending an hour in their company. We encounter a different one of these characters every chapter, with each chapter forming an hour in the life of the ancient city. We also get to spy on the daily doings of notable Athenians through the eyes of regular people as the city hovers on the brink of the fateful war that will destroy its golden age.

    For these readers, Malcolm M. Willcock provides a line-by-line commentary that explains the many factual details, mythological allusions, and Homeric conventions that a student or general reader could not be expected to bring to an initial encounter with the Iliad.  The notes, which always relate to particular lines in the text, have as their prime aim the simple, factual explanation of things the inexperienced reader would be unlikely to have at his or her command (What is a hecatomb? Who is Atreus' son?). Second, they enhance an appreciation of the Iliad by illuminating epic style, Homer's methods of composition, the structure of the work, and the characterization of the major heroes. The "Homeric Question," concerning the origin and authorship of the Iliad, is also discussed. Professor Willcock's commentary is based on Richmond Lattimore's translation—regarded by many as the outstanding translation of the present generation—but it may be used profitably with other versions as well. This clearly written commentary, which includes an excellent select bibliography, will make one of the touchstones of Western literature accessible to a wider audience.—from the back cover

    In Homeric Moments, she brilliantly conveys the unique delights of Homer's epics as she focuses on the crucial scenes, or moments, that mark the high points of the narratives: Penelope and Odysseus, faithful wife and returning husband, sit face to face at their own hearth for the first time in twenty years; young Telemachus, with his father Odysseus at his side, boldly confronts the angry suitors; Achilles gives way to boundless grief at the death of his friend Patroclus.Eva Brann demonstrates a way of reading Homer's poems that yields up their hidden treasures. With an alert eye for Homer's extraordinary visual effects and a keen ear for the musicality of his language, she helps the reader see the flickering campfires of the Greeks and hear the roar of the surf and the singing of nymphs. In Homeric Moments, Brann takes readers beneath the captivating surface of the poems to explore the inner connections and layers of meaning that have made the epics "the marvel of the ages.""Written with wit and clarity, this book will be of value to those reading the Odyssey and the Iliad for the first time and to those teaching it to beginners."—Library Journal"Homeric Moments is a feast for the mind and the imagination, laid out in clear and delicious prose. With Brann, old friends of Homer and new acquaintances alike will rejoice in the beauty, and above all the humanity, of the epics." —Jacob Howland, University of Tulsa, Author of The Paradox of Political Philosophy"In Homeric Moments, Eva Brann lovingly leads us, as she has surely led countless students, through the gallery of delights that is Homer's poetry. Brann's enthusiasm is as infectious as her deep familiarity with the works is illuminating."—Rachel Hadas"Brann invites us to enter a conversation [about Homer] in which information and formal arguments jostle with appreciations and frank conjectures and surmises to increase our pleasure and deepen the inward dimension of our humanity."—Richard Freis, Millsaps College"For anyone eager to experience the profundity and charm of Homer's great epic poems, Eva Brann's book will serve as a passionate and engaging guide. Brann displays a deep sensitivity to the cadence and flow of Homeric poetry, and the kind of knowing intimacy with its characters that comes from years of teaching and contemplation. Her relaxed but informative approach succeeds in conveying the grandeur of the great Homeric heroes, while making them continually resonate for our own lives. Brann helps us see that this poetry has an urgency for our own era as much as it did for a distant past."—Ralph M. Rosen, University of Pennsylvania, Author of Old Comedy and The Iambographic Tradition"The most enjoyable books about Homer are always written by those who have read and taught him the most. Eva Brann's collection of astute observations, unusual asides, and visual snapshots of the Iliad and the Odyssey reveals a lifelong friendship with the poet, and is as pleasurable as it is informative. Homeric Moments is rare erudition without pedantry, in a tone marked by good sense without levity."—Victor Davis Hanson, author of The Other Greeks and co-author of Who Killed Homer?Eva Brann is a member of the senior faculty at St. John's College in Annapolis, Maryland, where she has taught for fifty years. She is a recipient of the National Humanities Medal. Her other books include The Logos of Heraclitus, Feeling Our Feelings, Homage to Americans, Open Secrets / Inward Prospects, The Music of the Republic, Un-Willing, and Then and Now (all published by Paul Dry Books).

    Despite their mortality, heroes, like the gods, were objects of cult worship. Nagy examines this distinctively religious notion of the hero in its many dimensions, in texts spanning the eighth to fourth centuries bce: the Homeric Iliad and Odyssey; tragedies of Aeschylus, Sophocles, and Euripides; songs of Sappho and Pindar; and dialogues of Plato. All works are presented in English translation, with attention to the subtleties of the original Greek, and are often further illuminated by illustrations taken from Athenian vase paintings.The fifth-century bce historian Herodotus said that to read Homer is to be a civilized person. In twenty-four installments, based on the Harvard University course Nagy has taught and refined since the late 1970s, The Ancient Greek Hero in 24 Hours offers an exploration of civilization s roots in the Homeric epics and other Classical literature, a lineage that continues to challenge and inspire us today.

    Long celebrated as a pathbreaking achievement in the social history of the ancient world, M.I. Finley's brilliant study remains, as classicist Bernard Knox notes in his introduction to this new edition, "as indispensable to the professional as it is accessible to the general reader"--a fundamental companion for students of Homer and Homeric Greece.

    The first three plays in this volume are imbued with an atmosphere of violence, while the fourth, Cyclops, is our only surviving example of a genuine satyr play, with all the crude and slapstick humor that characterized the genre. Alcestis shows various reactions to death with pathos and grim humor while the blood-soaked Heracles portrays deep emotional pain and undeserved suffering. Children of Heracles deals with the effects of war on refugees and the consequences of sheltering them.

    Otto recreates the theological world of ancient Greek religion. Otto's provocative starting point is to accept the immanent reality of the gods. To understand the cult of Dionysus, it is necessary to reimagine the original vision of the god. Otto challenges us to understand the power of this vision not as a bloodless abstraction but as a force animating belief, to see the myth and art of Dionysus as a passionate search to regain the power of the lost god.

    Athens had entered upon her brief and magnificent flowering of genius which so molded the world of mind and of spirit that our mind and spirit today are different... What was then produced of art and of thought has never been surpasses and very rarely equalled, and the stamp of it is upon all the art and all the thought of the Western world."A perennial favorite in many different editions, Edith Hamilton's best-selling The Greek Way captures the spirit and achievements of Greece in the fifth century B.C. A retired headmistress when she began her writing career in the 1930s, Hamilton immediately demonstrated a remarkable ability to bring the world of ancient Greece to life, introducing that world to the twentieth century. The New York Times called The Greek Way a "book of both cultural and critical importance."

    Drawing on a wide range of Roman writing—from essays on rhetoric to a surviving Roman joke book—Mary Beard tracks down the giggles, smirks, and guffaws of the ancient Romans themselves. From ancient “monkey business” to the role of a chuckle in a culture of tyranny, she explores Roman humor from the hilarious, to the momentous, to the surprising.  But she also reflects on even bigger historical questions. What kind of history of laughter can we possibly tell? Can we ever really “get” the Romans’ jokes?