It speaks eloquently of empowerment and possibility, and resonates loudly to this day.Also included in this omnibus edition are White Man, Listen!, a stirring collection of Wright's essays on race, politics, and other essential social concerns ("Deserves to be read with utmost seriousness"-New York Times), and The Color Curtain, an indispensable work urging the removal of the color barrier. It remains one of the key commentaries on the question of race in the modern era. ("Truth-telling will perhaps always be unpopular and suspect, but in The Color Curtain, as in all his later nonfiction, Wright did not hesitate to tell the truth as he saw it."--Amritjit  Singh, Ohio University)

    The story begins with the massacre of the 11,000 strong Hicks Pasha column in 1883. Sent to evacuate the country, British hero General Gordon was surrounded and murdered in Khartoum by an army of dervishes led by the Mahdi. The relief mission arrived 2 days too late. The result was a national scandal that shocked the Queen and led to the fall of the British government. Twelve years later it was the brilliant Herbert Kitchener who struck back. Achieving the impossible he built a railway across the desert to transport his troops to the final devastating confrontation at Omdurman in 1898. Desert explorer and author Michael Asher has reconstructed this classic tale in vivid detail. Having covered every inch of the ground and examined all eyewitness reports, he brings to bear new evidence questioning several accepted aspects of the story. The result is an account that sheds new light on the most riveting tale of honour, courage, revenge and savagery of late Victorian times.

    Linda Heywood offers the first full-length study in English of Queen Njinga's long life and political influence, revealing how this Cleopatra of central Africa skillfully navigated--and ultimately transcended--the ruthless, male-dominated power struggles of her time.In 1626, after being deposed by the Portuguese, she transformed herself into a prolific slave trader and ferocious military leader, waging wars against the Portuguese colonizers and their African allies. Surviving multiple attempts to kill her, Njinga conquered the neighboring state of Matamba and ruled as queen of Ndongo-Matamba. At the height of her reign in the 1640s Njinga ruled almost one-quarter of modern-day northern Angola. Toward the end of her life, weary of war, she made peace with Portugal and converted to Christianity, though her devotion to the new faith was questioned.Who was Queen Njinga? There is no simple answer. In a world where women were subjugated by men, she repeatedly outmaneuvered her male competitors and flouted gender norms, taking both male and female lovers. Today, Njinga is revered in Angola as a national heroine and honored in folk religions, and her complex legacy continues to resonate, forming a crucial part of the collective memory of the Afro-Atlantic world.

    These extraordinary men turned soccer into an active force in the struggle for freedom.

    Drawn from their work over the past thirty years, this book is an inclusive look at the people and cultures from across this broad continent.With their unique eye for Africa and its inhabitants, Beckwith and Fisher have brought forth a masterpiece in the genre—and a moving, personal tribute to some of the most beautiful people on Earth.

    But just a few years after the defeat of Hitler came the Mau Mau uprising in Kenya - a mass armed rebellion by the Kikuyu people, demanding the return of their land and freedom. The draconian response of Britain's colonial government was to detain nearly the entire Kikuyu population of one-and-a half-million - to hold them in camps or confine them in villages ringed with barbed wire - and to portray them as sub-human savages.From 1952 until the end of the war in 1960 tens of thousands of detainees - and possibly a hundred thousand or more - died from the combined effects of exhaustion, disease, starvation and systemic physical brutality. Until now these events have remained untold, largely because the British government in Kenya destroyed most of its files. For the last eight years Caroline Elkins has conducted exhaustive research to piece together the story, unearthing reams of documents and interviewing several hundred Kikuyu survivors.Britain's Gulag reveals what happened inside Kenya's detention camps, as well as the efforts to conceal the truth. Now, for the first time, we can understand the full savagery of the Mau Mau war and the ruthless determination with which Britain sought to control its empire.

    Growing up, he knew that his mother’s ancestors were from France and Sweden, but he heard only suspiciously vague stories about where his father’s family was from—Italy, Portugal, the Basque country. Then one day, a college professor told him his name may have come from sub-Saharan Africa, which made no sense at all: Mozingo was a blueeyed white man from the suburbs of Southern California. His family greeted the news as a lark—his uncle took to calling them “Bantu warriors”—but Mozingo set off on a journey to find the truth of his roots. He soon discovered that all Mozingos in America, including his father’s line, appeared to have descended from a black man named Edward Mozingo who was brought to the Jamestown colony as a slave in 1644 and won his freedom twenty-eight years later. He became a tenant farmer growing tobacco by a creek called Pantico Run, married a white woman, and fathered one of the country’s earliest mixed-race family lineages. But Mozingo had so many more questions to answer. How had it been possible for Edward to keep his African name? When had some of his descendants crossed over the color line, and when had the memory of their connection to Edward been obscured? The journalist plunged deep into the scattered historical records, traveled the country meeting other Mozingos—white, black, and in between—and journeyed to Africa to learn what he could about Edward’s life there, retracing old slave routes he may have traversed. The Fiddler on Pantico Run is the beautifully written account of Mozingo’s quest to discover his family’s lost past. A captivating narrative of both personal discovery and historical revelation that takes many turns, the book traces one family line from the ravages of the slave trade on both sides of the Atlantic, to the horrors of the Jamestown colony, to the mixed-race society of colonial Virginia and through the brutal imposition of racial laws, when those who could pass for white distanced themselves from their slave heritage, yet still struggled to rise above poverty. The author’s great-great-great-great-great grandfather Spencer lived as a dirt-poor white man, right down the road from James Madison, then moved west to the frontier, trying to catch a piece of America’s manifest destiny. Mozingos fought on both sides of the Civil War, some were abolitionists, some never crossed the color line, some joined the KKK. Today the majority of Mozingos are white and run the gamut from unapologetic racists to a growing number whose interracial marriages are bringing the family full circle to its mixed-race genesis. Tugging at the buried thread of his origins, Joe Mozingo has unearthed a saga that encompasses the full sweep of the American story and lays bare the country’s tortured and paradoxical experience with race and the ways in which designations based on color are both illusory and life altering. The Fiddler on Pantico Run is both the story of one man’s search for a sense of mooring, finding a place in a continuum of ancestors, and a lyrically written exploration of lineage, identity, and race in America. *** From The Fiddler on Pantico Run As I listened to the dry rasp of the elephant grass, I gazed out over the Kingdom of Kom. A narrow gorge threaded through the lush terrain below, opening into a smoky blue chasm in the distance, the Valley of Too Many Bends. . . . This belt of fertile savannah in western Cameroon rested at a terrible crossroads, with no forest to hide in when the marauders arrived. The kings may have been safe in their fortified isolation, but their people were not. They were taken first by Arab invaders in the Sudan in the north, and then by the southern peoples who found that humans were the commodity Europeans most desired. . . . Those who survived had been handed from tribe to tribe, through too many hostile foreign territories to dream of escaping and returning home. And then off they went, into the sea. High on a ridge, three hundred miles by road from the Atlantic, I sat at the headwaters of that outward movement, imagining the people flowing away like the rivers below. I pictured a boy, gazing down into that blue mountain cradle, the grass dry-swishing in the breeze, the drums coming up in the night. A boy suddenly pulled into the current and scrambling to reach the bank. A boy unable to imagine the ocean and sickly white men in big wooden ships and the swampy, malarial settlement called Jamestown where he would be sold to a planter in the year of their lord 1644. This is the beginning, I said to myself. The beginning of my family’s story, the point just after which my forebears obscured the truth—and nearly buried it forever.

    The text asserts that the praise and honor blindly given to the Greeks for centuries rightfully belong to the people of Africa, and argues that the theft of this great African legacy led to the erroneous world opinion that the African continent has made no contribution to civilization. Quoting such celebrated Greek scholars as Herodotus, Hippocrates, Aristotle, Thales, and Pythagoras, who admit to the influence of Egyptian studies in their work, this edition sheds new light on traditional philosophical and historical thought. Originally published in 1954, this book features a new introduction.

    He was swept to international celebrity on a wave of scandal and flamboyance, and when he died of AIDS in 1997, more than a million people attended his funeral. But what was he really like, this man who could as easily arouse violent hostility as he could unswerving loyalty? Carlos Moore's unique biography, based on hours of conversation and told in Fela's first-person vernacular, reveals the icon's complex personality and tumultuous existence. Moore includes interviews with fifteen of his queens (wives); photos; and an updated discography.

    Their captors were Arab and German terrorists, aided by the Ugandan army; their liberators were members of Israel's elite commando unit, Sayeret Matkal, simply known as the Unit. Lt.-Col. Yoni (Jonathan) Netanyahu, the Unit's commander, earned world-wide fame in the wake of the operation's stunning success. He was the only Israeli soldier killed in the Entebbe raid. As a brother of the rescue force's commander, and himself a member of the Unit, Iddo Netanyahu had ready access to the participants in the raid. He was able to obtain detailed accounts from the men of the Unit who, for the first time, described the planning and preparations for the mission and its near-perfect execution. What emerged from their accounts is a powerful and stirring story of how the daring undertaking was accomplished after only 48 hours of frantic preparations. Yoni's Last Battle portrays the men who carried out an incredibly hazardous operation in far-away Africa. Above all, it depicts the heroic - and tragic - figure of their commander, Yoni.

    The United States remained wary of joining the costly and destructive conflict. But for five extraordinary young Americans, the global threat of fascism was too great to ignore. Six months before Pearl Harbor, these courageous idealists left their promising futures behind to join the beleaguered British Army. Fighting as foreigners, they were shipped off to join the Desert Rats, the 7th Armored Division of the British Eighth Army, who were battling Field Marshal Rommel’s panzer division. The Yanks would lead anti-tank and machine-gun platoons into combat at the Second Battle of El Alamein, the twelve-day epic of tank warfare that would ultimately turn the tide for the Allies. A fitting tribute to five men whose commitment to freedom transcended national boundaries, Into Dust and Fire is a gripping true tale of idealism, courage, camaraderie, sacrifice, and heroism.

    Plantation owners, shipbuilders, and merchants connected with the slave trade accumulated vast fortunes that established banks and heavy industry in Europe and expanded the reach of capitalism worldwide.Eric Williams advanced these powerful ideas in Capitalism and Slavery, published in 1944. Years ahead of its time, his profound critique became the foundation for studies of imperialism and economic development.Binding an economic view of history with strong moral argument, Williams's study of the role of slavery in financing the Industrial Revolution refuted traditional ideas of economic and moral progress and firmly established the centrality of the African slave trade in European economic development. He also showed that mature industrial capitalism in turn helped destroy the slave system. Establishing the exploitation of commercial capitalism and its link to racial attitudes, Williams employed a historicist vision that set the tone for future studies.In a new introduction, Colin Palmer assesses the lasting impact of Williams's groundbreaking work and analyzes the heated scholarly debates it generated when it first appeared.

    Mike Hoare's personal story of his astonishing and horrifying experiences in the Congo in 1965. A hot, ferocious, dirty jungle war in which he served as a mercenary. "He was a hired gun in a savage war. One man's shocking true-life account of a bloody rebellion."

    In an act of extraordinary courage, Sister Rachele, the Italian deputy headmistress, followed the abductors. Her journey took her to the Lord's Resistance Army, led by Joseph Kony, where she managed to secure the release of the majority of the girls. What happened to the remaining thirty girls and thousands of other children who have disappeared from their homes and schools in northern Uganda since the arrival of the Lord's Resistance Army? In this book journalist Els De Temmerman reconstructs the journey of two Aboke girls who managed to excape and one of the abductors, a fourteen year old boy who was part of Kony's elite troops.

    Diving into this tumultuous new world as a journalist and writer, she embraced the energy and creativity of Kenyans, both black and white. But her world collapsed when her twenty-two-year-old son, Dan—an artist and photojournalist on assignment for Reuters—was stoned to death by an angry mob in Somalia, killed by the very people he was trying to help. Kathy's journey through this tragic loss was deeply spiritual as she discovered that, in many ways, Dan was still ever-present in her life.This gripping international saga includes a passionate love, a dangerous coup in Kenya, and a compelling glimpse into a woman on the brink of self-discovery. After her son's murder, Kathy began to publish his art, which gained popularity worldwide and—together with her daughter, Amy—launched a global foundation celebrating Dan's work as a creative activist. Throughout Kathy's exploration of profound tragedy, we find the secrets to not only surviving, but being truly, gloriously alive.