Only Mr. Davies, author of Fifth Business, The Manticore, and World of Wonders, could have woven together their destinies with such wit, humour-and wisdom.

    Since her eccentric father’s untimely death, she is the presumed heir to a long-rumored trove of diaries, paintings, letters, and early novel drafts passed down from the Brontë family - a hidden fortune never revealed to anyone outside of the family, but endlessly speculated about by Brontë scholars and fanatics. Samantha, however, has never seen this alleged estate and for all she knows, it’s just as fictional as Jane Eyre or Wuthering Heights.But everything changes when Samantha enrolls at Oxford University and long lost objects from the past begin rematerializing in her life, beginning with an old novel annotated in her father’s handwriting. With the help of a handsome but inscrutable professor, Samantha plunges into a vast literary mystery and an untold family legacy, one that can only be solved by decoding the clues hidden within the Brontës’ own works

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    Rupert and his American lover Allan were all part of her new, exciting life, and when Rupert suggested to her that she and Allan should get married, just so that Allan could stay in the country, Milly didn't hesitate, and to make it seem real she dressed up in cheap wedding finery and posed on the steps of the registry office for photographs.Ten years later, Milly is a very different person. Engaged to Simon - who is wealthy, serious, and believes her to be perfect - she is facing the biggest and most elaborate wedding imaginable. Her mother has it planned to the finest detail, from the massive marquee to the sculpted ice swans filled with oysters. Her dreadful secret is locked away so securely she has almost persuaded herself that it doesn't exist - until, with only four days to go, her past catches up with her.Suddenly, her carefully constructed world is about to crash in ruins around her. How can she tell Simon she's already married? How can she tell her mother? But as the crisis develops, more secrets are revealed than Milly could possibly have realised...

    No set of novels so richly recreates the last days of India under British rule--"two nations locked in an imperial embrace"--as Paul Scott's historical tour de force, " The Raj Quartet." "The Jewel in the Crown" opens in 1942 as the British fear both Japanese invasion and Indian demands for independence.

    The Evening Standard described Bilgewater as "one of the funniest, most entertaining, most unusual stories about young love."Motherless and 16, Marigold is the headmaster's daughter at a private backwater all-boys school. To make matters worse, Marigold pines for head boy Jack Rose, reckons with the beautiful and domineering Grace, and yanks herself headlong out of her interior world and into the seething cauldron of adolescence. With everything happening all at once, Marigold faces the greatest of teenage crucibles. A smart and painterly romp in the rich tradition of The Hollow Land and A Long Way From Verona, Gardam's elegant, evocative prose, possessed of sharp irony and easy surrealism makes Bilgewater a book for readers of all ages.

    On arrival he finds the climate delicious, the food even better, and two of the locals ravishing. Unfortunately, the wine produced on his new property is swill. Why then are so many people interested in it? Enter a beguiling Californian who knows more about wine than Max does – and may have a better claim to the estate. Fizzy with intrigue, bursting with local color and savor, A Good Year is Mayle at his most entertaining.

    In his most dazzling novel since the groundbreaking New York Times bestseller An Instance of the Fingerpost, Iain Pears tells the story of John Stone, financier and arms dealer, a man so wealthy that in the years before World War One he was able to manipulate markets, industries, and indeed entire countries and continents.A panoramic novel with a riveting mystery at its heart, Stone’s Fall is a quest to discover how and why John Stone dies, falling out of a window at his London home.Chronologically, it moves backwards–from London in 1909 to Paris in 1890, and finally to Venice in 1867– and in the process the quest to uncover the truth plays out against the backdrop of the evolution of high-stakes international finance, Europe’s first great age of espionage, and the start of the twentieth century’s arms race.Like Fingerpost, Stone’s Fall is an intricately plotted and richly satisfying puzzle–an erudite work of history and fiction that feels utterly true and oddly timely–and marks the triumphant return of one of the world’s great storytellers.

    ‘Nobody talked about what they did during the war. We all knew we weren’t allowed to.’Joan Stanley has a secret.  For fifty years she has been a loving mother, a doting grandmother and an occasional visitor to ballroom dancing and watercolour classes. Then one sunlit spring morning there is a knock on the door.

    Shaw’s Home for Watercress and Flower Girls. For years, the home has cared for London’s flower girls—orphaned and crippled children living on the grimy streets and selling posies of violets and watercress to survive.Soon after she arrives, Tilly discovers a diary written by an orphan named Florrie—a young Irish flower girl who died of a broken heart after she and her sister, Rosie, were separated. Moved by Florrie’s pain and all she endured in her brief life, Tilly sets out to discover what happened to Rosie. But the search will not be easy. Full of twists and surprises, it leads the caring and determined young woman into unexpected places, including the depths of her own heart.

    Driving her mobile library van through Finfarran's farms and villages, she tries not to think of the sophisticated London life she abandoned when she left her cheating husband. Or that she's now stuck in her crotchety mum's spare bedroom.With her daughter Jazz travelling the world and her relationship with her mother growing increasingly fraught, Hanna decides to reclaim her independence. Then, when the threatened closure of her library puts her plans in jeopardy, she finds herself leading a battle to restore the heart and soul of the fragmented community. Will she also find the new life she's been searching for?

    Estranged from her turbulent family for many years, Abbie is heartbroken to hear that they blame her for the tragedy.Determined to uncover her mother’s past, Abbie approaches her beloved grandmother, Millie, in search of answers. As the old woman recounts her own past, Abbie is transported back to the grandeur of the Russian Empire in 1911 with tales of her grandmother’s life as a governess and the revolution that exploded around her.As Abbie struggles to reconcile with her family, and to support herself and her child, she realizes that those long-ago events created aftershocks that threaten to upset the fragile peace she longs to create.

    Both have recently lost someone close to them as the first chapter opens. They meet and at once believe they have found a soul mate in each other. As their relationship progresses we come to understand more of each character's past. Most importantly we learn about Wemyss' late wife, Vera. What at first appears to be a different and quirky romance turns out to be an indictment of egoism and dominance in relationships.

    But when Devereaux reports his findings and nobody acts—and he is targeted in an assassination attempt—he soon realizes he’s tangled in a plot far greater than he first understood.

    'Durrell is a magician. He juggles with glittering words, he conjures up "cloud capped towers, gorgeous palaces and solemn temples," he entrances, intrigues and impresses.' The TimesAvignon: the kingdom of kings and Popes, capital of the historic South of France, heart of legendary Provence. The entwined lives of a group of friends - and lovers - are transformed forever by the outbreak of World War II. But their dramatic present only plunges them further into the darkness of an ancient past, as they become entangled in buried plots, gnostic cults, religious rituals, and a mysterious hunt for hidden Knight's Templar treasure. From Hitler's Europe to the medieval world, French chateaus to Egyptian deserts, The Avignon Quintet is an epic symphony of ecstasy and terror, madness and memory, passion and death. Consisting of five majestic novels - Monsieur, Livia, Constance, Sebastian and Quinx - it is a wild, wise masterpiece that could only be written by the literary master of his century, Lawrence Durrell.'Entrancing ... Swooning ... Charged with Durrell's strange magic.' Guardian'An enigmatic and secretive work, a cluster of dark passages and gaudy treasure-filled caves ... Inventive gusto and fictive extravagance ... Sensational.' London Review of Books'Splendid ... Reckless all-or-nothing writing.' Sunday Telegraph 'A virtuoso, capable of extraordinary feats.' New York Times 'Pungent and teasing ... There is some insidious power in him that keeps one reading.' Observer What readers are saying: 'As if Proust had written Raiders of the Lost Ark ...Templars, gnostics, handsome princes, asylums, madness, Freudians, southern France, Egypt, ancient tombs, castles, exotica, erotica, incest, ghosts, gypsies, ascetics, spies, Nazis, secret societies, bordellos, feasts, Nubian lesbians, assassins disguised as nuns, literary doppelgangers, convents, hidden treasure, suicide, and art.''Mystery, love, incest, war, espionage, gypsies, mysticism, secret rituals: a masterful writer.' 'Magnificent ... An incredible level of writing that should be experienced by everyone who loves modern literature.''A masterpiece ... Unlike anything I've ever read.' 'The master at his peak.' 'The writing is spectacular, unlike anything today.' 'Deeply complex, very clever use of language and gripping. Highly recommended.' 'Hairs suddenly rise on the back of the neck ... Read with a glass of wine.'