Ted Kooser’s third book in the Pitt Poetry Series is a selection of poems published in literary journals over a ten year period by a writer whose work has been praised for its clarity and accessiblity, its mastery of figurative language, and its warmth and charm.

    It was filled with hundreds of niches, one over the other. There is a country in each one; they're like boys, they're dead." In this landmark poem, written at the height of the Pinochet dictatorship, major Chilean poet Raul Zurita protests with ferocious invention the extinguishment of a generation and the brutalization of a nation. Of the role of poetry and of his own treatment by the military under this regime, Zurita has said, "You see, the only thing that told me that I wasn't crazy, that I wasn't living in a nightmare, was this file of poems, and then when they threw them into the sea, then I understood exactly what was happening." This elegy refuses to be an elegy, refuses to let the Disappeared disappear.

    Stenning tells their tale, setting them in the context of the dormant US rock scene, through to their breakthrough live shows and meteoric success in 2004 and 2005.

    More than a collection of poems, this book serves as a survival guide for anyone who has ever been a daughter. Knotted with gritty tales of addiction, mental illness, and girlhood, Redhead and the Slaughter King is the prequel to every time someone asked the question, “how the hell did I end up here?”

    Driven by obsession—in particular, obsession with the legendary French poet, Robert Desnos—Muench’s identification with a true self beyond the self’s known truth is startling.—from the introduction by Carol Muske-Dukes“Simone’s poems have a confidence and sophistication of what I like to call intentionality. Also wit, grace, poise, and a relationship to writing beyond self-referential feeling.”—Anne Waldman“Lush, sprouting, sensuous images line-by-line, adopting myth freely, Muench’s poems are volatile explosives, circling beauty.”—James Tate

    

    Their first chapbook Sad Girl Poems delves into their relationship with domestic violence, queer youth homelessness, & the suicide of a close friend. Of the chapbook, Eileen Myles wrote "Sad Girl Poems are revolutionary and sad and finely wrought on the fly… I keep reading, needing to be living in the world of them.” CAConrad wrote “You are an asshole if you read this book and are not destroyed and renewed and see through the poet Loma a way to redemption for us all.” Christopher Soto is originally from the Los Angeles area but now lives in Brooklyn.

    When a person’s been so broken by the corrupt system of the world, can you really blame them if they mistake murder for an act of love?

    Written by Harvard students for students, since its inception SparkNotes(TM) has developed a loyal community of dedicated users and become a major education brand. Consumer demand has been so strong that the guides have expanded to over 150 titles. SparkNotes'(TM) motto is Smarter, Better, Faster because: - They feature the most current ideas and themes, written by experts. - They're easier to understand, because the same people who use them have also written them. - The clear writing style and edited content enables students to read through the material quickly, saving valuable time. And with everything covered--context; plot overview; character lists; themes, motifs, and symbols; summary and analysis, key facts; study questions and essay topics; and reviews and resources--you don't have to go anywhere else!

    Collating classic music press and glossy magazine articles, Morrissey in Conversation describes the rocker's crazy-quilt career in his own words. It’s all here — how the Smiths created 1980s indie rock; the anti-rock credentials, feminist sympathies, and militant vegetarianism; Morrisey’s obsession with pop culture and girl groups, his (a)sexuality, and sardonic salvos against the mediocre. This is the story of how one man bewitched the ‘80s, peaked in the ‘90s, and triumphed in the new millennium.

    One of the most challenging poets writing today, Graham is no easy read, but the rewards are well worth the effort. While thematically present, her concern is not exclusively the demise of natural resources and depletion of species, but the philosophical and perceptual difficulty in capturing and depicting a physical world that may be lost, or one that we humans have limited sight of and into. As she notes in "The Taken-Down God": "We wish to not be erased from the / picture. We wish to picture the erasure. The human earth and its appearance. / The human and its disappearance."With a style that is fragmented and somewhat whirling--language dips and darts and asides are taken--Graham stays on point and presents an honest intellect at work, fumbling for an accurate understanding (or description) of the natural world, self-conscious about the limitations of language and perception.

    
 With their marriage facing rocky waters, Avian Linzy decides that what her and her husband, Marcellus, need is a trip to Mexico to set their union right again. However, on the day that they are set to leave, Marcellus announces to Avian that he wants a divorce. Broken hearted, Avian isn’t sure that she should go through with the vacation, but with the urging of her best friend, Lakeisha, she boards the plane to Mexico, alone. Lakeisha believes this trip can help Avian heal, but Avian remains skeptic until she unexpectedly meets the handsome Casyrius Knowlton. 
 Casyrius Knowlton is a man of means and has no problem getting what he wants, including his current position as a sports agent. In Mexico, Casyrius is planning to marry his high school sweetheart, Kiami Green. Casyrius’s love for Kiami runs deep, but that doesn’t stop him from having doubts when it comes to their upcoming nuptials. The ties to their relationship are hanging on by a slim thread, but completely snap when a would-be tragic event lands Avian in Casyrius’s arms. Literally. 
 Over the course of a week, Casyrius grows closer to Avian, but after his reason for being in Mexico is revealed, Avian disappears without a trace, and he’s determined to find the woman he’s unknowingly given a piece of his heart to. It won’t be easy, but Casyrius learns that anything worth having, rarely is. 
After getting her heart broken twice within a week, will Avian be able to find love again, or will she hold on to what could have been between her and Casyrius? If Casyrius finds her, will he be able to handle the secrets that she was hiding from him for so long?

    With a nervous energy and obsession to match his protagonists, Matt Bell’s prose burrows, forensically, into the layers of the brothers’ lives, employing a multilinear narrative structure and a frenetic plurality of perspectives to reach a core of despair that is both terrifyingly primal and distressingly familiar. Matt Bell's THE COLLECTORS was chosen by Brian Evenson as the runner-up manuscript in the 2008 Caketrain Chapbook Competition.

    Poemland alternates brilliantly between the deadpan, the spectacular, and the outrageous.If you open your mouth to start to complain I will fill it with whipped cream . . .There is a floating sadness nearby . . .Chelsey Minnis is the author of three previous collections. A graduate of the University of Colorado at Boulder and the Iowa Writers' Workshop, she currently lives in Boulder, Colorado.

    The topics may vary widely, from love to mental illness to the most recent "Florida Man" headline, but it's all in the same handwriting. Welcome to The Immortal Soul Salvage Yard.