Often hilarious, sometimes bittersweet and always entertaining, these true tales tell the stories of a landscape, a lifestyle and a unique community.

    How does the antique taxidermy in a natural science museum relate to the living birds outside the window? How do the opals found by campers, stored in mineral oil to conserve the water trapped inside, relate to the water table? “My practice is observation. How do relationships illuminate?” Using such models as Joseph Cornell’s box constructions, crazy quilts, and specimen displays, Tevis places fragments in relationship to each other in order to puzzle out lost histories, particularly those of women. Throughout The Wet Collection, the narrator navigates the peril and excitement of an outward journey complicated by an inward longing for home.

    Literally. Crosley’s “Up the Down Volcano" delivers a hilariously honest account of her trip to South America to climb one of the highest volcanoes in the world. Armed with a prescription for malaria pills, a fleece vest, and a few feminine hygiene products, Crosley’s attempt to channel her inner Jon Krakauer doesn't go exactly as planned. As she experiences the effects of altitude sickness on her way up the volcano, her guide tells her to simply be “tranquillo.” Crosley expertly describes the misunderstandings that arise through interacting with another culture in another language, turning the classic adventure story on its funny bone. The results are, of course, touching and amusingly disastrous.

    Like Sherwood Anderson in Winesburg, Ohio, she describes a community through the stories of certain memorable citizens. The overlay of nostalgia cannot hide some sharp observations about marriage and women's rights.

    They show that gardening is a passion and obsession that cannot be conquered or abandoned, only indulged. Each gardener tells a compelling story. Whether their muse is the quest to achieve a personal vision of ultimate beauty, a mission to heal the earth, or the attempt to grow a perfect heirloom tomato, the writing is direct, engaging, and from the heart.For Doug Tallamy, a love of plants is rooted first in a love of animals: "animals with two legs (birds), four legs (box turtles, salamanders, and foxes), six legs (butterflies and beetles), eight legs (spiders), dozens of legs (centipedes), hundreds of legs (millipedes), and even animals with no legs (snakes and pollywogs)." For Rosalind Creasy, it's "not the plant itself; it's how you use it in the garden." And for Sydney Eddison, the reason has changed throughout the years. Now, she "gardens for the moment."As you read, you may find yourself nodding your head in agreement, or gasping in disbelief. What you're sure to encounter is some of the best writing about the gardener's soul ever to appear. For anyone who cherishes the miracle of bringing forth life from the soil, "The Roots of My Obsession" is essential inspiration.

    

     Eve is an 18,000 word novella originally published as an ongoing story on Reddit's Writing Prompts forum by user /u/psycho_alpaca.

    And so when she meets and falls in love with Daniel Fallow, son of a successful businessman, she's quick to accept his proposal of his marriage. His family, though, are against the match, and so the young couple marry in secret. Grudging acceptance follows, and as the Depression worsens Daniel is persuaded to join the family business, unaware of his father's dodgy dealings. Tragedy is just around the corner, and worse is to come when war is declared in 1939: as Daniel leaves to fight and her children are evacuated, Hope wonders if she will ever have all her family around her again...

    Chapters: Harrison Bergeron, Epicac, 2br02b, Welcome to the Monkey House, Miss Temptation, Report on the Barnhouse Effect, All the King's Horses, Who Am I This Time?, Deer in the Works. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: "Harrison Bergeron" is a satirical, dystopian science fiction short story written by Kurt Vonnegut and first published in October 1961. Originally published in The Magazine of Fantasy and Science Fiction, the story was re-published in the author's collection, Welcome to the Monkey House in 1968. In the story, social equality has been achieved by handicapping the more intelligent, athletic or beautiful members of society. For example, strength is handicapped by the requirement to carry weight, beauty by the requirement to wear a mask and so on. This is due to the 211th, 212th, and 213th amendments to the United States Constitution. This process is central to the society, designed so that no one will feel inferior to anyone else. Handicapping is overseen by the United States Handicapper General, Diana Moon-Glampers. Harrison Bergeron, the protagonist of the story, has exceptional intelligence, strength, and beauty, and thus has to bear enormous handicaps. These include headphones that play distracting noises, three hundred pounds of weight strapped to his body, eyeglasses designed to give him headaches, a rubber ball on his nose, black caps on his teeth, and shaven eyebrows. Despite these societal handicaps, he is able to invade a TV station, declare himself Emperor, strip himself of his handicaps, then dance with a ballerina whose handicaps he has also discarded. Both are shot dead by the brutal and relentless Handicapper General. The story is framed by an additional perspective from Bergeron's parents, who are w...More: http: //booksllc.net/?id=18941

    Naked Pueblo, his absolutely maximalist, throw-everything-in-and-shake-it-up short story collection, buzzes like some kind of whacked-out fever dream." (Esquire)

    In this piece, Syx is fighting the possibility of depression due to carelessness on her end, while indulging in the most freeing period of her existence. Life has never been more complicated, yet she's never felt so alive in all of her days. Her most shameful moment of weakness happens to be the most gratifying and beneficial experience that she just can't seem to shake. Tag along as Syx continues on her journey through the city. ******THIS IS A NOVELETTE!******

    But even worse, she doesn't care. She blames God for taking her husband and has since lost her way in both her faith, and her community. But life must go on, and to support herself she makes and mends quilts for the Amish and Englishers alike. Living alone in an apartment above her shop, she works only to live and seemingly not much else as she feels the need to almost punish herself, and God, at the same time. But all that changes when Levi, himself a widow, comes into her shop to mend an old quilt as a surprise for his daughter's first child. He's immediately taken with Hannah. And as his job is repair and fixing broken things in his workshop, his trained eye spots a few problems around her home that could use some neighborly help. But his heart spots some problems, too. Yet Hannah doesn't want the help, or the attention. She resists, but Levi won't take no for an answer. He repeatedly shows up to work on things, trying to slowly chip away at her gruff exterior and win a smile, if not a friend. But Hannah is comfortable in her pain. She certainly has no time for friendships, let alone love. Yet God, and Levi, just might have other plans. Can two people find what they need in the other, when they both need it the most? A desire to mend against a desire to harbor old pains. Will love win out, in this sweet Amish Romance? Read this new book by Emma Maas to find out today...

    VERA & LINUS is a series of short sketches. The book's theme is the love between the two protagonists, Vera and Linus. They are mischief makers and tricksters of the most daring sort, and they are constantly up to no good, but the language holds them with a clear restraint, a restraint born perhaps out of the peculiar nature of their love, a love both for each other and the things of the world. Their mastery, and shifting natures allow them to compel the workaday world as they see it, but not to rule over each other, and so their game begins, as Vera struggles to outwit Linus, and Linus to outwit Vera.

    Songs Only You Know begins in late ‘90s Detroit and spans a decade during which a family fights to hold together in the face of insurmountable odds. Sean’s father cycles from rehab to binge, his heartsick sister spirals into depression, and his mother works to spare what can be spared. Meanwhile, Sean seeks salvation in a community of eccentrics and outsiders, making music Spin magazine once referred to as “an art-core mindfuck.” But the closer Sean comes to realizing his musical dream, the further he drifts from his family and himself. By turns heartbreaking and mordantly funny, Songs Only You Know is an artful, compassionate rendering of the chaos and misadventure of a young man’s life. “Few books convey the fever-pitch intensity of youth with such vividness and so little glamorization, or as deeply explore the heartbreaking complexity of family — both those we're born into and the ones we choose.” —Rolling Stone Magazine

    As a child, Rinella devoured stories of the American wilderness, especially the exploits of his hero, Daniel Boone. He began fishing at the age of three and shot his first squirrel at eight and his first deer at thirteen. He chose the colleges he went to by their proximity to good hunting ground, and he experimented with living solely off wild meat. As an adult, he feeds his family from the food he hunts. Meat Eater chronicles Rinella’s lifelong relationship with nature and hunting through the lens of ten hunts, beginning when he was an aspiring mountain man at age ten and ending as a thirty-seven-year-old Brooklyn father who hunts in the remotest corners of North America. He tells of having a struggling career as a fur trapper just as fur prices were falling; of a dalliance with catch-and-release steelhead fishing; of canoeing in the Missouri Breaks in search of mule deer just as the Missouri River was freezing up one November; and of hunting the elusive Dall sheep in the glaciated mountains of Alaska.   Through each story, Rinella grapples with themes such as the role of the hunter in shaping America, the vanishing frontier, the ethics of killing, the allure of hunting trophies, the responsibilities that human predators have to their prey, and the disappearance of the hunter himself as Americans lose their connection with the way their food finds its way to their tables. Hunting, he argues, is intimately connected with our humanity; assuming responsibility for acquiring the meat that we eat, rather than entrusting it to proxy executioners, processors, packagers, and distributors, is one of the most respectful and exhilarating things a meat eater can do.   A thrilling storyteller with boundless interesting facts and historical information about the land, the natural world, and the history of hunting, Rinella also includes after each chapter a section of “Tasting Notes” that draws from his thirty-plus years of eating and cooking wild game, both at home and over a campfire. In Meat Eater he paints a loving portrait of a way of life that is part of who we are as humans and as Americans.“Chances are, Steven Rinella’s life is very different from yours or mine. He does not source his food at the local supermarket. Meat Eater is a unique and valuable alternate view of where our food comes from—and what can be involved. It’s a look both backward, at the way things used to be, and forward, to a time when every diner truly understands what’s on the end of the fork.”—Anthony Bourdain  “An engaging, sharp-eyed writer whose style fuses those of John McPhee and Hunter S. Thompson.”—Minneapolis Star Tribune