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    One has a crush on a girl, Julia, though he hasn’t yet told her. Sent to court to learn to be “perfect gentlemen,” Valentine and Proteus are derailed by their attraction to Sylvia, the ruler’s daughter. Valentine’s mental denseness does not deter Sylvia from returning his love, but he is caught, and banished, when he tries to elope with her. Proteus’s desire for Sylvia wipes out his former love, leading him into despicable acts that win scorn from Sylvia and wound Julia, who has pursued him disguised as a boy. When Sylvia follows Valentine into banishment, Proteus follows Sylvia, and Julia follows Proteus, the stage is set for a disturbing ending. But the stage is also set for the “gentlemen” to take small steps toward maturity. The authoritative edition of The Two Gentlemen of Verona from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Jeffrey Masten The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

    A "dumb blonde" chorus girl, mistress of a tycoon-gangster diddling in D.C., gets an education from a reporter for The New Republic, and blossoms into a very fair lady.

    It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.

    (doubling possible.) / 5 ints. or unit set. Recently revived on Broadway to great acclaim, this is the rollicking tale of three down and out troupers who decide to head for Hollywood and try their luck with the newly invented talkies. Due to a series of consistent blunders, the most stupid of the three is carried to pinnacles of fame and fortune until he's literally made a god of the industry. It's a fast paced and wild romp and a marvelous spoof of tinsel land.

    Closer to home, though, language is failing him. He doesn't know what to say to his wife, Mary, to keep her from leaving him, and he doesn't recognize the deep feelings that his lab assistant, Emma, has for him.

    Kleinman, a logical man in a mad world, is indecisive and insecure; he doesn't want to get involved but everyone is after him to make a choice. He is even accused of being the culprit. When Kleinman confronts the maniac (who looks no different from anyone els

    And what is more, she is so intensely interesting that the girls admire her above all else. But Miss Brodie is not honest. She prevaricates and then tells the girls to do as she tells them, not as she does herself. She is having an affair with the music teacher and has had one with the art teacher, and this is not the most exemplary conduct. A

    It was directed by Tony Speciale; it was produced by Dixon Place; the original music was by Duncan Sheik; the visuals were by Matthew Sandager; and the clothing was by Paul Marlow.

    But who was Figaro? He was quickly appropriated by Mozart and Rossini who tamed the original impertinent, bustling servant for their own purposes. On the eve of the French Revolution Figaro was seen as a threat to the establishment and Louis XIV even banned The Marriage of Figaro.Was the barber of Seville really a threat to aristocratic heads, or a bourgeois individualist like his creator? The three plays in which he plots and schemes chronicle the slide of the ancien r�gime into revolution but they also chart the growth of Beaumarchais' humanitarianism. They are exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theater for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature.

    The New York Times declared it "a breakthrough musical," and after a two-year run, the Golden Theater is still selling out eight shows a week. Its success is not limited to the Great White Way, however: This summer, the cast will be swearing, drinking, and ennui-ing their way across the country.As smart, risqu, and downright entertaining as the show itself, Avenue Q is a must-have companion book. In addition to the complete Tony Award-winning book and songs (perfect for those who can't get enough of the lyrics to "It Sucks to Be Me"), Avenue Q is packed with exclusive interviews with the cast and creatures, and features puzzles, connect-the-dots, and other "educational" activities to prepare readers for life after college. With a distinctive cover and chock-full of gorgeous photography and original illustrations, Avenue Q is a jam-packed thrill ride of a book.

    When the traveling actress performs in Fredrik's town, the estranged lovers' passion rekindles. This strikes a flurry of jealousy and suspicion between Desirée; Fredrik; Fredrick's wife, Anne; Desirée's current lover, the Count; and the Count's wife, Charlotte. Both men – as well as their jealous wives – agree to join Desirée and her family for a weekend in the country at Desirée's mother's estate. With everyone in one place, infinite possibilities of new romances and second chances bring endless surprises.

    Here are some of the remarkable features of Barnes & Noble Classics:    New introductions commissioned from today's top writers and scholars    Biographies of the authors    Chronologies of contemporary historical, biographical, and cultural events    Footnotes and endnotes    Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work    Comments by other famous authors    Study questions to challenge the reader's viewpoints and expectations    Bibliographies for further reading    Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Oscar Wilde’s legendary wit dazzles in The Importance of Being Earnest, one of the greatest and most popular works of drama to emerge from Victorian England. A light-hearted satire of the absurdity of all forms and conventions, this comic masterpiece features an unforgettable cast of characters who, as critic Max Beerbohm observed, “speak a kind of beautiful nonsense—the language of high comedy, twisted into fantasy.” This collection also includes Oscar Wilde’s most famous comedies, Lady Windermere’s Fan, A Woman of No Importance, and An Ideal Husband, as well as his poetic tragedy Salomé—all written between 1891 and 1895, Wilde’s most creative period. George Bernard Shaw said of Oscar Wilde that he is “our most thorough playwright. He plays with everything: with wit, with philosophy, with drama, with actors and audience, with the whole theater.”