Twombly carefully managed his own image, writing almost nothing about his life and work, and giving only a handful of interviews. Through years of scholarship and archival research, first-person interviews, and a sensitive eye to Twombly's art, Joshua Rivkin--who received a Fulbright grant to pursue this story--separates the myth from the reality to bring to life a more complicated and fascinating Twombly than we've ever known.

    Alan Moore is one of the most important creative forces in the history of comics. His innovative works, which include V for Vendetta, Watchmen, and The League of Extraordinary Gentlemen, have become enduring features of the modern cultural landscape, inspiring countless artists, from writers and illustrators to graphic novelists and filmmakers. Moore has won more awards and prizes than can be named—including nine Eisners, seven Harveys, multiple Jack Kirby awards, and the only Hugo ever awarded for work on a comic. Drawing on new and unpublished interviews, as well as rarely seen art and photos, this is the first book on his work to have Moore’s cooperation and support, making it a must-have for his many fans and for anyone interested in the art of visual storytelling. Alan Moore: Storyteller is a survey of his expansive work, from his high-profile best sellers to rarely seen experimental projects, such as spoken word and performance art. Individual works are richly illustrated from Moore’s personal archives and paired with critical context. An audio CD will feature excerpts from some of Moore’s multimedia performances and songs, making this the Alan Moore handbook: a must-have for his many comic-book fans and anyone interested in the art of visual storytelling.

    Investigative reporters Laney Salisbury and Aly Sujo brilliantly recount the tale of a great con man and unforgettable villain, John Drewe, and his sometimes unwitting accomplices. Chief among those was the struggling artist John Myatt, a vulnerable single father who was manipulated by Drewe into becoming a prolific art forger. Once Myatt had painted the pieces, the real fraud began. Drewe managed to infiltrate the archives of the upper echelons of the British art world in order to fake the provenance of Myatt's forged pieces, hoping to irrevocably legitimize the fakes while effectively rewriting art history. The story stretches from London to Paris to New York, from tony Manhattan art galleries to the esteemed Giacometti and Dubuffet associations, to the archives at the Tate Gallery. This enormous swindle resulted in the introduction of at least two hundred forged paintings, some of them breathtakingly good and most of them selling for hundreds of thousands of dollars. Many of these fakes are still out in the world, considered genuine and hung prominently in private houses, large galleries, and prestigious museums. And the sacred archives, undermined by John Drewe, remain tainted to this day. Provenance reads like a well-plotted thriller, filled with unforgettable characters and told at a breakneck pace. But this is most certainly not fiction; Provenance is the meticulously researched and captivating account of one of the greatest cons in the history of art forgery.

    On the occasion of the centenary of his birth comes the definitive retrospective of the artist's work from his early years. Dali explores the development of the artist's technique and style, his relationship with the Surrealists, and his exploitation of Freudian ideas, as well as the image Dali created of himself as the mad genius artist. This catalogue will be the major reference work for Dali for decades to come. It includes illustrations of all the works loaned to the exhibition, as well as comparative illustrations and photographs. The volume contains an introductory essay by Dawn Ades, with scholarly research incorporated in a "Dali Dictionary," in the entries on individual works, and in the chronology, which includes a quantity of new material. The guide draws upon the best scholarship available on Dali, including that of Hank Hine, Director of the Salvador Dali Museum, Jennifer Mundy, Senior Curator of the Tate Museum, and Michael Taylor, Acting Chief Curator of Modern and Contemporary Art at the Philadelphia Museum of Art.

    College level text for art appreciation.

    Ever wonder how David Mack does his artwork? How his pages and covers go from sketches and drawings to finished art? How he uses models and figure drawings? It's all in here with tons of extras Collects Kabuki Reflections #5-10.

    Dr. Seuss) in a whole new light. Depicting outlandish creatures in otherworldly settings, the paintings use a dazzling rainbow of hues not seen in the primary-color palette of his books for children, and exhibit a sophisticated and often quite unrestrained side of the artist. 65 color illustrations.

    Winner of three Academy Awards and numerous other prizes for his animated films, Chuck Jones is the director of scores of famous Warner Bros. cartoons and the creator of such memorable characters as the Road Runner, Wile E. Coyote, Pepe Le Pew, and Marvin Martian. In this beguiling memoir, Chuck Jones evokes the golden years of life at "Termite Terrace," the Warner Bros. studio in which he and his now-famous fellow animators conceived the cartoons that delighted millions of moviegoers throughout the world and entertain new generations of fans on television. Not a mere history, "Chuck Amuck" captures the antic spirit that created classic cartoons-such as Duck Dodgers in the 241/2 Century, One Froggy Evening, Duck Amuck, and What's Opera, Doc?-with some of the wittiest insights into the art of comedy since Mark Twain.

    His firsthand experiences are collected in this highly personal account of the rough and tumble world of modern politics and the growing disenchantment with Australia’s Labor Party. Button describes how politics took a detrimental toll on his own family, revealing that the death of his brother haunted their father—who in turn blamed the tragedy on his all-consuming absorption of politics. This moving memoir paints a colorful picture of the machinations of government and shows how far the party has strayed from the idealism and pragmatism of previous generations, ending on a hopeful note for the party’s revival.

    His talent soon caught the eye of 16th-century rulers, and he moved on to the imperial courts of Ferdinand I, Maximilian II, and Rudolf II in Prague, where he created the scenes for his Seasons. In Arcimboldo's allegorical paintings, Spring appears as a young man composed entirely of flowers, Summer as a composition of fruits, Autumn as a head made of grapes, and Winter as a gnarled old man twined with ivy. Arcimboldo remained true to the allegorical principles informing the artistic and philosophical world view of the 16th century. His paintings are not only full of references to ancient classical gods and goddesses, but above all they reflect the courtly cosmos of the art chambers and wonder cabinets in which countless exotic and bizarre objects were housed. With the decline of this allegorical world vision between the Renaissance and Mannerism, Arcimboldo was forgotten- only to be rediscovered by modern artists.

    Here is the dramatic - and tragic - story of Versailles and the men and women who made it their home.

     A self-taught geographer, hydrographer and navigator, Dampier was also a keen natural historian who showed his contemporaries then-unknown regions of the world, and vividly described the exotic creatures and plants that inhabited them without exaggeration. Impressing the Admiralty with his book, A New Voyage round the World, Dampier was given command of the infamous Roebuck expedition and became the first Englishman to explore parts of Australia. But Dampier's past reared its head when he employed acquaintances from his buccaneering days, and numerous problems beset him along the way; upon his eventual return Dampier was court-martialled for cruelty. Though he lived and worked like a buccaneer Dampier filled in blank spaces on the map, and in pioneering the seaways he opened up the oceans for exploration, thus laying the foundations for the British Empire. Although lauded in his day and going on to influence many in both literary and scientific spheres, Dampier died in obscurity and his name, associated with piracy, disappeared for many years. Comprehensive and compellingly told, Anton Gill's biography charts the life and endeavours of William Dampier, his successes and his failings, and reinstates him into the pantheon of great explorers. Anton Gill has been a freelance writer since 1984, specialising in European contemporary history but latterly branching out into historical fiction. He is the winner of the H H Wingate Award for non-fiction for 'The Journey Back From Hell'. He is also the author of 'Into Darkness', 'Dance Between the Flames' and 'An Honourable Defeat'. 'The Devil's Mariner' was his first biography.

    One of the most fascinating representatives of the Belle Epoque, Klimt is chenshed for his rich use of ornament and his paintings of fin de siecle Viennese high society, which bring to life the decadence of the era through vibrant colours and patterns. Yet there can be no doubt about Klimt's greatness as a draughtsman. Remarkable above all is the intensely sensual mood that he establishes in his limpid, fluid drawings and watercolours; the line with which his subjects are described explores and caresses as though the drawing itself was an act of seduction. Here, Rainer Metzger brings together hundreds of Klimt's works on paper in a way that enriches our knowledge of the artist and enhances the visual impact of his oeuvre. Many revolve around Klimt's taboo-breaking main themes - the naked woman, erotica and homoerotica - while others provide allegorical and historical insights. Between these...

    Is he evil? Or crazy? His violence is in fact a mirror for the brutality of Australian life - and is a dim reflection at that, in a country where atrocities by whites against blacks are so ingrained few question them.The effects of the rampage ripple out from the island to link the fates of those who witnessed it, across the north and down through the decades. It is a time when silence in the face of tyranny is at its loudest. When allegiance to English niceties is confounded by the landscape and by the weather. And change is a slow wind that brings little real difference.

    Rescued from neglect, he has become a cultural icon in the late twentieth century, not only for his art but also because of his violent and tragic life. Catherine Puglisi's highly praised monograph, now available for the first time in paperback, supersedes all previous studies of the artist. Making full use of new research and dramatic recent discoveries, she has produced a precise, clear-headed and comprehensive work of scholarship that also provides a moving biography of the artist and a penetrating analysis of the genius with which he absorbed and transformed the artistic tradition of his time. All Caravaggio's works are discussed and illustrated in colour, and the book has an appendix of documents, full notes and bibliography, checklist of works and full indexes. This authoritative and beautifully produced monograph is the standard work on Caravaggio.