This collection of classic vampire tales not only features three of the most important works in the genre, but also a historical analysis of vampire stories.

    The Undead The Second Week.Days Eight to Fourteen Compilation Edition.A deadly infection spreads across Europe.The Undead Series: A terrifying account of one man desperately struggling to survive this harrowing event.

    Yet everything he’d learned from working with them felt oddly familiar. One day it suddenly became clear: all that wisdom had its roots in a film he’d loved as a child, The Wizard of Oz.In Emeralds of Oz: Life Lessons From Over the Rainbow we discover what the most-watched film in history has to teach us. Moving seamlessly between the entertaining and profound Guzzardi invites us all to consider the value of compassion, fear, faith in ourselves, home, compassion, and more, as we each face our own heroic journey through life. With that knowledge we become free to embark on our own walk down the yellow brick road, having activated the magical power we possessed all along.Written with the grace and insight of It’s Not Easy Being Green or The World According to Mister Rogers, Emeralds of Oz is an instant classic, sure to change the way we think about this legendary movie—and our own lives.

    What would Terry Gilliam’s Watchmen have been like, and how did Darren Aronofsky almost end up directing the movie? Why was Nicolas Cage paid $20 million for not playing Superman?Also covered are Steven Spielberg’s Night Skies, Stanley Kubrick’s Childhood’s End, Philip Kaufman’s Star Trek: Planet of the Titans, Kevin Smith’s Six Million Dollar Man, Tim Burton’s Superman Lives and James Cameron’s Alien 5!

    . . Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on paraphilosophical modes of discourse. The sections on Céline, for example, are indispensable reading for those interested in this writer and place him within a context that is both illuminating and of general interest." -Paul de Man

    160 illustrations including 100 in color.The Newmarket Pictorial Moviebooks, official companions to films, large format (8 3/8 x 10 7/8), heavily illustrated throughout, with color photographs, details on the making of the film, background on the filmmakers and cast.

    Biography of Tamora Pierce, who has written twenty-three young adult fantasy novels, in addition to many short stories, articles, and radio plays.

    Seen as controversial and sparking debate between skeptics and believers alike due to the ferocity and intensity of the haunting, A most haunted house is the grim eye witness account of a young couple fighting to keep their new home and each other as an entity tears their world apart. After an introduction by Investigator and paranormal re-searcher G L Davies , A most haunted house is a series of transcripts from the people involved that spans the three months that the haunting took place. Starting with almost small and mundane incidents and climaxing with the haunting reaching it's full and terrifying ferocity. Described as chilling and disturbing by some and thought provoking by others this is one novel that is a must for those interested in the Paranormal. A most haunted house invites you the reader to decide for yourself on what truly happened at this home. Should this be true, then there are unknown forces that we cannot combat in this world. A most haunted house has been #1 in both the Unexplained mystery and Supernatural categories on Kindle and has topped the charts since it's release. Read today and join, as thousands already have, a journey into fear and the unknown. What will you discover at A MOST HAUNTED HOUSE? Visit www.theparanormalchronicles.com for more paranormal investigations

    Badham’s list of “12 Questions You Must Ask Before Stepping On Set” is an absolute must in any filmmaker’s toolbox. Whether actor, director, cinematographer, production designer, or any other creative, Badham gives you the tools to deconstruct and solve scenes that either don’t work or need sharpening. Continuing the work begun in his best-selling book I’ll Be In My Trailer, Badham shares more insights into working with difficult actors, rehearsal techniques, and getting the best performance from your cast.

    How do you dress with morbid flair when going to a job interview? Is there such a thing as growing too old to be a Goth? How do you explain to your grandma that it's not just a phase?Jillian Venters, a.k.a. "the Lady of the Manners," knows how to be strange and unusual without sacrificing politeness and etiquette. In Gothic Charm School, she offers the quintessential guide to dark decorum for all those who have ever searched for beauty in dark, unexpected places, embraced their individuality, and reveled in decadence . . . and for families and friends who just don't understand.

    This is the interview with the horror author Stephen King from the June 1983 issue.

    He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel. By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.

    As told by Corman himself and graduates of “The Corman Film School,” including Peter Bogdanovich, James Cameron, Francis Ford Coppola, Robert De Niro, and Martin Scorsese, this comprehensive oral history takes readers behind the scenes of more than six decades of American cinema, as now-legendary directors and actors candidly unspool recollections of working with Corman, continually one-upping one another with tales of the years before their big breaks.Crab Monsters is supplemented with dozens of full-color reproductions of classic Corman movie posters; behind-the-scenes photographs and ephemera (many taken from Corman’s personal archive); and critical essays on Corman’s most daring films—including The Intruder, Little Shop of Horrors, and The Big Doll House— that make the case for Corman as an artist like no other. Praise for Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses: “This new coffee table book, brimming with outrageous stills from many of Corman’s hundreds of films, looks at the wild career of the starmaker who was largely responsible for so much of the Hollywood we know today.” —New York Post “Vividly illustrated.” —People “An enthusiastic ode to colorful, seat-of-your-pants filmmaking, this one’s hard to beat.” —Booklist (starred review) “It includes in-depth aesthetic appreciations of ten of Corman’s movies, which, taken together, make a compelling case for Corman as an artist.” —Hollywood.com “Author Nashawaty deftly describes how Corman’s legacy is far more nuanced than most realize.” —American Way magazine “Outrageously entertaining . . .”  —Parade magazine “Endlessly fascinating.” —PopMatters.com “You’d think it’d be impossible for any writer to put together a Roger Corman biography that's anywhere near as fun as his movies, but Entertainment Weekly writer/critic Chris Nashawaty has done just that.”  —Complex magazine

    

    In these, "the sort of stories you might tell in front of a fire", Calvin Trillin brings together twelve funny, troubling, moving and always revealing narratives--extended pieces that have appeared in The New Yorker over the past seven years.