Lack of public interest in finding his murderer, or the killer of several other transient Native American men, has left Julie with a bone-deep cynicism she counters with tequila, cigarettes, and dangerous men. The one bright spot in her mundane life is the time she spends working part-time as a PI with her childhood friend, Kevin Wells. When the body of a sixteen-year old white girl is discovered in nearby Rapid Creek, Julie believes this victim will receive the attention others were denied. Then she learns Kevin has been hired, mysteriously, to find out where the murdered girl spent her last few days. Julie finds herself drawn into the case against her better judgment, and discovers not only the ugly reality of the young girl’s tragic life and brutal death, but ties to her and Kevin’s past that she is increasingly reluctant to revisit. On the surface the situation is eerily familiar. But the parallels end when Julie realizes some family secrets are best kept buried deep. Especially those serious enough to kill for.

    Gretchen believes making the movie will be cathartic. But instead of freeing her, embarking upon the film production unleashes a sequence of events that lead Gretchen to conclude that she’s the reincarnation of the young man. Regina Wilson has always wanted to be an actress. When her agent gets her an audition for a role in Gretchen’s film, which eerily mirrors one of the worst events of her life—the unsolved murder of her older brother, Robert—she’s hard-pressed to go through with it. Upon fleeing, she leaves behind a keepsake that features Robert’s photo. Gretchen sees the picture and recognizes Robert from her dreams. She tracks down Regina, and after being rebuffed and called crazy, Gretchen’s unexplainable knowledge of events in Robert’s life eventually convinces Regina that Gretchen is Robert reincarnated.The two decide to have his case reopened, but their significant others are dead set against it, and the police, who believe that Robert’s death was gang-related, are less than cooperative. However, Gretchen is desperate to get justice for her former self, and Regina wants justice for her brother. The women piece together the final week of Robert’s life. And the deeper they delve into his past; one shocking revelation follows another, leaving them wondering who they can trust and if they’ll live long enough to find Robert’s killer and bring him to justice.

    But screams pierce the darkness, and he stumbles upon a dead-end road where a man is beating a woman—nearly to death. In a moment of courage, he stops the assault, but he’s left to face the man, who turns his wrath into an ominous threat: if the boy ever reveals what he has seen, his family will pay the ultimate price. The secret Greer now carries begins his emotional unraveling.In Seattle, Gillian Trett is a photographer with a troubled marriage and a childhood she’s trying to forget. Domestic tension mounts when her husband’s stepsister arrives. Desperate for a distraction, and a way to advance her career, Gillian throws herself into uncovering the history behind an old man’s Holocaust photo of boys in a forest. The mysterious children and the truth behind the scene haunt her—she can’t let go of the image, or of her own shadowed past.Then a horrifying revelation entangles Gillian’s path with young Greer’s. The boy and the woman, separated by a generation and a hundred miles, each confront the terrible power of harbored secrets—not only to eclipse the truth but also to illuminate the dark, unknown dimensions of their loved ones and themselves.

    I pretended to be someone else. Now, he's found me. And he's determined to make me pay for deceiving him. But how can I resist when the payment he demands is so, so sweet? On the night she discovers her ex's engagement, Rachel meets Landon, the sexiest man she's ever seen, and he mistakes her for a hooker. The thing is, he's so sexy...what harm can there be in losing herself in his touch just for one night?Landon prefers his women beautiful and sophisticated, with no desire for commitment, so when his brother ignores his protests and sends him a hooker on his birthday, he's surprised by how willing he is to continue paying for her services. It should be easy, except she's no hooker, and she has no intention of letting him into her life.As the billionaire owner of Swanson Court Hotels, Landon is used to getting what he wants, and Rachel is not going to be an exception.This collection includes Drawn to You, Addicted to You, and Lost in You.

    It was also the last time. Molly Blackburn, nicknamed Jane the Ripper by the Las Vegas press after killing eleven men while posing as a prostitute, was strapped to the chair without incident. The switch was flipped.Everything after that went horribly wrong.Since that day, a copycat Jane the Ripper has appeared almost every decade in a different city, mimicking Molly's choice in victims as well as her methods of murder. She kills eleven men then disappears, never to be found. The similarities between the bodies left behind each decade is uncanny. As if they are all the victims of the same murderer, not a copycat.But that's impossible, of course, because Molly Blackburn is dead, her execution witnessed by a dozen people.FBI Agent Jack Shaw, the lead investigator in the Jane the Ripper cases since the seventies, finally catches a break in 2009 when the intended fifth victim manages to turn the tables on the newest copycat . Everyone believes that the horror has finally ended with her capture. Shaw is not so sure, though, wondering if someone else will take up the mantle and kill seven more men to complete the cycle. But when no more bodies with her distinctive markings show up over the next two years, Shaw allows himself to believe that maybe he has seen the end of the Jane the Ripper murders.As it turns out, what he thought was the end was only the beginning.His hunt will take him across the country, and even when he thinks he's finally discovered the truth, he quickly learns that not everything is as it seems.That not every monster is created equal.That the nature of good and evil is not as black and white as he has always believed.That not everything that is broken can be put back together.That not every fractured soul can be saved.When blood, smoke and ashes rise, no one comes out the same on the other side.Blood, Smoke and Ashes is a 115,00 word supernatural thriller/horror

    Eleven-year-old Maggie Clarke is an average suburban girl known for her intelligence and beauty. Suddenly, her life’s path is tragically altered when Maggie is ripped from her family and thrust into the horrific underworld of human sex trafficking. In captivity, Maggie watches over a young boy, who gives her a reason to live. Robbed of her innocence and freedom, Maggie does whatever it takes to survive. With the help of Detective Rae Harker, the Clarkes’ frantically search for their daughter. Haunted by his own demons, Detective Harker vows to find Maggie—dead or alive. Meanwhile on the vile streets of Philadelphia, a strange man approaches Maggie with a dangerous proposition, and she risks everything to break free of the network of unsavory characters that control her. Not even she can know how far she will go to get even with the people who ruined her life. Raw, edgy, and intense, One Among Us ultimately offers hope through Maggie, who grows stronger and more resourceful through her experiences. You’ll be on the edge of your seat, rooting for Maggie as she fights for her life.**WARNING**18+ Readers Only. Graphic content and subject matter.

    Days. Weeks. I measure mine in kills. A covert military mission gone wrong robbed me of my memory and any link to my past. This is my existence now. I execute and survive. Nothing more, nothing less. I was ready to write Isabel Foster’s name in my ledger of unfortunate souls until she uttered the one word that could stop the bullet meant for her. My name. She knows my face. She knows me. She’s the key to the memories I’m not sure I want back. Now nothing is simple. I still have a job to do, and my soul isn’t worth saving. I’m not the man she thinks I am. I can’t love her. And sparing her life puts us both in the crosshairs.

    She’s flying to Crete to reunite with friends she met there five years ago and relive an idyllic vacation. Basking in the warmth of the sun, the azure sea, and the aura of antiquity, she can once again pretend—for a little while—that she belongs. Her ex-boyfriend Marcus will be among them, but even he doesn’t know the secrets she keeps hidden behind a veil of lies. None of them really know her, and that’s only part of the problem.Then again, how well does she know them?When Jan awakens in utter darkness, chained to a wall, a manacle around her wrist, her echoing screams only give her a sense of how small her cell is. As she desperately tries to reconstruct what happened and determine who is holding her prisoner, dread covers despair like a hand clamped over her mouth. Because, like the Minotaur in the labyrinth in Greek myth, her captor will be coming back for her, and all the lies will catch up to her…

    Despite her infamous surname and people’s wilted memories, this jaded cynic of a daughter sinks her teeth in and refuses to let go. She can practically taste the bitterness of that long-ago, twisted night when two teenagers died, linked to her father by bad luck and a few strands of rope.Ignoring the dense local atmosphere where image trumps substance and lies become legend, Allison stirs the pot. The more layers she discards, the more elusive the truth becomes. And when a key source of information turns up dead, the dark edges of resentment coil in around her like a slowly tightening noose. As revelations get ugly, Allison may wish she’d never ventured toward the forbidden fruit of truth.

    The perfect family? Or the perfect lie?It’s their daughter’s graduation and Rachel and Ed Hartley are expecting it to be one of their family’s happiest days. But when she stumbles and falls on stage during the ceremony, a beautiful moment turns to chaos: Gemma has been shot, and just like that, she’s fighting for her life.PI Matthew Hill is one of the first on the scene. A cryptic message Gemma received earlier in the day suggests someone close to her was about to be exposed. But who? As Matthew starts to investigate, he finds more and more layers obscuring the truth. He even begins to suspect the Hartleys are hiding something big—from him and from each other.While Gemma lies in hospital in a coma, her would-be killer is still out there. Can Matthew unravel the family’s secrets before the attacker strikes again?

    With the help of her best friend, she fled New York City for a small resort town, snagged a job as the advice columnist for the local paper, and is cautiously letting a new man into her life. But when Hugh and his perfect new family move into a summer house nearby, Nora backslides. Coping with jealousy, humiliation, and resentment again is as hard as she feared. It’s harder still when Hugh and his wife are shot to death in their home.If only Nora could account for the night of the murders. Unfortunately, her memories have gone as dark as her fantasies of revenge. But Nora’s not the only one with a reason to kill—and as prime suspect in the crime, she’d better be able to prove it.

    When a scandal threatens to ruin his company, he is determined to identify the culprit and handle it his way. Mara Mann has other ideas, and her own reasons for bringing him down. Then the murders of two senior corporate executives stun the Oxfordshire community. Mara's hatred for Dean leads her into the dangerous and twisted world of Vice President, Reid Dalton, and to the discovery of a forgotten grave. As she uncovers more truths about her boss, and learns the secret he has kept hidden, she is drawn deeper into the mind of a killer and puts her own life at risk.

    But this wasn’t science fiction; this was a journey of harsh reality, pain, hunger, danger, and death. George Downwind, an American Indian, an Ojibwa, grew up in the isolation of a twentieth-century reservation. But instead of succumbing to the alcoholism and hopelessness around him, his outlook was shaped by the myths and legends of an earlier time. From countless stories told by old men around campfires, he thought he knew what life had been like for his people in the time before the white man. In his imagination he lived this life, passed the tests of manhood and tasted battle. When the end came he experienced the depression of watching his people be defeated and disintegrate as a culture. To the west of the battlefields in Vietnam during the 1960’s and early ‘70’s, across the border in the neutral country of Laos, another war raged. This war was seldom mentioned in the news and when it was, it was referred to as the “Secret War.” Few people heard of it and fewer still knew who was doing the fighting. It was the Hmong, a minority ethnic group who had survived for a thousand years in their mountain sanctuaries through slash and burn agriculture, and a resolute adherence to their culture. They valued freedom, family, and wanted nothing more than to be left alone. They were a primitive people without a written language living in a primitive land. And, just as with the American Indian tribes, each of the Hmong clans had their own approach to survival. Some fought, some forged alliances, and other just tried to say out of the way. Grievously injured in the chaos of battle in Vietnam in the early days of that war, George Downwind, a private in the U.S. Army, was rescued from certain death and nursed back to heath by one of these clans. During his time with them he experienced the full brutality of the life they lived—the same life that had been the fate of his ancestors. When it came time for him to leave Laos and the Hmong, he had a debt to repay. He owed his life to the Hmong and vowed to make the payments.

    Dressed in couture YSL, drinking the finest champagne at trendy Balthazar, Reba, as she’s known, is the picture of a wealthy art collector. To some, the elusive Miss Farwell is a shark with outstanding business acumen. To others, she’s a heartless capitalist whose only interest in art is how much she can make.But a thousand miles from the Big Apple, in the small town of Pierson, Illinois, Miss Farwell is someone else entirely—a quiet single woman known as Becky who still lives in her family’s farmhouse, wears sensible shoes, and works tirelessly as the town’s treasurer and controller. No one understands the ins and outs of Pierson’s accounts better than Becky; she’s the last one in the office every night, crunching the numbers. Somehow, her neighbors marvel, she always finds a way to get the struggling town just a little more money. What Pierson doesn’t see—and can never discover—is that much of that money is shifted into a separate account that she controls, “borrowed” funds used to finance her art habit. Though she quietly repays Pierson when she can, the business of art is cutthroat and unpredictable. But as Reba Farwell’s deals get bigger and bigger, Becky Farwell’s debt to Pierson spirals out of control. How long can the talented Miss Farwell continue to pull off her double life?

    Devoted mother Cora O’Connell has found the journal of her friend Laurel’s daughter—a beautiful college student who lives next door—revealing an illicit encounter. Hours later, Laurel makes a shattering discovery of her own: her daughter has vanished without a trace. Over the course of one weekend, the crises of two close families are about to trigger a chain reaction that will expose a far more disturbing web of secrets. Now everything is at stake as they’re forced to confront the lies they have told in order to survive.