Dewy, a foul-mouthed realist, happily takes Gunnar under his wing and tries to teach him how to maneuver safely through the dangers of the Columbus, Ohio, streets. Together they devise increasingly ingenious ways to reclaim properly from their most recalicitrant customers. They become fixated in particular on a woman who will not respond to any of their attempts to repossess her furniture. Both Dewy and the customer refuse to give in. And thus the stage is set for a series of events that send Gunnar's life spiraling out of control.

    In the note preceding the novel, Melville states, "In the year 1843 I shipped as 'ordinary seaman' on board of a United States frigate then lying in a harbor of the Pacific Ocean. After remaining in this frigate for more than a year, I was discharged from the service . . ."

    This is coal and steel country. The sort of place where an inch of soot on the windowsill means a regular paycheck--and two inches means a fat one. And what's the best make-out spot in town? Next to the burning slag heap. In seventeen beguiling, linked stories, spanning fourty-five years, Monk brings a corner of America alive as never before. Her world bursts with indelible characters: Mrs. Szilborski, who bakes great cake, but sprays her neighbors' dogs with mace; and Mrs. Wojic, who believes her husband was reincarnated--as one of those dogs. Then there is the younger generation: Annie Kusiak, who wants to write, and Theresa Gojuk, who dreams of stardom. Cokesville is their Yoknapatawpha; they ache to escape it and the ghosts of their ancestors and the regret of their parents. What ghosts--and what regrets! When Theresa's father Bruno falls into a vat of molten steel, the mill gives the family an ingot roughly his weight to bury. As deliciously wry as Allegra Goodman in "The Family Markowitz," and with the matter-of-fact humanity of Grace Paley, Bathsheba Monk leads us into a world that is at once totally surprising and recognizable. These stories glow like molten steel.

    Now reissued in a new cover style.The story of men who rose to heroism, and then to something greater, HMS Ulysses takes its place alongside The Caine Mutiny and The Cruel Sea as one of the classic novels of the navy at war.It is the compelling story of Convoy FR77 to Murmansk – a voyage that pushes men to the limits of human endurance, crippled by enemy attack and the bitter cold of the Arctic.

    When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.

    the reader is seduced by that willful voice, wavering between shock and grudging admiration at Friedmann's high-wire balancing act. And laughing all the way." -The New Orleans Times-PicayuneA tour de force whose heroine falls somewhere between the southern elegance of Walker Percy and the zany black comedy of THE CONFEDERACY OF DUNCES.Surrounded by the splendor and excess of old money in New Orleans, Eleanor Rushing is a wry and witty young woman who first locks eyes with the love of her life at a City Council meeting—or so we’re led to believe. What starts as an innocuous infatuation with Dr. Maxim Walters, a Methodist minister who just so happens to be married already, quickly turns into an outrageous and obsessive passion: she orchestrates an automobile accident outside his house, volunteers to stuff envelopes at his church, follows him to Nashville on a business venture, sets up camp in the toolshed in his backyard… Eleanor’s voice is both acutely perceptive and macabrely unhinged. She considers herself blessed with the ability to “remember everything,” except that her recollections and impressions seem to be at odds with everyone around her. As her “relationship” with Dr. Walters begins to spin frantically out of control, we can't help being her willing and faithful admirers. Magnificently showcases Friedmann's touted powers of psychological acuity and laugh-out-loud black humor. A fitting Kindle addition for fans of THE SILVER LININGS PLAYBOOK.Excerpt:I think it is impossible to change the world unless you are truly evil and so mad for control you never sleep. And it’s ridiculous to try to change yourself at all. Scientists have studied identical twins who feel pain in the gut at the same time, as if everything were laid out from the moment they were conceived. Sometimes I figure all you can do is watch yourself, as if you’re viewing a simple, dull film; eventually you find out what was going to happen. Unless death catches you by surprise.So I go to City Council meetings. I haven’t missed one in four years, not even for a case of B-type influenza, which I probably picked up from a crowd in the City Council chambers. Sitting in those meetings is the only way I can pretend to feel any breezes of serendipity. Somewhere between the global and the personal, they play out the grandest battles of silliness, and I like to guess at them. When I was twenty-three I lived in Washington, DC and sat in regularly on the proceedings of the U.S. House of Representatives. But they mumbled and shuffled a lot, and you couldn’t see their eyes unless they passed close by. It was good to learn about carcinogens in the Iowa corn after the drought and how the turnips in western Montana swelled like giant melons for years after Mount Saint Helens blew, and I believed money should be set aside to study such matters, but I couldn’t see the congressmen’s eyes.

    Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten.Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four.The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time.Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.Source: john-irving.com

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    Her childhood friend Tracie is a computer expert whose personal vendetta backfires. Eva is a jurist but uses men to hide her pain and mask her childhood tragedy, and her cousin Tina wears a sweet exterior but takes risks that threaten to jeopardize her professional career. Kevin and Aaron are sexy twins who go to great lengths to get the women they want; and Angelo, gorgeous and ambitious, lets nothing stand in his way to accomplish his career goals, even at the expense of friends.Pilar is a beautiful but naive orphan who overnight is catapulted to fame; and Denene, a woman scorned, is determined to wreak havoc in the lives of those she feels has wronged her in some way. From the heart of Los Angeles to the South of France, In Laws and Play Cousins tells a story about love and heartbreak, success and envy and the price it ultimately commands.

    Carol Shields' first novels, "Small Ceremonies" and "The Box Garden," each told from the viewpoint of a sister, published as one.

    Which disasters are often indulgently plotted by his aristocratic partners His Amazing Grace Basil Nectarine and the languid Binky. But more frequently caused by Schultz's desperate need to seduce as many beautiful women as is humanly possible and then more.Meanwhile fighting furiously in the battle for bachelordom and in an unquenchable quest for the soothing balm of box-office riches embellished by a beautiful woman who will sock him in the spiritual solar-plexus...

    He is set adrift in the Bay, eventually being picked up by Wolf Larsen.Larsen is the captain of a seal-hunting schooner, the Ghost. Brutal and cynical, yet also highly intelligent and intellectual, he rules over his ship and terrorizes the crew with the aid of his exceptionally great physical strength.

    Tales of unreasonably cold air conditioning, eating to the point of exhaustion, and being unable to enjoy Summer weather due to gainful employment.

    A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review).Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.