Norris of Jane Austen's Mansfield Park, does not at the age of twelve seem destined for a career of infamy. However, treated with utter contempt by all except her mother, who is near death, she is sent to her uncle's estate in Portsmouth, where she must do her best to fit in with her troublesome male cousins and their sickly sisters. Nevertheless, Hatty has not seen the last of her frightful family. Indeed, events contrive to bring back into her life the haughty Lady Ursula, a friend of her mother's, and Hatty's main source of grief at home. But why should this forbidding woman be traveling so far to attend the funeral of a distant cousin? Rumors run riot and, in an unexpected twist of fortune, Hatty soon finds herself in competition with Lady Ursula for the attentions of a certain lord....

    I Did. Now What?! Now it's time for her to write about the real love of her life: Wendell. Her dog.*Do you talk about your dog non-stop? *Do you suspect your dog is a genius? *Do you name each of your dog's toys?*Does your dog get more heavy petting than your spouse? *Do all holidays revolve around your dog? If any of these scenarios sound familiar, you probably have a healthy admiration for your dog. But if all of the scenarios in What Wendell Wants sound familiar, well, it's obvious that your appreciation of your pooch has truly crossed the line into true love--dysfunctional, sure, but who cares?! Jenny Lee knows this obsession inside and out, and her advice is not to fight it: there's simply no cure. Instead, she offers hysterical accounts of her own experiences--from fretting over her dog's haircut to getting his portrait painted a la Picasso to trying desperately to impress the Bed & Biscuit dog kennel--to give all kindred dog-loving spirits out there some consolation that they're not alone.From the Hardcover edition.

    . . the results are startling and honest" (The New York Times Book Review)Fanny Howe's richly contemplative The Winter Sun is a collection of essays on childhood, language, and meaning by one of America's most original contemporary poets.Through a collage of reflections on people, places, and times that have been part of her life, Howe shows the origins and requirements of "a vocation that has no name." She finds proof of this in the lives of others--Jacques Lusseyran, who, though blind, wrote about his inner vision, surviving inside a concentration camp during World War II; the Scottish nun Sara Grant and Abb� Dubois, both of whom lived extensively in India where their vocation led them; the English novelists Antonia White and Emily Bront�; and the fifth-century philosopher and poet Bharthari. With interludes referring to her own place and situation, Howe makes this book into a Progress rather than a memoir.The Winter Sun displays the same power as found in her highly praised collection of essays, The Wedding Dress, a book described by James Carroll as an "unflinching but exhilarating look at real religion, the American desolation, a woman's life, and, always, the redemption of literature."

    Darcy and closely based on real Regency advice manuals. It is a hilarious and irreverent picture of the social mores of the period and of how men thought about women – and sheds amusing light on men of the modern age, too! Readers can dip into different sections for Darcy's views on a myriad of issues, including "What Females Want", "The Deceptions of Beautiful Women" and “Winning Their Affections, Flattery, Making Conversation, and Flirting!" Also included are sections written by Pride and Prejudice’s Miss Caroline Bingley and Mr Darcy’s correspondence with famous Regency figures including the Duke of Wellington.

    In this elegant and thought-provoking collection of original essays, Kate Bernheimer brings together twenty-eight leading women writers to discuss how these stories helped shape their imaginations, their craft, and our culture. In poetic narratives, personal histories, and penetrating commentary, the assembled authors bare their soul and challenge received wisdom. Eclectic and wide-ranging, Mirror, Mirror on the Wall is essential reading for anyone who has ever been bewitched by the strange and fanciful realm of fairy tales.Contributors include: Alice Adams, Julia Alvarez, Margaret Atwood, Ann Beattie, Rosellen Brown, A. S. Byatt, Kathryn Davis, Chitra Banerjee Divakaruni, Deborah Eisenberg, Maria Flook, Patricia Foster, Vivian Gornick, Lucy Grealy, bell hooks, Fanny Howe, Fern Kupfer, Ursula K. Le Guin, Carole Maso, Jane Miller, Lydia Millet, Joyce Carol Oates, Connie Porter, Francine Prose, Linda Gray Sexton, Midori Snyder, Fay Weldon, Joy Williams, Terri Windling.

    The course of the relationship between Elizabeth Bennet and Fitzwilliam Darcy take a sharp turn when Elizabeth is viciously attacked. Mr. Darcy comes to her rescue even though she is devastated and does not wish to be helped by anyone.This non-graphic tale follows the pair through the pain, anguish, and fear that follows the beloved characters of Austen's novel as Elizabeth heals and Mr. Darcy tries to come to grips with the consequences of the assault on Elizabeth.Some of the characters show themselves in a different light and help in the journey while others remain the same or worse to try to cause more trouble along the way.

    These interviews are compiled in Scout, Atticus, and Boo, the perfect companion to one of the most important American books of the 20th Century. Scout, Atticus, and Boo will also feature a foreword from acclaimed writer Wally Lamb.

    The honorable man whose proposal she refused years before.... Elizabeth had become a governess following Mr. Bennet's death. And now she thought she had killed her employer, the Earl of Lachglass, while defending herself from his vile advances. When Elizabeth is reunited with Mr. Darcy, their love blossoms. Darcy's old passion for her quickly wakes again, and Elizabeth can clearly see Mr. Darcy's character and his kindness and goodness. But the Earl of Lachglass survived, and he wants revenge. It shall take all of Elizabeth's and Darcy's strength, and the help of Darcy's cousin General Fitzwilliam, for her to escape. Warning: This story has a scene of attempted sexual violence, though Elizabeth successfully defends herself.

    Creators of horror (Stephen King, Clive Barker and Peter Straub etc) write about their favourite works.

    These fantastic stories have travelled across cultural borders, and been passed down from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. Marina Warner has loved fairy tales over her long writing career, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich collection of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. She makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.

    To those who didn’t know, the biscuit factory that towered over Carlisle might look like just another slice of the industrial North, a noisy and chaotic place with workers trooping in and out at all hours. For the biscuit girls it was a place where they worked hard, but also where they gossiped, got into scrapes and made lifelong friends. Outside the factory walls there might be difficult husbands or demanding kids, and sometimes even heartbreak and tragedy, but they knew there would always be an escape from their troubles at Carr's. Some, like Barbara, only applied because she needed the extra cash, until things got a bit easier at home. Her supervisor cross examined her about who would be looking after the kids while she was at work, but let her have the job. Like many of the women who joined up ‘temporary’ Barbara went on to stay at Carrs for 32 years.Beginning in the 1940s, these heartwarming and vividly-remembered stories have all been told by the women themselves to Hunter Davies.

    Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge their appetites.

    Each essay gives an unfiltered look at the ups and downs of family life and a remarkable window into the challenges of modern motherhood. Topics range from babysitter woes to family visits to coping with a child's burgeoning independence. These collected writings represent nine years' worth of stories about the greatest adventure of Maynard's life, or, as she writes, "the difficult, exhausting, humbling, and endlessly gratifying business of raising children, of ensuring the health of both body and soul." This ebook features an illustrated biography of Joyce Maynard including rare photos from the author's personal collection.

    The selections range from his earliest days as a theoretical physicist to his death in 1955; from such subjects as relativity, nuclear war or peace, and religion and science, to human rights, economics, and government.

    In this electrifying novel, those lives are explored through the eyes of the women who knew and loved them—intensely, scandalously.Four women from widely different backgrounds are linked by a sensational fate. Mary Shelley: the gifted daughter of gifted parents, for whom passion leads to exile, loss, and a unique fame. Lady Caroline Lamb: born to fabulous wealth and aristocratic position, who risks everything for the ultimate love affair. Fanny Brawne: her quiet, middle-class girlhood is transformed—and immortalized—by a disturbing encounter with genius. Augusta Leigh: the unassuming poor relation who finds herself flouting the greatest of all taboos.With the originality, richness, and daring of the poets themselves, Passion presents the Romantic generation in a new and unforgettable light.