Built from aphorisms and reflections, he shifts in register from personal experience to the most general theoretical problems.

    During the Argentine junta's Dirty War against subversives, as tens of thousands were abducted, tortured, and disappeared, a group of women forged the Mothers of the Plaza de Mayo and changed Argentine politics forever. The Mothers began in the 1970s as an informal group of working-class housewives making the rounds of prisons and military barracks in search of their disappeared children. As they realized that both state and church officials were conspiring to withhold information, they started to protest, claiming the administrative center of Argentina the Plaza de Mayo for their center stage. In this volume, Marguerite G. Bouvard traces the history of the Mothers and examines how they have transformed maternity from a passive, domestic role to one of public strength. Bouvard also gives a detailed history of contemporary Argentina, including the military's debacle in the Falklands, the fall of the junta, and the efforts of subsequent governments to reach an accord with the Mothers. Finally, she examines their current agenda and their continuing struggle to bring the murderers of their children to justice.

    He is a key figure in poststructuralism, and one of the most influential philosophers of the twentieth century. Felix Guattari (1930-1992) was a psychoanalyst at the la Borde Clinic, as well as being a major social theorist and radical activist. A Thousand Plateaus is part of Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia - a project that still sets the terms of contemporary philosophical debate. A Thousand Plateaus provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for nomadic thought and has had a galvanizing influence on today's anti-capitalist movement.Translated by Brian Massumi

    Now she is dead. Henry, the handsome son of the blacksmith, tries to console Valerie, but her wild heart beats fast for another: the outcast woodcutter, Peter, who offers Valerie another life far from home.After her sister's violent death, Valerie's world begins to spiral out of control. For generations, the Wolf has been kept at bay with a monthly sacrifice. But now no one is safe. When an expert Wolf hunter arrives, the villagers learn that the creature lives among them--it could be anyone in town.It soon becomes clear that Valerie is the only one who can hear the voice of the creature. The Wolf says she must surrender herself before the blood moon wanes...or everyone she loves will die.Based on a screenplay written by David Leslie Johnson

    Maybe it’s true. But what is he now? A terrifying monster running wild in the sewers? The Daily Scourge is sure of it. A victim of “Rodent Delusion”? The hospital nurse says yes. A lucrative fairground freak? He is to Mr. Tapscrew. A champion wriggler and a budding thief? That’s what Billy thinks. Or just an ordinary small boy, though a little ratty in his habits? Only three people believe this version of the story. And it may take a royal intervention—and a bit of magic—to convince the rest of the world.Set against the backdrop of a Royal Wedding—and a playful parody of the press, I Was a Rat! is a magical weaving of humor, fairy tale, and adventure.

    Focusing on the “orientation” aspect of “sexual orientation” and the “orient” in “orientalism,” Ahmed examines what it means for bodies to be situated in space and time. Bodies take shape as they move through the world directing themselves toward or away from objects and others. Being “orientated” means feeling at home, knowing where one stands, or having certain objects within reach. Orientations affect what is proximate to the body or what can be reached. A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.Ahmed proposes that a queer phenomenology might investigate not only how the concept of orientation is informed by phenomenology but also the orientation of phenomenology itself. Thus she reflects on the significance of the objects that appear—and those that do not—as signs of orientation in classic phenomenological texts such as Husserl’s Ideas. In developing a queer model of orientations, she combines readings of phenomenological texts—by Husserl, Heidegger, Merleau-Ponty, and Fanon—with insights drawn from queer studies, feminist theory, critical race theory, Marxism, and psychoanalysis. Queer Phenomenology points queer theory in bold new directions.

    "Well-I never! what a dunderhead I am!" he said to himself-"fancy sleeping like that, why such a thing has never happened to me before! I had meant to go to have supper and stay the night at the new hotel in Elm. I have heard the landlord's daughter is an uncommonly pretty girl!" "Heigho!" he went on, stretching himself, "there's nothing for it, but to walk home. I might wait a long time before a motor-car came to pick[...].

    But until now, no rigorous survey has captured them in all their glorious variety. "Dragons: A Natural History" is that survey...a one-of-a-kind book, bringing these captivating creatures to life with lavish illustrations and vivid commentary. This marvelous compendium will take you on a journey that begins with the earliest serpent dragons and continues to the present day. Along the way, Dr. Karl Shuker, one of the world's leading experts on dracontology, shares his wealth of knowledge on: Dragon dwellings: These magnificent beasts have been found in an astounding number of places. Dragons and their near relatives have found niches in every ecosystem on the planet -- from the mountains of Greece to the forests of northern Europe to the volcanic plain of Mesoamerica to the river valleys of China -- and have, as a consequence, become deeply embedded in human culture. Dragon variety: Here are five main types of dragons, emerging from the floods or flames of history -- the frightening Serpents, Wyverns, and Classical Dragons of the West; the Sky Dragons, including beneficent Chinese Dragons, Amphipteres, and winged New World species; the Neo-Dragons such as the Basilisk, Salamander, and the like; as well as dozens of varieties and subspecies, including orms, guivres, lindorms, and more. Dragon traditions: From St. George's batwinged, scaly-legged adversary to Wagner's Fafnir to Quetzalcoatl, mythic dragons have been a powerful presence in the legends of humanity. Each of them is described and illustrated in "Dragons: A Natural History."

    This fresh retelling of the classic tale features bright, humorous illustrations. The sky is falling! Chicken Little’s comic misadventures are a favorite with toddlers, who always know better than the silly chick. This fresh retelling of the classic tale features bright, humorous illustrations.

    Will Gertie learn to act like a true Ugly in time?

    Barrie, Kenneth Grahame, and A.A. Milne. 15 line drawings. of photos.

    How Stoker became the creator of the mysterious, seductive count from a castle (and coffin) in Transylvania was a story in and of itself. Over the past century, Dracula has never been out of print and has become its own cultural phenomena, starting with Bela Lugosi’s famed rendition in 1931, to Mel Brooks, Francis Ford Coppola, Christopher Lee, Buffy, Anne Rice’s Vampire Chronicles and the hugely popular Twilight series. This generously illustrated documentary collection explores in full the scope of the Dracula phenomenon, from the folkloric origins of the vampire legend to its unending legacy as a vital influence on the literary and performing arts, not to mention the Romanian tourist industry. Nor does it overlook Bram Stoker himself, and includes his working notes and exceptional primary documents.

    We could not read literature in translation, it was argued, without asking ourselves if linguistic and cultural phenomena really were translatable and exploring in some depth the concept of equivalence. Professor Bassnett tackles the crucial problems of translation and offers a history of translation theory, beginning with the ancient Romans and encompassing key 20th-century structuralist work. She then explores specific problems of literary translation through a close, practical analysis of texts, and completes her book with extensive suggestions for further reading.

    Gennady Spirin, in his adaptation of the Brother Grimms' earliest version of "Little Red Cap," tells the story of a young girl in a red hood who takes a cake to her sick grandmother. Along the way, she meets a wicked wolf who tricks her into thinking he's her granny. Sumptuous illustrations, inspired by the golden age of Dutch painting in the 17th century and Renaissance, capture the charm and spirit of a tale that has remained steadfast in oral and written versions throughout the centuries. An Author's note about the tale's history is included.

    Visit Germany, Italy, and Taiwan, and find out whose sick grandmother is a tiger, and who is saved not by a kind hunter but by a talking river.