With little experience as a painter (though famed for his sculpture David), Michelangelo was reluctant to begin the massive project. Michelangelo and the Pope's Ceiling recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him. Battling against ill health, financial difficulties, domestic problems, the pope's impatience, and a bitter rivalry with the brilliant young painter Raphael, Michelangelo created scenes so beautiful that they are considered one of the greatest masterpieces of all time. A panorama of illustrious figures converged around the creation of this great work-from the great Dutch scholar Desiderius Erasmus to the young Martin Luther-and Ross King skillfully weaves them through his compelling historical narrative, offering uncommon insight into the intersection of art and history.

    But after a year of emotional turmoil Rose no longer has any ties back home, and she relishes the challenges of a new start. Making a home, however, in the ravishing, haunted landscape of Italy's Riviera coast, turns out to be lonelier than Rose had anticipated. And it is only when she is asked to write a profile of one of her reclusive neighbours, the once-glamorous film star Elvira Vitale, that Rose feels her new life is really beginning. But when a young girl's body is found on the local beach, and the following day Elvira's hardworking migrant cleaner, Ania, goes missing, Rose finds herself embroiled in a murder investigation that threatens the idyll she has worked so hard to establish.

    The author retraces Michelangelo's journey from Rome to Florence, explores his changing religious views and examines the complicated politics of patronage in Renaissance Italy. The psychological portrait of Michelangelo is constantly foregrounded, depicting with great conviction a tormented man, solitary and avaricious, burdened with repressed homosexuality and a surplus of creative enthusiasm. Michelangelo's acts of self-representation and his pivotal role in constructing his own myth are compellingly unveiled. Antonio Forcellino is one of the world's leading authorities on Michelangelo and an expert art historian and restorer. He has been involved in the restoration of numerous masterpieces, including Michelangelo's Moses. He combines his firsthand knowledge of Michelangelo's work with a lively literary style to draw the reader into the very heart of Michelangelo's genius.

    But it wasn’t like that; and the clock has no hands, so I can’t turn them back.” [p.171]Alex Carlise has returned to a place he thought he’d never see again, outside of his dreams. As he walks the ochre-dusted road to the house in which he grew up, the memories of his young life in a small Italian town push all other thoughts out of his head: thoughts about the major exhibition of his artwork opening soon in London, thoughts of the myriad things he should be doing in preparation–everything subsides to make room for the warm flood of a time long past.When he opens the door to the now-deserted house, he is suddenly seven again. There is Jamie, his first friend, his best friend; Anna, his first love; and the delicious days they spent exploring the valley and swimming in the cerulean blue Mediterranean Sea. It all comes back to Alex in a way he can neither control nor discern. But the memories are insistent, demanding. Soon Alex loses entire hours to the past, overwhelmed by the haunting memories of a youth turned tragic. Alex remembers the day he, Jamie, and Anna went to their favorite place, an abandoned church far up in the hills. There they stumbled upon a man, injured and sick. From this discovery, a series of events tumbled forth that would change them all forever. Alex now realizes that he must confront the truth about himself, about the echoes of the past that still haunt him, and about the friends whose legacy has meant only devastation.Guy Burt’s vision of youth is piercingly accurate, and his sense of how time can play tricks on the mind is startling. Haunting, eerie, and remarkably assured, The Clock Without Hands will resonate with the child that hides inside your own memories.From the Hardcover edition.

    As generous patrons to the likes of Botticelli and Michelangelo, the ruling Medici embodied the progressive humanist spirit of the age, and in Lorenzo the Magnificent they possessed a diplomat capable of guarding the militarily weak city in a climate of constantly shifting allegiances between the major Italian powers.However, in the form of Savonarola, an unprepossessing provincial monk, Lorenzo found his nemesis. Filled with Old Testament fury and prophecies of doom, Savonarola's sermons reverberated among a disenfranchised population, who preferred medieval Biblical certainties to the philosophical interrogations and intoxicating surface glitter of the Renaissance. Savonarola's aim was to establish a 'City of God' for his followers, a new kind of democratic state, the likes of which the world had never seen before.The battle which this provoked would be a fight to the death, a series of sensational events - invasions, trials by fire, the 'Bonfire of the Vanities', terrible executions and mysterious deaths - featuring a cast of the most important and charismatic Renaissance figures.This famous struggle has often been portrayed as a simple clash of wills between a benign ruler and religious fanatic, between secular pluralism and repressive extremism. However, in an exhilaratingly rich and deeply researched story, Paul Strathern reveals the paradoxes, self-doubts and political compromises which made the battle for the soul of the Renaissance city one of the most complex and important moments in Western history.

    There he meets Giorgio Bellusci, who dreams of rebuilding the south's most famous inn. The dark secret behind Giorgio's obsession will change the course of both men's lives.

    His fascination with myth is evident in pieces on Ovid's Metamorphoses and the separate odysseys that make up Homer's Odyssey. Three intertwined essays on French utopian socialist Fourier present him as a precursor of Women's Lib, a satirist and visionary thinker whose scheme for a society in which each person's desires could be satisfied deserves to be taken seriously. In other pieces, Calvino brings a fresh, unpredictable approach to why we should reread the classics, how cinema and comic strips influence writers, and the cartoon universe of Saul Steinberg. His message is that writers need to establish erotic communion with the humdrum objects of everyday reality.

    Lauro Martines, whose decades of scholarship have made him one of the most admired historians of Renaissance Italy, here provides a remarkably fresh perspective on Girolamo Savonarola, the preacher and agitator who flamed like a comet through late fifteenth-century Florence. The Dominican friar has long been portrayed as a dour, puritanical demagogue who urged his followers to burn their worldly goods in the bonfire of the vanities. But as Martines shows, this is a caricature of the truth--the version propagated by the wealthy and powerful who feared the political reforms he represented. In fact, Savonarola emerges as a complex and subtle man: compassionate, wise, a poet and scholar, and even, at critical moments, a force for moderation. The friar, a mesmerizing preacher, set the city afire with his message of Christian charity wedded to republican ideals. It is this reality--of Savonarola as both religious and civic leader--that Martines captures in all its complexity, showing how he inspired an outpouring of political debate in a city newly freed from the tyranny of the Medici. In the end, the volatile passions he unleashed--and the powerful families he threatened--sent the friar to his own fiery death. But the fusion of morality and politics that he represented would leave a lasting mark on Renaissance Florence. For the many readers fascinated by histories of Renaissance Italy--such as Brunelleschi's Dome or Galileo's Daughter, and Martines's acclaimed April Blood--Fire in the City offers a vivid portrait of one of the most memorable characters from that dazzling era.

    His poetry was revolutionary—both artistically and politically—rejecting the verbal and philosophical constraints of tradition and utilizing direct, colloquial language. His subjects were peasants, hobos, and prostitutes, and this bilingual volume includes all the poetry Pavese ever published, including work originally deleted by Fascist censors. A landmark volume.Cesare Pavese (1908-50) was a novelist, poet, and translator, and a major literary figure in post-war Italy. He brought American influence to Italian literature through his translations. Pavese’s flight from the Fascists and subsequent confinement were reflected in his writings, which dealt with social struggle and revealed his sympathy for the oppressed. He committed suicide at the height of his literary powers.A Kage-an Series Book

     Tired, empty, and disillusioned with married life, Susan Pohlman was ready to call it quits. As soon as she and her husband, Tim, wrap up a business trip in Italy, she planned to break the news that she wanted to end their eighteen-year marriage. During their last day as they walked along the Italian Riviera, Tim fantasizes aloud that, perhaps, they could live there. Susan initially dismisses the notion as nonsense but is inexplicably overwhelmed with a desire to give the marriage another try. Defying all logic, the couple find a school for their children and sign a lease for an apartment. Maybe a life in such a charmed setting could help them find their way back to each other. Together with their fourteen-year-old daughter Katie and their eleven-year-old son Matt, they trade in their breakneck Los Angeles pace for adventure and a slower, more intimate lifestyle slipping out of the constraints of the traditional American Dream into a dream of their own. Instead of seeing each other for fleeting moments in the mornings and evenings, the family starts to spend their days together rediscovering the simple joys that bring texture and meaning to all our lives. Travel with them as they stumble upon new customs, explore medieval alleyways, browse street markets, befriend neighbors, learn to cook, and try a new language. Halfway to Each Other is the remarkable story of an ordinary American family that inspires and offers hope that all of us who find the courage to listen to our hearts and follow our dreams can experience a new beginning.

    Argonaut

    Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window American readers were first introduced to Sicily’s inimitable Inspector Salvo Montalbano more than ten years ago. Since then, the detective—and his characteristic mix of humor, cynicism, compassion, and love of good food—has won the affection of crime fiction aficionados and Italophiles alike. With Andrea Camilleri’s last two mysteries appearing on the New York Times bestseller list, it’s clear that interest in the series is at an all time high. Now, Death in Sicily features the Inspector’s first three adventures in one handy volume, offering new readers just the enticement they need to get started.

    Shortly before her disappearance, Elisa had met Danilo Restivo, a strange local boy with a fetish for cutting women's hair on the back of buses. Elisa's family are convinced that Resitvo is responsible for their daughter's disappearance, but he is protected by local big-wigs: by his Sicilian father, by a doctor with links to organised crime, by a priest who had vices of his own. Years went by and Elisa's family could find only false leads. 2002, and Restivo is now living in Bournemouth. In November that year, his neighbour is found murdered, with strands of her own hair in her hands. Once again the police are at a loss to pin anything on him. It's not until 2010, when Elisa's decomposed body is found in the church where she went missing, that the two cases are linked and Restivo is finally dealt with. Blood on the Altar combines a gripping true crime case with an analysis of Italian culture and the impunity it offers to the powerful.

    Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and the Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue he carved in his youth - he was subject to constant trials and labours.In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.

    This volume contains the finest short poetry Donald Hall has written, poems of landscape and love, of dedication and prophecy, poems that have won thousands of readers, as well as various prizes and honors.