Martin Luther King had a dream. And Stevie Wonder had a dream. This is a book about dreams.”In the Fall of 1980, Gil Scott-Heron was invited by Stevie Wonder to join him on a forty-one city tour across America that would end in Washington on January 15, 1981. The purpose of this tour was to raise popular support for the creation of Martin Luther King, Jr. Day, a national holiday that would honor the great civil rights leader. This holiday became official in 1986. Scott-Heron uses this history-making tour as the backbone of his fascinating memoir.Raised by his grandmother in Jackson, Tennessee, Scott-Heron’s journey from these humble beginnings to becoming one of the most uncompromising and influential musicians and songwriters of his generation is a remarkable one. Frequently cited as the godfather of rap, Scott-Heron’s poetic output spanned from the politically savvy to the savagely satirical, from the socially conscious to the tenderhearted. His unexpected death in May 2011 robbed America of one its most vocal and articulate artists and resulted in an extraordinary outpouring of appreciation for him and his work from all around the world. Chuck D of Public Enemy said of Scott-Heron, “we do what we do and how we do because of you.” Eminem added, “Scott-Heron influenced all of hip-hop,” and from Sarah Silverman, “he mirrored ugliness with beauty, audacity, and valor.”This posthumous publication of The Last Holiday is a fitting testament to the career and achievements of Gil Scott-Heron. But it is also a heartfelt and highly personal account of his growing up in the South, a touching portrait of Stevie Wonder, and a compelling narrative vehicle for Scott-Heron’s keen insights into the music industry, the civil rights movement, modern America, governmental hypocrisy, and our wider place in the world.

    Revenge Body is a poetry collection that explores anger (righteous and not), black identity, body image, loss, want, and mental health.

    Influenced by everyday moments of Washington, DC living, the poems live outside of the outside and beyond the language of categorical difference, inviting anyone listening to listen a bit closer. Inheritance is about the self’s struggle with definition and assumption.

    Her awards include the Juniper Prize for Poetry, two nominations for the Pulitzer Prize in poetry, an Emmy Award from the American Academy of Television Arts and Sciences, and two fellowships from the National Endowment for the Arts. She has taught at the University of California at Santa Cruz and American University in Washington, D.C. and is Distinguished Professor of Humanities at St. Marys College of Maryland."In the extraordinary work of The Book of Light she [Clifton] flies higher and strikes deeper than ever. Poem after poem exhilarates and inspires awe at the manifestation of such artistic and spiritual power…One of the most authentic and profound living American poets."—Denise Levertov "Clifton’s latest collection clearly demonstrates why she was twice nominated for the Pulitzer Prize. These poems contain all the simplicity and grace readers have come to expect from her work."—Publishers Weekly (starred review)Other titles by Lucille Clifton from Consortium:Blessing the Boats: New and Selected Poems 1988-2000 (BOA Editions), 1-880238-88-8 PB • 1-880238-87-X HCGood Woman (BOA Editions), 0-918526-59-0 PBNext (BOA Editions), 0-918526-61-2 PBQuilting (BOA Editions), 0-918526-81-7 PBterrible stories (BOA Editions), 1-880238-37-3 PB • 1-880238-36-5 HC

    Washington’s riveting debut novel dives into the raw emotions of a grieving mother whose quest to heal from a mysterious condition threatens to unravel the lives of those around her.Amanda Jackson has always longed to be a mother. The early weeks of her first pregnancy are a mixture of joy, anticipation, and uncertainty as she and her husband prepare for the journey ahead.Then comes a devastating loss. Even though her doctors tell her otherwise, Amanda believes she’s still pregnant. Her diagnosis is a rare, mysterious condition called pseudocyesis. Betrayed by her mind and body and her marriage strained, Amanda turns to neuroscientist Patrick Davis for answers.Patrick understands the strange twists and turns of the human mind better than anyone. But as he spirals ever deeper into Amanda’s illness, his own homelife crumbles as his wife, Marissa, struggles to cope with her own loss. Marissa’s unique and, some may think, macabre work is her salvation, but it’s pulling her further and further away from Patrick.As the two couples confront the fraught intersection of science, death, and human emotion, they venture into the darkest corners of each other’s lives. What they find there could change them forever.

    Sassafrass, Cypress and Indigo is the story of three "colored girls," three sisters and their mama from Charleston, South Carolina: Sassafrass, the oldest, a poet and a weaver like her mother, gone north to college, living with other artists in Los Angeles and trying to weave a life out of her work, her man, her memories and dreams; Cypress, the dancer, who leaves home to find new ways of moving and easing the contractions of her soul; Indigo, the youngest, still a child of Charleston—"too much of the south in her"—who lives in poetry, can talk to her dolls, and has a great gift of seeing the obvious magic of the world.

    Seven days to tell the truth…For sixteen-year-old Tiffany Sly, life hasn’t been safe or normal for a while. Losing her mom to cancer has her a little bit traumatized and now she has to leave her hometown of Chicago to live with the biological dad she’s never known.Anthony Stone is a rich man with four other daughters—and rules for every second of the day. Tiffany tries to make the best of things, but she doesn’t fit into her new luxurious, but super-strict, home—or get along with her standoffish sister London. The only thing that makes her new life even remotely bearable is the strange boy across the street. Marcus McKinney has had his own experiences with death, and the unexpected friendship that blossoms between them is the only thing that makes her feel grounded.But Tiffany has a secret. Another man claims he’s Tiffany’s real dad—and she only has seven days before he shows up to demand a paternity test and the truth comes out. With her life about to fall apart all over again, Tiffany finds herself discovering unexpected truths about her father, her mother and herself, and realizing that maybe family is in the bonds you make—and that life means sometimes taking risks.

    In 1919, award-winning poet Eve L. Ewing explores the story of this event—which lasted eight days and resulted in thirty-eight deaths and almost 500 injuries—through poems recounting the stories of everyday people trying to survive and thrive in the city. Ewing uses speculative and Afrofuturist lenses to recast history, and illuminates the thin line between the past and the present.

    Louis World’s Fair. Two years later, the New York Zoological Gardens displayed him in its Monkey House, caging the slight 103-pound, 4-foot 11-inch tall man with an orangutan. The attraction became an international sensation, drawing thousands of New Yorkers and commanding headlines from across the nation and Europe.Spectacle explores the circumstances of Ota Benga’s captivity, the international controversy it inspired, and his efforts to adjust to American life. It also reveals why, decades later, the man most responsible for his exploitation would be hailed as his friend and savior, while those who truly fought for Ota have been banished to the shadows of history. Using primary historical documents, Pamela Newkirk traces Ota’s tragic life, from Africa to St. Louis to New York, and finally to Lynchburg, Virginia, where he lived out the remainder of his short life.Illuminating this unimaginable event, Spectacle charts the evolution of science and race relations in New York City during the early years of the twentieth century, exploring this racially fraught era for Africa-Americans and the rising tide of political disenfranchisement and social scorn they endured, forty years after the end of the Civil War. Shocking and compelling Spectacle is a masterful work of social history that raises difficult questions about racial prejudice and discrimination that continue to haunt us today.

    Jackson delivers another ripped-from-the-headlines mystery that exposes horrific secrets hiding behind the limelight and embraces the power of a young woman's voice. When legendary R&B artist Korey Fields spots Enchanted Jones at an audition, her dreams of being a famous singer take flight. Until Enchanted wakes up with blood on her hands and zero memory of the previous night. Who killed Korey Fields?Before there was a dead body, Enchanted’s dreams had turned into a nightmare. Because behind Korey’s charm and star power was a controlling dark side. Now he’s dead, the police are at the door, and all signs point to Enchanted.

    Someone like Hubert Wiggins, the most eligible man in Lexington, Alabama--and the son of its most revered preacher. Proper and prosperous, Hubert is glad to finally have a wife, even one with Maggie's background. For Hubert has a secret he desperately needs to stay hidden. And Maggie's unexpected charm, elegance, and religious devotion makes her the perfect partner in lies...Their surprising union makes the Wigginses the town's most envied couple--complete with a son, Claude, whom Maggie idolizes. Until he falls in love with the worst possible fiancée. Terrified, Maggie won't let this woman destroy her son. And when her employer's brother sexually harasses her, Maggie knows something needs to be done about him as well. In fact, she realizes there are an awful lot of "disruptive" people who should be eliminated from her perfect world...But the more Maggie tries to take control, the more obstacles are thrown in her way. And when it seems like the one person she always expected to be there is starting to drift away, Maggie will play one final, merciless game to secure what she's fought so hard to earn...

    Finney’s poetic voice is defined by an intimacy that holds a soft yet exacting eye on the erotic, on uncanny political and family events, like her mother’s wedding waltz with South Carolina senator Strom Thurmond, and then again on the heartbreaking hilarity of an American president’s final State of the Union address.Artful and intense, Finney’s poems ask us to be mindful of what we fraction, fragment, cut off, dice, dishonor, or throw away, powerfully evoking both the lawless and the sublime.

    kids. She’s dating Kayode and wants him to be “the one” (perfect, like her dead father). Her friends think he’s just another in a long line of dodgy Nigerian boyfriends.Boo has everything Ronke wants—a kind husband, gorgeous child. But she’s frustrated, unfulfilled, plagued by guilt, and desperate to remember who she used to be.Simi is the golden one with the perfect lifestyle. No one knows she’s crippled by impostor syndrome and tempted to pack it all in each time her boss mentions her “urban vibe.” Her husband thinks they’re trying for a baby. She’s not.When the high-flying, charismatic Isobel explodes into the group, it seems at first she’s bringing out the best in each woman. (She gets Simi an interview in Hong Kong! Goes jogging with Boo!) But the more Isobel intervenes, the more chaos she sows, and Ronke, Simi, and Boo’s close friendship begins to crack.A sharp, modern take on friendship, ambition, culture, and betrayal, Wahala (trouble) is an unforgettable novel from a brilliant new voice.

    She is taught only to obey, but she always finds ways to rebel—gossiping with her sister among the fragrant roses of her mother’s walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. It’s during the summer of 1950 that Forugh’s passion for poetry really takes flight—and that tradition seeks to clip her wings. Forced into a suffocating marriage, Forugh runs away and falls into an affair that fuels her desire to write and to achieve freedom and independence. Forugh’s poems are considered both scandalous and brilliant; she is heralded by some as a national treasure, vilified by others as a demon influenced by the West. She perseveres, finding love with a notorious filmmaker and living by her own rules—at enormous cost. But the power of her writing grows only stronger amid the upheaval of the Iranian revolution. Inspired by Forugh Farrokhzad’s verse, letters, films, and interviews—and including original translations of her poems—Jasmin Darznik has written a haunting novel, using the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran—and who continues to inspire generations of women around the world.

    More than anything, Patsy wishes to be reunited with her oldest friend, Cicely, whose letters arrive from New York steeped in the promise of a happier life and the possible rekindling of their young love. But Patsy’s plans don’t include her overzealous, evangelical mother―or even her five-year-old daughter, Tru.Beating with the pulse of a long-witheld confession, Patsy gives voice to a woman who looks to America for the opportunity to choose herself first―not to give a better life to her family back home. Patsy leaves Tru behind in a defiant act of self-preservation, hoping for a new start where she can be, and love, whomever she wants. But when Patsy arrives in Brooklyn, America is not as Cicely’s treasured letters described; to survive as an undocumented immigrant, she is forced to work as a bathroom attendant and nanny. Meanwhile, Tru builds a faltering relationship with her father back in Jamaica, grappling with her own questions of identity and sexuality, and trying desperately to empathize with her mother’s decision.Expertly evoking the jittery streets of New York and the languid rhythms of Jamaica, Patsy weaves between the lives of Patsy and Tru in vignettes spanning more than a decade as mother and daughter ultimately find a way back to one another.