Kip and Brice were best friends, born on the same day in 1944 in Los Alamos, New Mexico, the most secret place on earth. Sons of men who engineered the atom bomb, they play macabre games as children, tempting the fate that looms over their closed community. As they come of age in the mid-60s, Brice is drawn into antiwar activism, while Kip disappears into Vietnam and ultimately into the secret war in Laos-leaving Brice to marry Jessica, the woman they both love. Twenty-five years later, Kip returns, a ghost soldier come, perhaps, to reclaim what was lost. "Brilliant . . . dramatically real and poignantly felt . . . a remarkable feat." (Chicago Tribune) "Morrow's assiduous probing of the intricacies of moral choice hits us where we live-or ought to live." (The New York Times Book Review) "Astonishing in its breadth and vision-an intimate record of a dangerous age." (The Boston Globe)

    She is the author of the phrase "the butler did it." Rinehart has written hundreds of short stories, plays, travelogues and special interest articles. K is a romance set in the industrial Victorian era. When Sidney takes in a border with the initial K her life becomes entwined with the mystery surrounding K. Lies and intrigue surround Sidney.

    Introduction by Adrienne Rich

    To purchase the entire book, please order ISBN 0766127435.

    from "The House on the Hill" . . . from out of the fog, a large, welcoming house would emerge made out of invention and surprise. No things without ideas! you'd shout, and the doors would open, and the echoes would cascade down to the valleys and the faraway towns.

    Norma Jeane Baker of Troy is a partly spoken, partly sung performance piece by poet, essayist, and scholar Anne Carson, and an exploration of the lives and myths of Marilyn Monroe and Helen of Troy—iconic beauties who lived millennia apart.A thrilling and thoughtful meditation on the destabilising and destructive power of beauty, this had its world premiere at The Shed in New York City, starring Ben Whishaw and Renée Fleming.

    Reflecting a new editorial approach, this volume demonstrates the breadth of Ted Berrigan's poetic accomplishments by presenting his most celebrated, interesting, and important work. This major second-wave New York School poet is often identified with his early poems, especially "The Sonnets, " but this selection encompasses his full poetic output, including the later sequences "Easter Monday" and "A Certain Slant of Sunlight, " as well as many of his uncollected poems. The Selected Poems of Ted Berrigan provides a new perspective for those already familiar with his remarkable wit and invention, and introduces new readers to what John Ashbery called the "crazy energy" of this iconoclastic, funny, brilliant, and highly innovative writer.Praise for" The Collected Poems of Ted Berrigan: ""This is a great, great book for all seasons of the mind and heart."--Robert Creeley"Thanks to this invaluable "Collected Poems, " one can hear, as never before, Ted Berrigan dreaming his dream."--"The Nation"""The Collected Poems of Ted Berrigan "is not only one of the most strikingly attractive books recently published, but is also a major work of 20th-century poetry. . . . It is a book that will darken with the grease of my hands. There is no better way to praise it than by saying, 'If you enjoy poetry, you should have it.'" --"Bloomsbury Review ""It's a must-have, a poetic knockout."--"Time Out New York"

    A shockingly assured first collection from young poet Jesse Ball, its elegant lines and penetrating voice present a poetic symphony instead of a simple succession of individual, barely-linked poems. Craftsmanship defines this collection; it is full of perfect line-breaks, tenderly selected words, and inventive pairings. Just as impressive is the breadth and ingenuity of its recurring themes, which crescendo as Ball leads us through his fantastic world, quietly opening doors.In five separate sections we meet beekeepers and parsons, a young woman named Anna in a thin, linen dress and an old scribe transferring the eponymous March Book. We witness a Willy Loman-esque worker who "ran out in the noon street / shirt sleeves rolled, and hurried after / that which might have passed" only to be told that there's nothing between him and "the suddenness of age." While these images achingly inform us of our delicate place in the physical world, others remind us why we still yearn to awake in it every day and "make pillows with the down / of stolen geese," "build / rooms in terms of the hours of the day." Like a patient Virgil, insistent and confident, Ball escorts us through his mind, and we're lucky to follow.

    Among Florrie’s possessions are several unproduced screenplays, personal journals, and—inexplicably—old photographs of Louise’s mother, Ethel. On an impulse, Louise leaves a film shoot in Las Vegas and sets off for her father’s house on the East Coast, hoping for answers about the curious inheritance and, perhaps, about her own troubled marriage.Nearly thirty years earlier, Florrie takes off on an adventure of her own, driving her Model T westward from New Jersey in pursuit of broader horizons. She has the promise of a Hollywood job and, in the passenger seat, Ethel, her best friend since childhood. Florrie will do anything for Ethel, who is desperate to reach Nevada in time to reconcile with her husband and reunite with her daughter. Ethel fears the loss of her marriage; Florrie, with long-held secrets confided only in her journal, fears its survival.In parallel tales, the three women—Louise, Florrie, Ethel—discover that not all journeys follow a map. As they rediscover their carefree selves on the road, they learn that sometimes the paths we follow are shaped more by our traveling companions than by our destinations.

    Marilyn Hacker's poems have been praised for their technical virtuosity, forthright feminism, political acuity, and unabashed eroticism.Included are selections from Hacker's first book, Presentation Piece (1974), the Lamont Poetry Selection of the Academy of American Poets and a National Book Award Winner; Separations (1976); Taking Notice (1980), which was claimed as an integral part of the burgeoning feminist and lesbian canon; Assumptions (1985), which explored the conundrums of gender, race, and identity in contemporary life; and Going Back to the River (1990), which received a Lambda Literary Award.

    Not yet ready to fully embrace adulthood, Simons finds himself surrendering to cynicism, as well as to the temptations of his “turned-out-well” first cousin, Patricia.To avoid sinking further into his rut, Simons embarks on a road trip through the South. After a disastrous stint as a Corpus Christi fisherman, he exits the Lone Star State, doubling back to the Louisiana bayou to spend some quality time with his former friend and mentor—and his mother’s ex-lover—Taurus. But as even Taurus’s once sought-after wisdom wears thin, Simons begins to suspect that the grass is not greener on the other side—it may be burnt, brown, and dead wherever he goes.

    In the title story, an unhappily married couple find their print of an orange fish brings them newfound harmony as they join other owner of the print who gather to extol the miraculous powers of “fishness.” “Chemistry” describes a group of young musicians drawn briefly into an impenetrable circle of love. And in “Hazel,” a middle-aged woman finally comes into her own as a sales rep for a line of kitchen products. The Orange Fish is a collection full of wit and compassion, a series of stories to be read and reread and savored.The orange fish --Chemistry --Hazel --Today is the day --Hinterland --Block out --Collision --Good manners --Times of sickness and health --Family secrets --Fuel for the fire --Milk bread beer ice

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    The result easily demonstrated, then as now, the massive achievement of the writer whom Carolyn Kizer called "one of the most passionate, energetic, and honest poets living."

    Bringing together all of Viorst's best-loved poetry, this collection includes many of the poet's previously out-of-print favorites.