They keep the balance of nature and guard the borders of our world, but don’t make the mistake of crossing one of them…Older than she looks and powerful beyond measure, Barbara Yager no longer has much in common with the mortal life she left behind long ago. Posing as an herbalist and researcher, she travels the country with her faithful (mostly) dragon-turned-dog in an enchanted Airstream, fulfilling her duties as a Baba Yaga and avoiding any possibility of human attachment.But when she is summoned to find a missing child, Barbara suddenly finds herself caught up in a web of deceit and an unexpected attraction to the charming but frustrating Sheriff Liam McClellan.Now, as Barbara fights both human enemies and Otherworld creatures to save the lives of three innocent children, she discovers that her most difficult battle may be with her own heart…

    When wealthy sorcerer Hollin Parry hires her to do a special act - singing accompaniment to an exquisite piano-playing automaton, Nimira believes it is the start of a new life. In Parry's world, however, buried secrets stir. Unsettling below-stairs rumours abound about ghosts, a mad woman roaming the halls, and of Parry's involvement in a gang of ruthless sorcerers who torture fairies for sport. When Nimira discovers the spirit of a dashing young fairy gentleman is trapped inside the automaton's stiff limbs, waiting for someone to break the curse and set him free, the two fall in love. But it is a love set against a dreadful race against time to save the entire fairy realm, which is in mortal peril.

    The lyrical passages and poetic images, the wry humor, the tall-tale extravagance, and the homely realism of the 'Kalevala' come through with extraordinary effectiveness.

    Now Myst, the Vampiric Fae Queen of the Indigo Court, has enough power to begin a long prophesied supernatural war. And Cicely Waters, a witch who can control the wind, may be the only one who can stop her-and save her beloved Fae prince from the Queen's enslavement.Cicely Waters, a witch who can control the wind, has returned home to New Forest, Washington, after learning that her family is in danger. The Indigo Court holds the city in fear. People are vanishing, and strange deaths plague the town. And when she is swept into an unexpected and passionate reunion with Grieve, the Fae prince who taught her how to harness the wind, Cicely finds herself with a fierce and territorial lover.But Greive has been enslaved in Myst's court, and now, caught between two evils, the lovers must survive the machinations of the Vampiric Fae queen, even as Cicely untangles the hidden secrets to her own heritage.

    These are ten tales, much neglected. Editor of Enchanted Conversation: A Fairy Tale Magazine, Kate Wolford, introduces and annotates each tale in a manner that won't leave novices of fairy tale studies lost in the woods to grandmother's house, yet with a depth of research and a delight in posing intriguing puzzles that will cause folklorists and savvy readers to find this collection a delicious new delicacy.Beyond the Glass Slipper is about more than just reading fairy tales—it's about connecting to them. It's about thinking of the fairy tale as a precursor to Saturday Night Live as much as it is to any princess-movie franchise: the tales within these pages abound with outrageous spectacle and absurdist vignettes, ripe with humor that pokes fun at ourselves and our society.Never stuffy or pedantic, Kate Wolford proves she's the college professor you always wish you had: smart, nurturing, and plugged into pop culture. Wolford invites us into a discussion of how these tales fit into our modern cinematic lives and connect the larger body of fairy tales, then asks—no, insists—that we create our own theories and connections. A thinking man's first step into an ocean of little known folklore.

    In 1558, while exiled by Queen Mary Tudor to a remote castle known as Perilous Gard, young Kate Sutton becomes involved in a series of mysterious events that lead her to an underground world peopled by Fairy Folk—whose customs are even older than the Druids’ and include human sacrifice.

    From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Her father has been dead for years. One of her brothers has been conscripted into the Tsar’s army, the other taken as a servant in the house of the local landowner. Her mother is dying, slowly, in their tiny cabin. And there is no food. But then a train arrives in the village, a train carrying untold wealth, a cornucopia of food, and a noble family destined to visit the Tsar in Saint Petersburg — a family that includes Ekaterina, a girl of Elena’s age. When the two girls’ lives collide, an adventure is set in motion, an escapade that includes mistaken identity, a monk locked in a tower, a prince traveling incognito, and — in a starring role only Gregory Maguire could have conjured — Baba Yaga, witch of Russian folklore, in her ambulatory house perched on chicken legs

    Carole Silver here draws on sources ranging from the anthropological, folkloric, and occult to the legal, historical, and medical. She is the first to anatomize a world peopled by strange beings who have infiltrated both the literary and visual masterpieces and the minor works of the writers and painters of that era.Examining the period of 1798 to 1923, Strange and Secret Peoples focuses not only on such popular literary figures as Charles Dickens and William Butler Yeats, but on writers as diverse as Thomas Carlyle, Arthur Conan Doyle, and Charlotte Mew; on artists as varied as mad Richard Dadd, Aubrey Beardsley, and Sir Joseph Noel Paton; and on artifacts ranging from fossil skulls to photographs and vases. Silver demonstrates how beautiful and monstrous creatures--fairies and swan maidens, goblins and dwarfs, cretins and changelings, elementals and pygmies--simultaneously peopled the Victorian imagination and inhabited nineteenth-century science and belief. Her book reveals the astonishing complexity and fertility of the Victorian consciousness: its modernity and antiquity, its desire to naturalize the supernatural, its pervasive eroticism fused with sexual anxiety, and its drive for racial and imperial dominion.

    and more

    The year is 1162. Sixteen-year-old Jenny has always enjoyed her freedom as second daughter of a Norman nobleman in Teviotdale, Scotland. But when Jenny's sister, Isabel, disgraces the family by running away with a dangerous suitor, Jenny is thrust reluctantly into the role of elder daughter. While Jenny worries about her sister's future, her father's attention turns keenly toward Jenny, and finding her a worthy suitor. When Jenny is chosen as a potential bride for William de Warenne, brother of the king of Scotland and heir to the crown, redemption of her family's name seems within reach. Amid formal banquets and jousting tournaments, she struggles to impress the aloof Earl William. At the same time, however, she finds herself drawn to Tam Lin, a mysterious young man. Rumored to have been kidnapped by fairies, Tam harbors a dark secret from his past that threatens everyone close to him . . . including Jenny. Glimmering with exquisite detail, Janet McNaughton's beautifully woven story transports readers to a magical medieval world where one young woman navigates the forceful tides of tradition and the ancient power of fairies to define her own destiny.

     Neil Gaiman, “Orange”   Aimee Bender, “The Color Master”   Joyce Carol Oates, “Blue-bearded Lover”   Michael Cunningham, “The Wild Swans”   These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.   Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.   Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

    That is, until Zeus tells Meg that she can't be with Hercules because she's, well, mortal. Luckily, Hera has a solution, offering Meg a chance to prove herself worthy of a spot on Mt. Olympus--as a god. All Meg has to do is complete a mysterious quest.The mission? Oh, just to rescue her ex's current wife from the Underworld. The ex-boyfriend she saved by selling her soul to Hades. The ex-boyfriend who immediately moved on to someone else while she was stuck in the Underworld. Can Meg put her past behind her and use her quick-wit to defeat monsters and gods alike, including the nefarious Hades? Will she finally figure out her place and contribution to the world? Or will her fear of commitment have her running away from an eternity of godhood with Herc?Written by the author of Mirror, Mirror and Conceal, Don't Feel, Jen Calonita's latest twist is sure to delight and surprise.

    Compiled by an American—the United States consul for Wales in the late nineteenth century—this volume was the work of several years’ labour.Scouring the hills and valleys of Wales after falling in love with the land, the author wrote down the oral traditions, stories, myths, and legends related to him by the people he met on his travels. The result was a spectacular work, divided up into four sections: “Faerie Realm,” the “Spirit-World,” “Quaint Old Customs,” and “Bells, Wells, Stones, and Dragons.”In this book, the reader will not only learn of the greatest Welsh legends (including King Arthur, Iolo ap Hugh, the Green Lady of Caerphilly), but also of the local fairy stories and even the superstitions of ancient—and not so ancient—Wales.Rarely has a nation’s mythos and essence been so elegantly captured as in this work. The legacy of Welsh mythology and folklore has entered the vocabulary of modern English, and spread around the world, being some of the oldest tales in all Europe.As the author states in his introduction:“In a certain sense Wales may be spoken of as the cradle of fairy legend. It is not now disputed that from the Welsh were borrowed many of the first subjects of composition in the literature of all the cultivated peoples of Europe.”This edition has been completely reset, contains the full text and all the wonderful—and hand restored—illustrations of the original work. It is a literary treasure of the first class.— Written on the back of the Second Edition, 2017

    Barnum's American Museum as the real Fiji mermaid. However, leaving the museum may be harder than leaving the sea ever was.Once there was a mermaid who longed to know of more than her ocean home and her people. One day a fisherman trapped her in his net but couldn't bear to keep her. But his eyes were lonely and caught her more surely than the net, and so she evoked a magic that allowed her to walk upon the shore. The mermaid, Amelia, became his wife, and they lived on a cliff above the ocean for ever so many years, until one day the fisherman rowed out to sea and did not return.P. T. Barnum was looking for marvelous attractions for his American Museum, and he'd heard a rumor of a mermaid who lived on a cliff by the sea. He wanted to make his fortune, and an attraction like Amelia was just the ticket.Amelia agreed to play the mermaid for Barnum, and she believes she can leave any time she likes. But Barnum has never given up a money-making scheme in his life, and he's determined to hold on to his mermaid.