In this classic work, world-renowned scholar Adin Steinsaltz answers the major questions asked by modern Jews about the nature of existence in God's universe. The title The Thirteen Petalled Rose is taken from the opening of the classic Jewish text on mysticism, the Zohar, and refers to the "collective souls of the Jewish people," which scholars have likened to the fullness of a rose and its thirteen petals. Along with a new preface by the author, this edition contains a new chapter on prayer that provides the most up-to-date account of the Kabbalistic view of devotion. Another new chapter recounts and interprets the prophet Elijah's Introduction to the Zohar. "Steinsaltz possesses a mind of the quality that occurs perhaps once or twice in a generation, or several generations... In [The Thirteen Petalled Rose] one can encounter the classical Jewish mystical view of reality, delineated lucidly, concisely, profoundly and, what is so rare, believingly. It is an utterly authentic expression of Judaism yet so unknown even among the well-informed and therefore so necessary, so welcome." (Herbert Weiner, Oxford University)

    This compelling collection of the best and most enjoyable poems from the era includes tightly argued lyrics, erotic and libertine considerations of love, divine poems and elegies of lament by such great figures as John Donne, George Herbert, Andrew Marvell and John Milton, alongside pieces from many other less well known but equally fascinating poets of the age, such as Anne Bradstreet, Katherine Philips and Thomas Traherne. Widely varied in theme, all are characterized by their use of startling metaphors, imagery and language to express the uncertainty of an age, and a profound desire for originality that was to prove deeply influential on later poets and in particular poets of the Modernist movement such as T. S. Eliot.In his introduction, Colin Burrow explores the nature of Metaphysical poetry, its development across the seventeenth century and its influence on later poets and includes A Very Short History of Metaphysical Poetry from Donne to Rochester. This edition also includes detailed notes, a chronology and further reading.Colin Burrow is Reader in Renaissance and Comparative Literature at Gonville and Caius College, Cambridge. He has edited Shakespeare's Sonnets for OUP and The Complete Works of Ben Jonson, and is working on the Elizabethan volume of the Oxford English Literary History.If you enjoyed Metaphysical Poetry, you might like John Donne's Selected Poems, also available in Penguin Classics.

    The lifetime work of Professor Alexander Schmidt of Königsberg, this book has long been the indispensable companion for every person seriously interested in Shakespeare, Renaissance poetry and prose of any sort, or English literature. It is really two important books in one.Schmidt’s set contains every single word that Shakespeare used, not simply words that have changed their meaning since the seventeenth century, but every word in all the accepted plays and the poems. Covering both quartos and folios, it carefully distinguishes between shades of meaning for each word and provides exact definitions, plus governing phrases and locations, down to the numbered line of the Cambridge edition of Shakespeare. There is no other word dictionary comparable to this work.Even more useful to the general reader, however, is the incredible wealth of exact quotations. Arranged under the words of the quotation itself (hence no need to consult confusing subject classifications) are more than 50,000 exact quotations. Each is precisely located, so that you can easily refer back to the plays or poems themselves, if you wish context.Other features helpful to the scholar are appendixes on basic grammatical observations, a glossary of provincialisms, a list of words and sentences taken from foreign languages, a list of words that form the latter part of word-combinations. This third edition features a supplement with new findings.

    It connects us to each other. "I think Jesus wanted his disciples and everyone who came after him to remember what they had together. What they made together. What it meant to be together. How the things he wanted them to do could not be done alone. How the things he did could not have been done without them."In her inimitable style of memoir and personal reflection, Nora Gallagher explores the beauty and mystery of this most fascinating of topics. Whether exploring the history of Christian Communion, taking us inside the workings of a soup kitchen or sharing times of joy and sadness with friends, the author reminds us what it means to partake of and be part of the body of Christ."The Ancient Practices" is an eight-book series with staggered releases through February 2010. Though various books have covered some of these spiritual disciplines, there has never been an attempt at a definitive series until now. Immensely compelling and readable, each classic book features a foreword by Phyllis Tickle, the general editor."

    Along the way Young riffs on Basquiat's paintings and sayings, on the music he loved, on the artists he ran with (Andy Warhol and Keith Haring, among them), and on the black heroes (Charlie Parker, Muhammad Ali, Billie Holiday) who inspired him.Young's poetic channeling of Basquiat--a jostling, poignant brand of downtownspeak--makes for an urban epic in the tradition of Langston Hughes's "A Dream Deferred." To Repel Ghosts, along with Young's Jelly Roll: A Blues and Black Maria, his recent book of film noir verse, forms an American trilogy--Devil's Music--that explores other art forms through poetry. In its creation, Yound has become a poet whose work speaks both for and beyond his genre, with a music all its own.

    In the first of three volumes spanning the entire Hebrew Bible, David Bokovoy dives into the Penateuch, showing how and why textual criticism has led biblical scholars today to understand the first five books of the Bible as an amalgamation of multiple texts into a single, though often complicated narrative; and he discusses what implications those have for Latter-day Saint understandings of the Bible and modern scripture.

    But Miroslav Volf here proposes the radical idea that letting go of such memories - after a certain point and under certain conditions - may actually be the appropriate course of action. While agreeing with the claim that to remember a wrongdoing is to struggle against it, Volf notes that there are too many ways to remember wrongly, perpetuating the evil committed rather than guarding against it. In this way, the just sword of memory often severs the very good it seeks to defend. He argues that remembering rightly has implications not only for the individual but also for the wrongdoer and for the larger community. Volfs personal stories of persecution offer a compelling backdrop for his search for theological resources to make memories a wellspring of healing rather than a source of deepening pain and animosity. Controversial, thoughtful, and incisively reasoned, The End of Memory begins a conversation hard to ignore.

    Augustine of Hippo. Over the course of 24 fascinating lectures, you'll study this great book's staggering influence on Christianity and Western civilization, seeing how it provided a source of inspiration for such noted thinkers and writers as Petrarch, Dante, and Martin Luther. Even though the Confessions is more than 1,500 years old, it still speaks to us and has the capacity to change our lives. The professors trace the narrative of Augustine's early life and the key events that led to his Christian conversion at age 31. In a succession of stories that are as powerful as any in world literature, Augustine seeks to understand the same issues in his life that many people try to understand in theirs, arriving at profound conclusions that offer stunning insight into our psychology and morality and challenge us to become wiser and better people. This course is a superb springboard and companion guide to your reading and rereading of one of history's singular books: one that will challenge and stimulate your mind and provide a framework through which to find true understanding, value, and meaning in your life.

    

    Pages: 48. Chapters: Altheda, Altheda's potion, Altheda's wand, Amata, Amata's lover, Antioch Peverell, Antioch Peverell's first wand, Antioch Peverell's killer, Asha, Babbitty, Babbitty Rabbitty and her Cackling Stump, Brigade of Witch-Hunters, Cadmus Peverell, Cadmus Peverell's girlfriend, Cadmus Peverell's wand, Captain of the Brigade of Witch-Hunters, Charlatan, Cloak of Invisibility, Crystal casket, Death, Elder Wand, Enchanted garden, Evil sorcerer, Fountain, Gold statue of Babbitty, Grumble the Grubby Goat, Hairy Heart, Ignotus Peverell, Ignotus Peverell's son, Ignotus Peverell's wand, King, Kinsfolk, Maiden, Never-Ending Hill, Old man's donkey, Old man's family, Old man, Peasant woman's granddaughter, Peasant woman, Poisonous toadstool, Poultice for warts, Resurrection Stone, Sabre, Silver chalice, Sir Luckless, The Fountain of Fair Fortune, The Hopping Pot, The Tale of the Three Brothers, The Warlock's Hairy Heart, The Warlock's friends, The Wizard and the Hopping Pot, Warlock, Wizard's father, Wizard, Young woman's child, Young woman. Excerpt: Altheda was one of the three female protagonists in The Fountain of Fair Fortune, written by Beedle the Bard. Altheda was a witch who came to the Fountain in the hope of finding relief from poverty and despair, as her home, money, and wand had all been stolen by a Dark Wizard. After completing three trials, Altheda arrived at the Fountain with her companions Asha, Amata, and Sir Luckless. Before the four could decide who would get to bathe in the Fountain, however, Asha collapsed from exhaustion. Altheda quickly gathered some of the herbs that grew around the Fountain and prepared a potion for Asha. The potion not only saved Asha's life, but also cured her of the malady she suffered, which she had believed only the Fountain could heal. In curing Asha's sickness, Altheda realized that she had the means to earn a living, and thus had no need to...

    Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Change of Heart, Nineteen Minutes, Plain Truth, Salem Falls, My Sister's Keeper, Second Glance, Perfect Match, the Pact, Keeping Faith, Songs of the Humpback Whale, Harvesting the Heart, the Tenth Circle, Picture Perfect, Vanishing Acts. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: Change of Heart is a novel by Jodi Picoult published in 2008. Shay Bourne is the first New Hampshire death row prisoner in 69 years. He wants to donate his heart after his execution to the half sister/daughter of his victims who is in need of a heart transplant. Shay Bourne killed June Nealon's daughter and husband. Soon after June had another child named Claire. Claire needed a heart and Shay was put on deathrow and wanted to give his heart to Claire. The jury convicts Shay of two counts of capital murder. The jury then deliberates on the death penalty. After much time, they all agree, with Michael Wright being the last juror to agree on the death penalty. Shay Bourne is transferred to the I-tier at the Concord state prison. Shay is in the cell next to Lucius DuFresne, an artist with HIV who killed his gay lover. During the night Shay tells Lucius the he wants to donate his heart to a little girl that he saw on TV. Michael the juror has become the junior priest at a parish in Concord, New Hampshire. June has long since given birth to her daughter Claire, who is in the hospital awaiting a heart transplant. Although she has had a defibrillator transplanted in her heart prior, it is wearing her out and without a new heart, she is sure to die. Back in the I-tier there is a strange incident with wine flowing through the toilet pipes. Shay's final appeal is denied and his execution date is set, two and a half months away. He fights with Maggie, his lawye...More: http: //booksllc.net/?id=1662218

    Corbin, like Scholem and Jonas, is remembered as a scholar of genius. He was uniquely equipped not only to recover Iranian Sufism for the West, but also to defend the principal Western traditions of esoteric spirituality." —From the introduction by Harold Bloom Ibn 'Arabi (1165-1240) was one of the great mystics of all time. Through the richness of his personal experience and the constructive power of his intellect, he made a unique contribution to Shi'ite Sufism. In this book, which features a powerful new preface by Harold Bloom, Henry Corbin brings us to the very core of this movement with a penetrating analysis of Ibn 'Arabi's life and doctrines.Corbin begins with a kind of spiritual topography of the twelfth century, emphasizing the differences between exoteric and esoteric forms of Islam. He also relates Islamic mysticism to mystical thought in the West. The remainder of the book is devoted to two complementary essays: on "Sympathy and Theosophy" and "Creative Imagination and Creative Prayer." A section of notes and appendices includes original translations of numerous Sufi treatises.Harold Bloom's preface links Suufi mysticism with Shakespeare's visionary dramas and high tragedies, such as The Tempest and Hamlet. These works, he writes, intermix the empirical world with a transcendent element. Bloom shows us that this Shakespearean cosmos is analogous to Corbin's "Imaginal Realm" of the Sufis, the place of soul or souls.

    A. Richards (1893-1979) was one of the great polymaths of the twentieth century. He is best known, however, as one of the founders of modern literary critical theory. Richards revolutionized criticism by turning away from biographical and historical readings as well as from the aesthetic impressionism. Seeking a more exacting approach, he analyzed literary texts as syntactical structures that could be broken down into smaller interacting verbal units of meaning. Practical Criticism, first published in 1929, is a landmark volume in demonstrating this method.Practical Criticism was born of an experiment Richards undertook to discern the psychological foundations of reading and interpretation and a means for readers to discover how they think and feel about poetry. He submitted thirteen poems for analysis, without date or author given, to some four hundred of his Cambridge students. Poets of stature went in undifferentiated from obscure and forgotten figures. The results were mixed at best, with many of the interpretations shockingly bad. These readings were based, in large part, not on the texts themselves but on then-current opinions, presuppositions, theories, and beliefs. The results led Richards to define a set of interrelated mental obstacles to intelligent and accurate reading including "irrelevant associations," "stock responses," "sentimentality," and a general misunderstanding of the purpose or "doctrine" of poetry.Richards' concerns in Practical Criticism went well beyond the merely formal. In the humanist tradition, he believed that the ability to read critically and use language truthfully was culturally regenerative, a necessary skill in the modern world of mass-produced art and advertising. This classic volume will be of interest to teachers of literature, cultural studies specialists, and intellectual historians.

    Two long essays: “The Idea of a Christian Society” (on the direction of religious thought toward criticism of political and economic systems) and “Notes towards the Definition of Culture” (on culture, its meaning, and the dangers threatening the legacy of the Western world).

    Terry Eagleton's Tragedy provides a major critical and analytical account of the concept of 'tragedy' from its origins in the Ancient world right down to the twenty-first century.A major new intellectual endeavour from one of the world's finest, and most controversial, cultural theorists.Provides an analytical account of the concept of 'tragedy' from its origins in the ancient world to the present day.Explores the idea of the 'tragic' across all genres of writing, as well as in philosophy, politics, religion and psychology, and throughout western culture.Considers the psychological, religious and socio-political implications and consequences of our fascination with the tragic.