Louis Armstrong has been called the most influential jazz musician of the century. Together this auspicious pairing has resulted in Satchmo, one of the most vivid and fascinating portraits ever drawn of perhaps the greatest figure in the history of American music. Available now at a new price, this text-only edition is the authoritative introduction to Armstrong's life and art for the curious newcomer, and offers fresh insight even for the serious student of Pops.

    The Bourgeois Gentleman, Moliere's classic treatment of snobbery, presents Monsieur Jordain's obsessive desire to move up out of the ranks of the middle class and associate with the gentry.

     In the cult classic movie-turned-Broadway production, the eternally optimistic protagonist of Waitress expresses her hopes, dreams, fears, and frustrations through the whimsically named pies she bakes each morning. Sugar, Butter, Flour celebrates this art of baking from the heart, with foolproof and flavorful pies for seduction, pies for mending a broken heart, pies for celebrating new beginnings and pies for all the little milestones that come afterwards. Taking its inspiration from the iconic mile-high pies of the diner case, Sugar, Butter, Flour offers an array of showstopping pies, each with a twist that puts it over the top; from rum-spiked cookie crusts to hidden layers of passion fruit preserves, these are familiar favorites with hidden depths. The ideal gift for anyone who has ever eaten her feelings or baked away the blues, Sugar, Butter, Flour proves there's a perfect pie for every occasion - and that everything looks better with pie.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Telling jokes for money offers an escape from the building site or the milk round. But the humour is a deadly serious business that also involves anger, pain and truth.' Financial Times'Trevor Griffiths has not shown his brilliance as a writer more clearly than in Comedians.' Daily Telegraph

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    We form Art. Art forms us. The title of this book has a dual meaning. Besides the expected discussion of the various forms of art, the title also reflects the fact that art does indeed help to form us as people. As we create forms, we are in turn formed by what we have created. Several years ago, the title was changed to "Preblesa Artforms," acknowledging the pioneering contribution of the original authors, Duane and Sarah Preble, to the study of art. Their vision and spirit have touched hundreds of thousands of students who have studied this book. "Artforms "grew out of a desire to introduce art through an engaging visual experience, and to expose students to a culturally diverse canon of work. It is written and designed to help readers build an informed foundation for individual understanding and enjoyment of art.By introducing art theory, practice, and history in a single volume, this book aims to draw students into a new or expanded awareness of the visual arts. Beyond fostering appreciation of major works of art, this booka s primary concern is to open studentsa eyes and minds to the richness of the visual arts as unique forms of human communication and to convey the idea that the arts enrich life best when we experience, understand, and enjoy them as integral parts of the process of living.

    Symbolist poets and writers — Stéphane Mallarmé and Maurice Maeterlinck among them — defended the play's literary brilliance. Beyond its notoriety, the drama's haunting poetic imagery, biblical cadences, and febrile atmosphere have earned it a reputation as a masterpiece of the Aesthetic movement of fin de siècle England.Written originally in French in 1892, this sinister tale of a woman scorned and her vengeance was translated into English by Lord Alfred Douglas. The play inspired some of Aubrey Beardsley's finest illustrations, and an abridged version served as the text for Strauss' renowned opera of the same name. This volume reprints the complete text of the first English edition, published in 1894, and also includes "A Note on Salomé" by Robert Ross, Wilde's lifelong friend and literary executor. Students, lovers of literature and drama, and admirers of Oscar Wilde and his remarkable literary gifts will rejoice in this inexpensive edition.

    Love in the Dark'One of the most exciting, new and absolutely original aspects of Carr's writing is the manner in which the sexism of the language and religious imagery is exposed... Marina Carr is a playwright to be watched.' Sunday TribuneThe Mai'The writing is at once gentle and raucous... capable of articulating deep-seated woes and resentments in a manner you rarely find outside Eugene O'Neill.' ObserverPortia Coughlan'A play of precocious maturity and accomplishment.' Irish Times'Portia Coughlan packs a hell of a punch. It hurts to look at it. But it has to be seen.' Irish IndependentBy the Bog of Cats...'A poetic realism steeped in the past... Carr has an extraordinary ability to move between the mythic and the real.' Guardian'A great play... a great work of poetry... the word should soon carry across both sides of the Atlantic.' Independent

    The tragicomedy of race, class, manners and naivete of liberalism.

    The author's enthusiasm for and knowledge of the current theatre, highlighted by contemporary production shots from around the world, put the students in the front row.

    Growing up in a big, rambunctious family, all she’s ever wanted is a little peace and quiet. She may not love her job, but she knows what to expect from it. And maybe she’s never been head over heels for any of her boyfriends, but they’re stable and practical. In her world, a life well-lived is a life well-planned. And there is nothing that gets under her skin more than the chaotic energy of Brooke Nicholas.After an adolescence filled with unpredictability, Brooke Nicholas never got in the habit of expecting things. She managed to finish college, moved to Philadelphia, and lucked her way into working at a hip wine bar after graduation. Other than that, she takes life one day (or night) at a time, choosing to spend her time meeting new people and enjoying the moment.Kennedy and Brooke have circled around one another for years without growing close, and it takes getting stuck together during a post-graduation trip for Kennedy to finally realize she may have only scratched the surface where Brooke is concerned. A growing friendship, an abandoned puppy, and no one to act as a buffer between them is going to upend a lot of ideas Kennedy had about her perfectly crafted world. And it’s going to terrify Brooke because, for the first time in her life, she feels like maybe she’s found a home.

    Bound in genuine leather w/gilt edges. Illustrations by C.E. and H.M. Brock. From the book "This book is printed on archival quality paper especially milled for this edition. It is acid-neutral and conforms to all guidelines established for permanence and durability by the Council of Library Resources and the American National Standards Institute." The copyright is 1996 by The Easton Press (MBI, Inc.).

    He is also an accomplished screenwriter who has in the past few years turned his hand to writing plays. The results, collected here, hilariously explore serious questions of love, happiness and the meaning of life; they are rich with equal parts of pain and slapstick humour, torment and wit.

    She’s completely fascinated and attracted by the striking planes and angles of his unusual face, and can’t resist sneaking out her pencil when he’s not looking. Security consultant Mick Hollister is used to women looking at his ugly mug – but not with the genuine pleasure he sees in the face of the girl with the charcoal-smudged fingers and terrible skills at covert surveillance. A security breach brings the two into fast and furious collision, and an unlikely friendship begins to blossom. And an even more unlikely – and very reluctant – love. Introvert Sophy is content with her independence and solitude. She’s never looked for a long-term relationship, and isn’t sure she wants one now. Mick, apparently born with a face that not even a mother could love, has given up all hope of having one. They have nothing in common. They shouldn’t even like each other. And they can’t stay away from one another.