This initial volume collects the first two years of stories from Dave Sim's 300-issue magnum opus. Don't be discouraged by the initially crude artwork or the silliness of the stories. It gets better--even noticeably within this volume. This first installment is the most valuable in preparing for the larger stories ahead.When we first meet Cerebus--a small, gray, and chronically ill-tempered aardvark--he is making his living as a barbarian. In 1977, when the Cerebus comic book series began, Sim initially conceived of it as a parody of such popular series as Conan, Red Sonja, and Elric but quickly mined that material and transformed the scope of the series into much more. Even by the end of this volume, the Cerebus story begins to transform beyond "funny animal" humor into something much more complex and interesting. High points in Cerebus include the introduction of Lord Julius, the dictator of Palnu, who looks, acts, and talks just like a certain cigar-smoking, mustachioed comedian; Jaka, Cerebus's one true love; Elrod the Albino, an innept swordsman; and the Cockroach, the-mother-of-all-superhero-parodies and "inspiration" for the much-later TV and comic character--the Tick. All of these characters appear later on in the series as part of a constantly present ensemble of supporting figures.Even if Cerebus doesn't knock your socks off, give its successor, High Society a try, as this is where the plot really gets going.

    Old Cho, a disturbed old man with psychic powers, takes control of an apartment complex and causes the tenants to kill themselves or others, but is finally challenged by Etsuko, a young girl with her own psychic talents.

    It won the Guardian First Book Award 2001, the first graphic novel to win a major British literary prize.It is the tragic autobiography of an office dogsbody in Chicago who one day meets the father who abandoned him as a child. With a subtle, complex and moving story and the drawings that are as simple and original as they are strikingly beautiful, Jimmy Corrigan is a book unlike any other and certainly not to be missed.**ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY**

    In 1989, a prescient Chris Oliveros created D+Q with a simple mandate to publish the worlds best cartoonists. Thanks to his taste-making visual acumen and the support of over fifty cartoonists from the past two decades, D+Q has grown from an annual stapled anthology into one of the world's leading graphic novel publishers. With hundreds of pages of comics by Drawn & Quarterly cartoonists, D+Q: 25 features new work by Kate Beaton, Chester Brown, Michael DeForge, Tom Gauld, Miriam Katin, Rutu Modan, James Sturm, Jillian Tamaki, Yoshihiro Tatsumi alongside rare and never-before-seen work from Guy Delisle, Debbie Drechsler, Julie Doucet, John Porcellino, Art Spiegelman, and Adrian Tomine, and a cover by Tom Gauld. Editor Tom Devlin digs into the company archives for rare photographs, correspondence, and comics; assembles biographies, personal reminiscences, and interviews with key D+Q staff; and curates essays by Margaret Atwood, Sheila Heti, Jonathan Lethem, Deb Olin Unferth, Heather O'Neill, Lemony Snicket, Chris Ware, and noted comics scholars.D+Q: 25 is the rare chance to witness a literary movement in progress; how a group of dedicated artists and their publisher changed the future of a century-old medium.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    After dislocating his arm, a young boy is taken to see a doctor - an aged osteopath who was once the doctor of legendary gangster Al Capone.

    Taking shots at Batman, Wonder Woman, and the Green Lantern, this rare and hilarious sarcastic look at the super-hero world includes comical tales of the search for a babysitter for a young Superman, Supergirl and Mary Marvel's troubles finding a good man, and the Man of Steel's hopeless battle with a Superman-hating creature dwelling on an orbiting space station.

    Fletcher Hanks worked for only a few years in the earliest days of the comic book industry (1939-1941). Because he worked in a gutter medium for second-rate publishers on third-rate characters, his work has been largely forgotten. But among aficionados he is legendary. At the time, comic books were in their infancy. The rules governing their form and content had not been established. In this Anything Goes era, Hanks' work stands out for its thrilling experimentation. At once both crude and visionary, cold and hot as hell, Hanks' work is hard to pigeon hole. One thing is for certain: the stuff is bent. Hanks drew in a variety of genres depicting science-fiction saviors, white women of the jungle, and he-man loggers. Whether he signed these various stories "Henry Fletcher" or "Hank Christy" or "Barclay Flagg" there is no mistaking the unique outsider style of Fletcher Hanks.Cartoonist Paul Karasik (co-adapter of Paul Auster's City of Glass, and co-author of The Ride Together: A Memoir of Autism in the Family) has spent years tracking down these obscure and hard to find stories buried in the back of long-forgotten comic book titles. Karasik has also uncovered a dark secret: why Hanks disappeared from the comics scene. This book collects 15 of his best stories in one volume followed by an afterword which solves the mystery of "Whatever Happened to Fletcher Hanks," the mysterious cartoonist who created a hailstorm of tales of brutal retribution...and then mysteriously vanished.2008 Eisner Award WINNER: Best Archival Collection/Project — Comic Books2008 Eisner Award Nominee: Best Short Story, "Whatever Happened to Fletcher Hanks?" by Paul Karasik

    Just see what their mothers have to say!"Dave is a nice, young man with a bright future ahead of him. I always knew he was a gifted boy who would go on to do great things. I hope he settles down with a nice, young woman and ****s the **** out of her."—Dave's mom"I don't know how to get computer pictures, so I'm glad Kris finally has a book out. I haven't read it yet, but I hope he gives me a quote on the back."—Kris's mom"I hope Robert's book does well so he can finally afford to move out. He plays his hip-hop music too loud."—Rob's momMatt's mom was unavailable for a quote due to being dead.

    In this dark rendition, a greedy Geppetto builds Pinocchio as a metallic weapon of war, while Jiminy Cockroach is a homeless squatter living the good life in Pinocchio's skull. Critically acclaimed, Pinocchio won the Grand Prize at France's Angouleme comics festival in 2009. Exquisite drawings by celebrated cartoonist Winshluss bring to life a rich tale of greedy fools, lust, sadness, redemption, and hope. Teamed with brilliant colorist Cizo, Winshluss creates an epic adventure through a lush world. As we follow Pinocchio along the way, the stories and vinettes intertwine, offering subtle political critiques and send ups of popular culture. We meet seven sleazy dwarves, follow Jiminy's struggles as a novelist, watch a blind tramp find God, and see the innocent, yet powerful Pinocchio encircled by those who would use him for their own ends. Winshluss has perfected the wordless comic. Each page is perfectly composed - not a panel is wasted. The artwork is primarily done in pen and ink, and watercolor but switches to paint for larger splash panels. The art also references a terrific range of illustrative styles and history in the story from late 18th century pen and ink, to early French film pioneer Georges Melies, through early Disney, and underground comix. Born in 1970, Winshluss is the creator of numerous comics and graphic novels that have garnered awards and acclaim across Europe. Winshluss is the pen name of Vincent Parronnaud, perhaps best known as co-director of the animated film Persepolis (with Marjane Satrapi), which won the Jury Prize at Cannes and was nominated for numerous awards, including the Academy Award, Golden Globe and Cannes' Palm d'Or. Currently, he and Satrapi are teaming up again to adapt Satrapi's 2006 book "Chicken with Plums.""

    In addition to superb storytelling and wonderful entertainment, he left behind a character who was not only rich in his stories, but one for whom the stories themselves were rich. Modern master Don Rosa, beginning in 1994, undertook the task of recounting Uncle Scrooge's past in a serialized epic. The wonderful result of his efforts is now collected in trade paperback form by Gemstone Publishing as THE LIFE & TIMES OF SCROOGE McDUCK.A collection of the celebrated 12-part Eisner Award-winning series that details the life of the young Uncle Scrooge. The story was originally serialized in the United States in Uncle Scrooge comics. Now it has been collected in one all-encompassing popularly-priced volume.

    The inaugural volume includes stories culled from graphic novels, pamphlet comics, newspapers, magazines, mini-comics, and the Web.Contributors include Robert Crumb, Chris Ware, Kim Deitch, Jaime Hernandez, Alison Bechdel, Joe Sacco, and Lynda Barry—and unique discoveries such as Justin Hall, Esther Pearl Watson, and Lilli Carré.

    Bloom County ran from December 8th, 1980 to August 6th, 1989 and was published in an astounding 1200 newspapers on a daily basis. The huge popularity of Bloom County spawned a merchandizing bonanza, as well as two spin-off strips, Outland and Opus.The Bloom County Library Volume 1 highlights the first time the entire run of the immensely popular Bloom County strip has been collected in beautifully designed hard cover books with exceptional reproduction.The Library of American Comics is the world's #1 publisher of classic newspaper comic strips, with 14 Eisner Award nominations and three wins for best book. LOAC has become the gold standard for archival comic strip reprints...The research and articles provide insight and context, and most importantly the glorious reproduction of the material has preserved these strips for those who knew them and offers a new gateway to adventure for those discovering them for the first time." - ScoopWinner of the 2010 Eisner Award for Best Archival Collection/Project--Strips

    Big Baby is a particularly impressionable young boy named Tony Delmonte, who lives in a seemingly typical American suburb until he sneaks out of his room one night and becomes entangled in a horrific plot involving summer camp murders and backyard burials. Burns' clinical precision as an artist adds a sinister chill to his droll sense of humor, and his affection for 20th-century pulp fiction permeates throughout, creating a brilliant narrative that perfectly captures the unease and fear of adolescence.

    Times“Stunning Volume” - Garry TrudeauBeginning with the first page, a collection of Nemo Adventures, 1905-1910.128 pages, 16 x 21 inchesHere are the dreams of all children, worlds of fantasy, humor, terror, and grand adventure. It was the greatest comic strip of its day, perhaps the greatest of all time, acclaimed the world over for its artistic majesty, unbounded imagination, and ground-breaking techniques that helped define a new art form. But since its debut 100 years ago, it has been all but impossible to view these masterpieces in their original size and colors.LITTLE NEMO IN SLUMBERLAND...can now be seen as creator Winsor McCay intended: full broadsheet-sized and with glorious colors. The digitally-restored prints presented in incredible detail displaying the superb draftsmanship of the prolific McCay. Enjoy the Sunday morning experience shared by millions a century ago. Again, for the first time.