For thousands of years humans have fashioned stories about divine beings to explain their most mysterious, terrifying, and exalted experiences. Today the names of many of these deities have fallen into obscurity. The Dictionary of Ancient Deities brings these gods and goddesses back to light. Here, in one superbly written volume, is every known divine being throughout recorded history, from Athena and Brahma to the evil demon king Ngworekara of the African Fan people and the Babylonian dream messenger Zaqar. With over 10,000 entries, The Dictionary of Ancient Deities is the most comprehensive reference of its kind, covering not only gods and goddesses, but also spirits, places, festivals, sacred texts and objects, heroes, monsters, demigods, and the plethora of fantastic mythical beasts that have populated the human imagination from time immemorial. The encyclopedia also includes many deities often missing from standard collections, notably from Inuit, Native American, and African cultures. Alphabetically arranged entries provide the name of each deity (with alternate spellings), followed by the tribe or culture that worshipped the deity. Most importantly, the entries--whether brief descriptions or longer essays--offer lucid and engaging explanations of the origins and functions of the god or goddess. With a comprehensive index and an extensive bibliography, The Dictionary of Ancient Deities is the best choice for anyone intrigued by the rich pantheon of divine beings that have mirrored the human psyche and shaped our earliest civilizations.

    Every people or nation has its own way of experiencing this psychic reality, and so a study of the world's fairy tales yields a wealth of insights into the archetypal experiences of humankind. Perhaps the foremost authority on the psychological interpretation of fairy tales is Marie-Louise von Franz. In this book—originally published as An Introduction to the Interpretation of Fairy Tales —she describes the steps involved in analyzing and illustrates them with a variety of European tales, from "Beauty and the Beast" to "The Robber Bridegroom." Dr. von Franz begins with a history of the study of fairy tales and the various theories of interpretation. By way of illustration she presents a detailed examination of a simple Grimm's tale, "The Three Feathers," followed by a comprehensive discussion of motifs related to Jung's concept of the shadow, the anima, and the animus. This revised edition has been corrected and updated by the author.

    In Mary Magdalene, Bride in Exile Starbird examines the many faces of Mary Magdalene, from the historical woman who walked with Jesus in the villages of Judea to the mythic and symbolic Magdalene who is the archetype of the Sacred Feminine. Starbird reveals exciting new information about the woman who was the most intimate companion of Jesus and offers historical evidence that Mary was Jesus’ forgotten bride.Expanding on the discussion of medieval art and lore introduced in her bestselling book The Woman with the Alabaster Jar, Starbird sifts through the layers of misidentification under which the story of the Lost Bride of Christ has been buried to reveal the slandered woman and the “exiled” feminine principle. She establishes the identity of the historical female disciple who was the favored first witness of the Resurrection and provides an interpretation of Mary’s true role based on prophecy from the Hebrew scriptures and the testimony of the canonical gospels of Christianity. Balancing scholarly research with theological reflection, she takes readers deeper into the story and mythology of how Magdalene as the Bride embodies the soul’s own journey in its eternal quest for reunion with the Divine.

    Did some divine power create the first couple? Religious scriptures the world over aver that one or the other god gave birth to humans, but science has not yet identified any supernatural power that created and governed human beings. Did primeval humans come up with the idea of gods to help them cope with their fears? Could it be that they attributed natural phenomena — unfathomable and frightening to them — to the working of invisible gods? The Evolution of Gods uses modern science to explain why, when and how religions and gods became the desirable explanations of the inexplicable events. It describes anthropological and historical facts about the evolution of religions and gods, in a simple and straightforward manner, to assert that human imagination created gods, and not the other way around.The book begins with the epoch when the human race came into being, between 400,000 and 200,000 years ago. Around 100,000 years ago, humans invented language and began to discuss and analyze each happening around them. Whatever they could not comprehend, their priest attributed to some unseen power. At one point in time, we do not know exactly when it happened, humankind began an activity called worship. Humans began to worship each seen or unseen power, which was beyond their control, but could either harm or help them. They believed that worship protected them and sought the blessings of that power. Priests all over the world invented almost identical methods of worship, such as folding their hands, bowing, kneeling, flowers offering, prayers and sacrifices. For example, anthropologists have drawn that ancient humans had largely inadequate protection against cold; their survival largely deepened upon available sunlight—something beyond their control. In that scenario, solar worship was a logical outcome. In a similar manner, the humans found thunder and lightning inexplicable and frightening. Gradually, they began to worship the sky as god. There is enough historical evidence to assert that the ancestors of Hindus, Buddhists, Jews, Christians and Muslims, before their religions came into practice, worshipped the sun and the sky. Thus, history demonstrates that whenever humankind faced a new challenge, priests invented a more useful deity and consigned the older one to oblivion. For example, around three thousand years ago, cultivation provided several facilities to humans that paved the way for a population explosion. At the same time, farming exposed people to pets, rodents, mosquitoes, houseflies and parasites. All these factors together gave rise to altogether new diseases such as cholera, tuberculosis, typhoid and plague. Apart from these diseases, population explosion also gave rise to social diseases such as poverty, inequality, injustice, crime and exploitation. All these together forced people to lead a miserable life no better than hell. Around this time, a few geniuses such as the Buddha, Moses and Jesus discovered the causes and remedies of human sufferings. For example, Moses suggested ten morals, sacrifices and prayers to protect people from their miseries. The contemporary priests transcribed prayers, rituals, myths, allegories and morals preached by these prophets after their death. The Holy Scriptures, such as the Vedas and the Bible were the compilations of such writings. These books advised worship, sacrifices, magic or morals to eradicate human miseries. The Suffering masses had no option but to follow those advices. These scriptures fashioned the organized religions of today. Let us think for a moment why there are many religions and there is only one science on the Earth. There is one concrete reason behind this irony; about one thing or concept there is only one truth but there can be many lies. This book is an effort to light a candle in the darkest corner of human consciousness.

    These unique temples are not just places of worship, but living museums of architectural wonders, mind-boggling sculptures, graceful dances, colourful crafts and many other cultural activities. More than anything, they are treasure troves of lore and legend, teeming with tales of gods and goddesses, demons and devotees, plants and beasts, the magical and the mysterious – all just waiting to be discovered by you. Join Sudha G. Tilak as she takes you on an unusual journey to the country’s most sacred places, where the lines between fact and faith are blurred and stories come alive!

    For more than a billion people living in India and abroad, Hinduism is the religion and a way of life. In this book Swami Achuthananda cracks open the opium poppy pods, analyzes the causes for euphoria, and comes away with a deeper understanding of the people and their religion.This is a comprehensive book on Hinduism. It tells you why Hindus do the things they do - and don't. Written in a casual style, the book guides you through the fundamentals of the religion. It then goes further and debunks a number of long-standing myths, some of them coming from the academia (of all places). While most books shy away from contentious issues, this book plunges headlong by taking on controversies, like the Aryan Invasion Theory, idol worship, RISA scholarship and many more. In fact one-third of the book is just on controversies that you rarely find in any other literature.

    But a vengeful ancient spirit has returned to shatter the peace. With the help of magical powers, he has possessed a young man and mobilised black yogis to destroy the NINE. Plucked from their ordinary lives, empowered with special abilities, Tara, Akash and Zubin are swept into an occult world of kala yogis and siddhis to fight an ancient warrior spirit...NINE will take you on a riveting journey from Europe to India to America and a deadly climax in Cambodia.http://amzn.to/2xZhvKn

    S. Eliot as one of the chief sources for his great poem "The Waste Land," Jessie L. Weston's From Ritual to Romance remains a landmark of anthropological and mythological scholarship. In this book she explores the origins of the Grail legend, arguing that it dates back to a primitive vegetation cult and only later was shaped by Celtic and Christian lore.To prove her thesis, Weston unites folkloric and Christian elements by using printed texts to prove the parallels existing between each and every feature of the legend of the Holy Grail and the recorded symbolism of the ancient mystery cults. Specifically, she finds the origin of the Grail legend in a Gnostic text that served as a link between such cults and later Celtic and Christian elaborations of the myth.With erudition and critical acumen, the author provides illuminating insights into diverse aspects of the legend: the task of the hero; the freeing of the waters; medieval and modern forms of nature ritual; the symbols of the cult (cup, lance, sword, stone, etc.); the symbolism of the fisher king; the significance of such deities as Tammuz, Adonis, Mithra, and Attis; the meaning of the adventure of the Perilous Chapel in Grail romances; and much more.Awarded the Crawshay Prize in 1920, this scholarly yet highly readable study will interest any student of the Arthurian legends, mythology, ancient religion, and Eliot's poetry.

    Combining Indian myths, epic history, and the story of three college kids in search of America, a narrative includes the monkey's story of an Indian poet and warrior and an American road novel of college students driving cross-country.

    In Arrow of the Blue-Skinned God, anthropologist and journalist Jonah Blank gives a new perspective to this Hindu classic -- retelling the ancient tale while following the course of Rama's journey through present-day India and Sri Lanka. Ultimately, Blank's journey -- like that of Lord Rama -- evolves into a quest: to understand the chimerical essence of India itself, in all its overwhelming beauty and paradox. "Quite possibly the most perceptive book that I have come across on India since the British Raj ended." -- Pranay Gupte, The Washington Post"What Hollywood attempted on the big screen with casts of thousands in Gandhi and A Passage to India, Jonah Blank has achieved in 350 stylistically rich pages." -- Los Angeles Times"This informative and entertaining book is something to be thankful for." -- The New York Times Book Review

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Somewhere along the line, she realised, she had lost herself - and so began her long journey back to authenticity, rootedness in place and belonging. In this extraordinary book of myth, memoir and modern-day mentors (from fashion designers to lawyers), Blackie faces the wasteland of Western culture, the repression of women, and the devastation of our planet. She boldly names the challenge: to reimagine women's place in the world, and to rise up, firmly rooted in our own native landscapes and the powerful Celtic stories and wisdom which sprang from them.A haunting heroine's journey for every woman who finds inspiration and solace in the natural world.

    A "Who's Who" of fairyland, with entries by fairy name and additional legends, songs, and anecdotes within each entry.

    Maya, their gifted architect, had created for them three cities fortified with iron, silver and gold and the great lord Brahma himself had decreed that these cities would be indestructible, unless struck by a single arrow. The three cities, known together as Tripura, orbited the earth and only once in a thousand years fell in a straight line, directly one above the other. Would Shiva be waiting to destroy them with a twang of his deadly bow?

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.