King, author of the New York Times-bestselling Mary Russell series (in which Holmes plays a co-starring role), and Leslie S. Klinger, editor of the New Annotated Sherlock Holmes, have assembled a stellar group of contemporary authors from a variety of genres and asked them to create new stories inspired by that canon. Inside you ll find Holmes in times and places previously unimagined, as well as characters who have themselves been affected by the tales of Sherlock Holmes. The game is afoot again!

    Fierce and independent, she drifts from place to place with her mother’s rock band until an ominous attack forces Kaye back to her childhood home. There, amid the blue-collar New Jersey backdrop, Kaye finds herself an unwilling pawn in an ancient and violent power struggle between two rival faerie kingdoms—a struggle that could very well mean her death. In Valiant, the companion to Tithe, seventeen-year-old Valerie runs away to New York City, trying to escape a life that has utterly betrayed her. Sporting a new identity, she takes up with a gang of squatters who live in the city’s labyrinthine subway system. But there’s something eerily beguiling about Val’s new friends. When one talks Val into tracking down the lair of a mysterious creature, Val finds herself torn between her affection for an honorable monster and her fear of what her new friends are becoming. In Ironside, the sequel to Tithe, the time has come for Roiben’s coronation. Uneasy in the midst of the malevolent Unseelie Court, pixie Kaye is sure of only one thing—her love for Roiben. But when Kaye drunkenly declares herself to Roiben, he sends her on a seemingly impossible quest to find a faerie who can tell a lie. Unable to see Roiben until she has fulfilled his quest, Kaye finds herself in the center of the battle of wits and weapons being waged over his throne.This omnibus combines all three books into one.

    A poisoned apple and a monkey's paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan's wing; and a house deep in the forest, constructed of gumdrops and gingerbread, vanilla frosting and boiled sugar. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away, the mythic figures of our childhoods and the source of so much of our wonder are transformed by Michael Cunningham into stories of sublime revelation. Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans. Re-imagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.

    At twenty-eight, Hannah MacFarlane's career is on course to smash the glass ceiling and beat it into submission. Then a shock company reshuffle leaves her sacked and bewildered, while her fiancé is promoted into a job nearly 5,000 miles away in Dubai. Five months later, she is jobless, broke and worryingly addicted to Loose Women. Then her older sister Suzy intervenes after her child minder left them in the lurch and offers Hannah the job of looking after her FOUR young children. Hannah has no other option but to accept. But while she was great at playing 'Cool Auntie', she soon discovers - with riotous consequences - that she is no Mary Poppins . . .

    A dangerous time for a woman to be different . . .Midsummer’s Eve, 1648, and England is in the grip of civil war between renegade King and rebellious Parliament. The struggle reaches every corner of the kingdom, even to the remote Tidelands – the marshy landscape of the south coast. Alinor, a descendant of wise women, crushed by poverty and superstition, waits in the graveyard under the full moon for a ghost who will declare her free from her abusive husband. Instead she meets James, a young man on the run, and shows him the secret ways across the treacherous marsh, not knowing that she is leading disaster into the heart of her life.Suspected of possessing dark secrets in superstitious times, Alinor’s ambition and determination mark her out from her neighbours. This is the time of witch-mania, and Alinor, a woman without a husband, skilled with herbs, suddenly enriched, arouses envy in her rivals and fear among the villagers, who are ready to take lethal action into their own hands.

    The truth is, I have a potential bomb in my bag, and who knows when or where it will go off’   When her daughter Beth dies suddenly, Peggy Andrews is left to pick up the pieces and take care of her granddaughter Flo. But sorting through Beth’s things reveals a secret never told: Beth was sick, with the same genetic condition that claimed her father’s life, and now Peggy must decide whether to keep the secret or risk destroying her granddaughter’s world.   Five years later, Flo is engaged and ready to pack up her life and move to New York with her high-flying fiancé. Peggy never told Flo what she discovered, but with Flo looking towards her future, Peggy realises it’s time to come clean and reveal that her granddaughter’s life might also be at risk.   As Flo struggles to decide her own path, she is faced with the same life-altering questions her mother asked herself years before: If a test could decide your future, would you take it?  An emotional, inspiring and uplifting novel about living life to the fullest, IF YOU WERE HERE will break your heart and put it back together. The brand new novel from the acclaimed author of A Song for Tomorrow, perfect for fans of Hannah Beckerman, Dani Atkins and Jill Mansell

    The stories have been selected and introduced by Haruki Murakami.

    Beautiful, evocative and playful, the stories of "How the Whale Got His Throat" or "The First Letter Written" paint a magical, primal world. It is also deeply rooted in British colonialism. Kipling saw the Empire as a benign, civilizing force, and his writing can be troubling to modern readers. Not So Stories attempts to redress the balance, bringing together new and established writers of color from around the world to take the Just So Stories back; giving voices to cultures that were long deprived them.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    New anthology from the critically-acclaimed editor of Engineering Infinity.SPACE IS DANGEROUS The greatest threat, to those who dare venture among the stars, isn’t from aliens, or enemy nations, or cosmic forces from outside reality, but from the simple things on which our lives in space are built: the engines and control systems, the machines that provide our atmosphere, our gravity, even our food and water.Mission Critical tells the stories of when the machines go wrong.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    

    Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    Adrienne is living in a puritanical age, when the best compliment a childless woman can get is: 'You'd make a terrific mother'. That's when she goes to her friends' Labor Day picnic and accidentally kills their baby.The shock of this scene is expertly packed into two brief paragraphs. What follows is Adrienne's retreat from life and her attempt to return to it.Her sharp scepticism about the people around her is achingly funny. Yet beyond derision there is forgiveness and something along the lines of love.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    Featuring new fiction by Mary Robinette Kowal, E. Lily Yu, Shveta Thakrar, Charlie Jane Anders, Delilah S. Dawson, and Sarah Monette, classic fiction by Scott Lynch, essays by Natalie Luhrs, Sofia Samatar, Michael R. Underwood, and Caitlín Rosberg, poetry by C. S. E. Cooney, Bryan Thao Worra, and Sonya Taaffe, interviews with E. Lily Yu and Delilah S. Dawson by Deborah Stanish, a cover by Antonio Caparo, and an editoral by Lynne M. Thomas and Michael Damian Thomas.