. . that blurs the boundaries between life and performance, dance, art, and viral video.”—Slate“Deftly blending highbrow intellectual concerns with the informality of Facebook-era communiqués, Browning’s newest is as entertaining as it is thought-provoking.”—Publishers Weekly, starred reviewIn the midst of Occupy, Barbara Andersen begins spamming people indiscriminately with ukulele covers of sentimental songs. A series of inappropriate intimacies ensues, including an erotically charged correspondence and then collaboration with an extraordinarily gifted and troubled musician living in Germany.Barbara Browning teaches in the Department of Performance Studies at the Tisch School of the Arts, NYU. She received her PhD in Comparative Literature from Yale University. She is the author of the novels The Correspondence Artist (winner of a Lambda Literary Award) and I’m Trying to Reach You (short-listed for The Believer Book Award). She also makes dances, poems, and ukulele cover tunes.

    But when you are moonlighting for a secret organisation aiming to destroy all evidence of the paranormal, whilst working as a parapsychologist at the world renowned Diederich Institute of Parapsychology, things are bound to get complicated. Throw into that mix an uncanny ability for mind control, her baffling spirit guide, a fake clairvoyant mother, as well as some naked dead bodies, and mayhem ensues. Iona is forced out of the safe world of Edinburgh academia by her new Texan boss and is suddenly in the field, exploring a small Scottish town that believes the Beast of Badnoch is behind the spate of recent disappearances. Will her dishy colleague Andy find out that the psychic he’s investigating is her mother? And will that change how he feels about her? In this, the first of the Iona Adair Scottish Mysteries, Iona finds out that the supernatural world is far more dangerous and expansive than she could possibly imagine, even if it does have some very charming characters, like blood drinking Henry, a bonafide ancient techno-geek. The supernatural world has never been funnier, sexier or more tartan.

    His work ranges from the deceptively simple and lyrical Songs of Innocence and their counterpoint Experience - which juxtapose poems such as 'The Lamb' and 'The Tyger', and 'The Blossom' and 'The Sick Rose' - to highly elaborate, apocalyptic works, such as The Four Zoas, Milton and Jerusalem. Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

    The liaison is caged by strict rules and rigid emotional distance. Nonetheless, it’s all too easy to surrender to an attraction so powerful she finds herself erased, abandoning even her own name in favor of a new one: Lilith.As Lilith grows closer to Matt, she begins to recognize the dark undertow of obsession and jealousy that her presence has created between Matt and Frances, and finds herself balancing on a knife’s edge between pain and pleasure, the promise of the future and the crushing isolation of the present. With stripped-down prose and unflinching clarity, Nash examines madness in the wreckage of love, and the loss of self that accompanies it. Nash's work has been featured in Cosmopolitan, Elle, Marie Claire and others.

    There, a curious assembly of painters, architects, writers and musicians strive to restore their faded talents. Elspeth 'Knell' Conroy is a celebrated painter who has lost faith in her ability and fled the dizzying art scene of 1960s London. On the island, she spends her nights locked in her blacked-out studio, testing a strange new pigment for her elusive masterpiece.But when a disaffected teenager named Fullerton arrives at the refuge, he disrupts its established routines. He is plagued by a recurring nightmare that steers him into danger, and Knell is left to pick apart the chilling mystery. Where did the boy come from, what is 'The Ecliptic', and how does it relate to their abandoned lives in England?

    —New York Times Book ReviewNo writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon ReviewProfound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers WeeklyThis is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew DickmanThe accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco ExaminerOver the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award.Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.

    A German princess who married a decadent and lazy Russian prince, Catherine mobilized support amongst the Russian nobles, playing off of her husband's increasing corruption and abuse of power. She then staged a coup that ended with him being strangled with his own scarf in the halls of the palace, and she being crowned the Empress of Russia.Intelligent and determined, Catherine modeled herself off of her grandfather in-law, Peter the Great, and sought to further modernize and westernize Russia. She believed that the best way to do this was through a ravenous acquisition of art, which Catherine often used as a form of diplomacy with other powers throughout Europe. She was a self-proclaimed "glutton for art" and she would be responsible for the creation of the Hermitage, one of the largest museums in the world, second only to the Louvre. Catherine also spearheaded the further expansion of St. Petersburg, and the magnificent architectural wonder the city became is largely her doing. There are few women in history more fascinating than Catherine the Great, and for the first time, Susan Jaques brings her to life through the prism of art.

    Whether it’s finding work or challenging injustice, Rosie squares her shoulders, sets her chin high and faces it full on. Born at the end of the nineteenth century, in the rural south of England and sent into service aged just twelve, Rosie quickly discovers that many good people spend their lives toiling for very little reward, whilst others ‘have it all’. She decides it won’t be like that for her. Why can’t she ride in a car? Why can’t she work when she’s pregnant? Why can’t she live in a nice flat? Why can’t she be an artist’s model? Whilst working as a housekeeper for two upper-class boys, Rosie starts to learn more and more about the world, gleaned from overheard conversations and newspapers left lying around. This triggers an ongoing thirst for knowledge, which shapes her views, informs her decisions and influences her future. Rosie aspires to have a better life than that of her parents: better living conditions, better working conditions and pay, better education for her children, to be able to vote, to be able to control how many children she has… Without realising it, this young woman is blazing a trail for all those who are to come after. Whilst working in London, Rosie meets her sweetheart Jim, but the The Great War puts paid to their plans for the future, and matters worsen afterwards, as she, along with the rest of society, tries to deal with the horrors and losses. This heart-warming story follows the events of the early twentieth century – the impact and horrors of WW1, the financial crisis and the rapid social and political changes that took place. All that remains of Rosie now is a quartet of paintings in an art gallery. The artist, now famous but the model, unnamed and forgotten; nobody of consequence. But everybody has a life story. Everybody leaves some kind of mark on this world. Everybody’s somebody. Praise for Everybody's Somebody ‘…see history unfold through the fierce and caring eyes of a woman in love' - Emily Murdoch 'In Everybody’s Somebody, Rosie’s colourful life is captured in a series of paintings, with Beryl Kingston applying the masterly brush strokes with her usual artistry and heart-warming style.' Danielle Shaw, author of Love and Sacrifice 'An interesting and informative historical novel with a fabulously feisty heroine. War, love, loss, class struggles, this great read has so much to offer!' Faith Bleasdale, author of Pinstripes Praise for Beryl Kingston “Beryl Kingston understands how to weave dialogue, character, theme and a thumping love affair into unity” – The Sunday Times ‘A new novel by the warm and observant Beryl Kingston is not to be missed. Each one is special’ - Elizabeth Buchan, bestselling author of The New Mrs Clifton Beryl Kingston was born in Tooting in 1931 and was evacuated during the war. She studied at King’s College London, qualified as a teacher and headed an English department. She was been a published author since 1980 and is a self-confessed ‘political animal’, taking part in street demonstrations and protests. She was also a beauty queen in 1947!

    This engrossing, beautifully crafted novel follows the fictional adventures, over a hundred years, of an early 20th-century painting and the women whose lives it touches. It opens with bold, passionate Gwen, struggling to be an artist, leaving for Paris where she becomes Rodin's lover and paints a small, intimate picture of a quiet corner of her attic room.Then there's Charlotte, a dreamy intellectual Edwardian girl, and Stella, Lucasta, Ailsa and finally young Gillian, who share an unspoken desire to have for themselves a tranquil golden place like that in the painting.Quintessential Forster, this is a novel about women's lives, about what it means and what it costs to be both a woman and an artist, and an unusual, compelling look at a beautiful painting and its imagined afterlife.

    While her body awaits transfer to the morgue, Harry is stunned to witness the corpse lurch off the bed and attack his staff. It’s not an isolated incident. Lysan Plague has crossed the species divide from bat to human and mutated with devastating effect. Burning across the country in a tide of bloody violence, it overwhelms an unprepared police force and government. Bite victims re-animate as plague ‘Carriers’, creatures lost to conscious thought, consumed by rage and an urge to feed on the non-infected. No-one is safe in the apocalypse, and only those who are willing to fight will survive. Harry forms an alliance with several other survivors, but will it be enough for them to hold out until the Army regroups to fight back?

    She does not know that her search will uncover secrets that will both shock and thrill her. Nor can she imagine the emotions and events which await her. Some comments from readers: We have just returned from holiday where I read this book. I must say that I really enjoyed it, and in parts I could not put it down. Lynne, Ilford, Essex I find Tainted Tree very interesting and readable. The way the plot is developed is very good, the reader can't put it down. Barbara, Haslemere, Surrey Great read - I really enjoyed it - genuinely interesting, compulsive reading and so relevant to what is happening today. Susan, Pirbright, Surrey I couldn’t put it down - it was a really interesting saga, beautifully written (a real ‘tear-jerker’ at times!) and I loved the characters, especially Addie. Joyce, Clacton-on-Sea, Essex I finished Tainted Tree and LOVED IT! Elizabeth, Illinois, USA Thoroughly enjoyed the book - I couldn't put it down and loved the ending. Celia, Pirbright, Surrey I have read Tainted Tree, despite meaning to save it for my holiday in August. I couldn't resist and read it straight away in great big chunks and really enjoyed it and the twists and turns and highs and lows of Addie's search. Maggie, Bisley, Surrey I’m just coming to the end of this book and I love it. Natasha, Zurich, Switzerland I’ve got to say - beautifully written - absolutely superb - I thoroughly enjoyed it. Mike, Pirbright, Surrey I thought the book was splendid. I thoroughly enjoyed it. Beryl, Hindringham, Norfolk I really loved it. I was absolutely riveted. Maggie, Woking, Surrey The book was excellent; made me cry near the end. Would have liked another chapter or two. Didn’t want to put it down. Theresa, Woking, Surrey I thoroughly enjoyed it. Sonia, Coulsdon, Surrey I’ve just come back from my holiday and I have been reading this book. It was very interesting and it made my holiday very enjoyable. Gillian, North London As to Tainted Tree I would absolutely recommend it. I found it a really interesting read, and after a few chapters couldn't put it down. It is an excellent study in human relationships in all their many forms, with a great feel for history, time and place. Barbara, Thames Ditton, Surrey Having just been on holiday, I took this book with me to read and I really enjoyed it. It was very good - a page turner. Beverley, Godalming, Surrey an excellent plot line … the author has spaced out her revelations to keep the interest going and the mystery developing. I wanted to know what would happen next - the pace was good, the writer’s ear for dialogue, excellent. Colin, Guildford, Surrey

     Specialist astronaut Evelyn Slater encounters a small, badly damaged, ancient, alien artefact (British spelling) on the first ever space-junk elimination mission. Where was it from? Who sent it? International governments impose a security clampdown. Evelyn leads a team of hand-picked scientists who make amazing discoveries within the alien device. Secrecy becomes impossible to maintain. When the news is finally released, she becomes embroiled in international politics, worldwide xenophobic hatred and violence. This is book one of Tony Harmsworth’s First Contact series of novels. If you like realistic near-future stories which compel you to imagine yourself as the protagonist, The Visitor is the book for you. The Visitor – science fiction written for the 'thinking' reader, and with a wicked twist. Buy it now and be transported into orbit. Recent review "This is unquestionably the finest first contact novel I have ever read. "All of the activity that takes place in outer space is realistic, well-informed yet easygoing. It is a completely plausible milieu and this adds considerably to the gravitas and integrity of the plot and its theme. "The whole first contact scenario is depicted in a fresh, innovative way. By this I mean the technological side of the process of discovery and analysis of the object; and also the nature, integrity and motivations of several pivotal characters. The behavior of other characters, of course, is sadly predictable, because this cannot be changed in any story one expects people to actually believe. "The way that conflict plays out is enormously satisfying to me. "I recommend this book very highly."

    It chronicles their experiences in parallel over the course of six years, unfolding the independent challenges they face while struggling to survive worlds apart from each other. This book club pick inspires readers to see that love, friendship, and faith can survive in spite of the most terrible circumstances.Dani and Keely imagined that life was more magical than others believed. If they had to be summed up, their one plus one would equal three. Together, they became something greater. It was twin sisters against the world. But the world had different plans. The man followed them to their secret tree house that unusually warm day in September. He only came for one, there and gone in the blink of an eye. Satan’s Garden takes you on the six-year journey of two sisters who learn what it means to survive. It’s a story of resiliency, hope, and above all, a bond that cannot be taken away. It teaches us how quickly life can change and yet how much of it we can change ourselves.

    Nine of the most rugged, handsome, down to earth men you could ever want to meet. Cowboys to the core, born and raised on Texas soil, they aren’t looking for love, but love finds them one at a time. Riding horses, checking fences, wrangling cattle, and loving women are what they are all about until their forever love walks into their lives. Whether it be at the local bar, The Dusty Boot, on a lonely backroad rescuing a woman in distress, or even if it’s someone they’ve known their whole lives, they aren’t ready to settle down. Love has other plans for them as each finds the woman they are meant to fall head over heels for. Follow along in this box set while the gorgeous cowboys from the Texas Hill Country work hard, play hard, and love harder.

    Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: The Bean Trees, Pigs in Heaven, the Poisonwood Bible, Animal Dreams, Prodigal Summer. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: The Bean Trees, first published in 1988, is the first book written by Barbara Kingsolver, followed by a sequel Pigs in Heaven. The protagonist of the novel, Taylor Greer, a native of Kentucky, finds herself in Oklahoma near Cherokee territory. The novel begins with a woman leaving a Cherokee infant with Taylor. The remainder of the novel traces the experiences of Taylor and the child, whom Taylor has named Turtle. Covering Turtle's early childhood, the story includes a colorful cast of characters, including a Guatemalan couple and Mattie, the owner of Jesus Is Lord Used Tires. The novel also makes reference to the issue of Native American parental rights. The Bean Trees opens in rural Kentucky. Taylor goes on to tell the story of how she is scared of tires. Taylor was the one to escape small-town life. She did so by avoiding pregnancy, getting a job working at the hospital, and saving up enough money to buy herself an old Volkswagen bug. About five years after high school graduation, she decides to go on a journey to see what life has to offer her. Her car breaks down in the middle of the Cherokee Nation in Oklahoma. As she sits in her car, getting ready to leave, a woman approaches and puts a baby in the front seat of Taylors car, telling her to take it. She tells Taylor she is the sister of the childs mother and that the baby was born in a Plymouth car. The woman leaves with no further explanation. Taylor is bewildered, but drives off with the child. They go to a hotel, and while bathing the baby, Taylor discovers that the baby, a girl, has been abused and sexually molested. She names the baby Tur...More: http: //booksllc.net/?id=138820