Parables for our times--with a hint of the reckless and the absurd that we have come to expect from Ha Jin--The Bridegroom offers tales both mischievous and wise.From the National Book Award-winning author of Waiting, a new collection of short fiction that confirms Ha Jin's reputation as a master storyteller.Each of The Bridegroom's twelve stories--three of which have been selected for inclusion in The Best American Short Stories--takes us back to Muji City in contemporary China, the setting of Waiting. It is a world both exotic and disarmingly familiar, one in which Chinese men and women meet with small epiphanies and muted triumphs, leavening their lives of quiet desperation through subtle insubordination and sometimes crafty resolve.In the title story, a seemingly model husband joins a secret men's literary club and finds himself arrested for the "bourgeois crime" of homosexuality. "Alive" centers on an official who loses his memory in an earthquake and lives happily for months as a simple worker; when he suddenly remembers who he is, he finds that his return to his old life proves inconvenient for everyone. In "A Tiger-Fighter Is Hard to Find," a television crew's inept attempt to film a fight scene with a live Siberian tiger lands their lead actor in a mental hospital, convinced that he is the mythical tiger-fighter Wu Song.Reversals, transformations, and surprises abound in these assured stories, as Ha Jin seizes on the possibility that things might not be as they seem. Parables for our times--with a hint of the reckless and the absurd that we have come to expect from Ha Jin--The Bridegroom offers tales both mischievous and wise.

    She has interwoven the earthiness of China and the harshness of immigrant life . . . to create a series of short stories that are at once pitiful, heartbreaking, funny, and deeply inspiring.”—Lisa See, author of Snow Flower and the Secret FanFrom the restaurants of New York’s Chinatown to the retail emporium of Bergdorf Goodman, and from remote Chinese military outposts to the streets of Beijing, the tremors of China’s rapid economic and cultural growth can be felt. As the characters in these stories struggle to find their way, a young girl discovers love amidst a sea of angry Red Guards, émigrés navigate New York’s relentless rat race, an ambitious businesswoman finds the meaning of success in her rival, and an old man returns to a Beijing he doesn’t recognize on a mission to restore his son-in-law’s flagging honor.Moving smoothly across political, cultural, and personal borders and between countries, continents, and languages, these stories open a window into the rapid transformations of an ancient culture and the soul’s thirst for adventure and harmony in a quickly changing world.Wang Ping was born in Shanghai and grew up on a small island in the East China Sea. After three years spent farming in a mountain village commune, she attended Beijing University. In 1985 she left China to study in the United States, earning her PhD from New York University. She is the acclaimed author of the short story collection American Visa, the novel Foreign Devil, two poetry collections: Of Flesh & Spirit and The Magic Whip, and the cultural study Aching for Beauty: Footbinding in China. She now lives in St. Paul, Minnesota, and teaches at Macalester College. Visit her website at www.wangping.com.

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald

    But China is occupied by invading Japanese forces, and in wartime things are not always what they seem.Jiazhi's life is a front. A patriotic student radical, her mission is to seduce a powerful employee of the occupying government and lead him to the assassin's bullet. Yet as she waits for him to arrive at their liasion, Jiazhi begins to wonder if she is cut out to be a femme fatake and coldly take Mr Yi to his death. Or is she beginning to fall in love with him?A passionate tale of espionage, deception and love, accompanied here by four further short stories by Eileen Chang.

    Never before had a fiction writer dealt with the Cultural Revolution in such Daoist-Confucian terms, discarding Mao-speak, and mixing both traditional and vernacular elements with an aesthetic that emphasized not the hardships and miseries of those years, but the joys of close, meaningful friendships. In The King of Chess, a student’s obsession with finding worthy chess opponents symbolizes his pursuit of the dao; in The King of Children—made into an award-winning film by Chen Kaige, the director of Farewell My Concubine—an educated youth is sent to teach at an impoverished village school where one boy’s devotion to learning is so great he is ready to spend 500 days copying his teacher’s dictionary; and in the title novella a peasant’s innate connection to a giant primeval tree takes a tragic turn when a group of educated youth arrive to clear the mountain forest. The King of Trees is a masterpiece of world literature, full of passion and noble emotions that stir the inner chambers of the heart.

    These flawlessly crafted stories—unflinching in their honesty, yet balanced with humor and compassion—take us into the small towns and dirt roads that are home to the people who make China run. In the title story, a shopkeeper confronts a child thief and punishes him without mercy. “Victory” shows a young couple shaken by the husband’s infidelity, scrambling to stake claims to the components of their shared life. “Sweltering Summer” centers on an awkward young man who shrewdly uses the perks of his government position to court two women at once. Other tales show, by turns, two poor factory workers who spoil their only son, a gang of peasants who bully the village orphan, and a spectacular fistfight outside a refinery bathhouse. With sharp language and a keen eye, Yu Hua explores the line between cruelty and warmth on which modern China is—precariously, joyfully—balanced. Taken together, these stories form a timely snapshot of a nation lit with the deep feeling and ready humor that characterize its people. Already a sensation in Asia, certain to win recognition around the world, Yu Hua, in Boy in the Twilight, showcases the peerless gifts of a writer at the top of his form.

    These are stories of ordinary people whom you have met - at work, during the daily commute, in your friend circles, or on social media. However, the stories have a twist or an element of thrill to them. They rip open the sheath of mundane lives and present you with raw, poignant, and profound vignettes of urban life. These stories attempt to capture the dramatic flipside of the banal existence of everyday people. As the editor defines them… The stories are the perfect mix of sensationalism out of the mundane, exhibitionism of what has been undercover, and the simple refinement of human thought perspectives. The words sway and dance, tantalizingly just out of reach, trying to entice the reader into that false lull of security until a twist comes that makes them wonder, ‘What did I just read?’

    Squeezing themselves between the gaps of rabid urbanization, patriarchal structures and a theocratic government, these women find their lives twisted in disturbing ways.In precise and disquieting prose, Ho Sok Fong draws her readers into a richly atmospheric world of naked sleepwalkers in a rehabilitation center for wayward Muslims, mysterious wooden boxes, gossip in unlicensed hairdressers, hotels with amnesiac guests, and poetry classes with accidentally charged politics―a world that is peopled with the ghosts of unsaid words, unmanaged desires and uncertain statuses, surreal and utterly true.

    The main content of ""Classic Echo: New Stories (English-Chinese)"" consists of preamble, sky healing, flying to the moon, water, plucking, swords, out customs, non-attack.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    Some stories have won awards; some have been included in various 'Year's Best' anthologies; some have been well reviewed by critics and readers; and some are simply Ken's personal favorites. Many of the authors collected here (with the obvious exception of Liu Cixin) belong to the younger generation of 'rising stars'.In addition, three essays at the end of the book explore Chinese science fiction. Liu Cixin's essay, The Worst of All Possible Universes and The Best of All Possible Earths, gives a historical overview of SF in China and situates his own rise to prominence as the premier Chinese author within that context. Chen Qiufan's The Torn Generation gives the view of a younger generation of authors trying to come to terms with the tumultuous transformations around them. Finally, Xia Jia, who holds the first Ph.D. issued for the study of Chinese SF, asks What Makes Chinese Science Fiction Chinese?.

    The stories in Years of Red Dusttrace the changes in modern China over fifty years from the early days of the Communist revolution in 1949 to the modernization movement of the late nineties all from the perspective of one small street in Shanghai, Red Dust Lane. From the early optimism at the end of the Chinese Civil War, through the brutality and upheaval of the Cultural Revolution, to the death of Mao, the pro-democracy movement and the riots in Tiananmen Square history, on both an epic and personal scale, unfolds through the bulletins posted and the lives lived in this one lane, this one corner of Shanghai.

    Young, reckless, and catapulted toward uncertain futures, here is the new face of Chinese youth on a quest for every kind of freedom.From a crowded apartment on Mott Street, where an immigrant family raises its first real Americans, to a pair of divers at the Beijing Olympics poised at the edge of success and self-discovery, Wang’s unforgettable characters – with their unusual careers, unconventional sex lives and fantastical technologies – share the bold hope that, no matter where they’ve come from, their lives too can be extraordinary.

    POST is a story about a group of friends, two of whom experience a collision two years apart.

    Outpost - A prelude to Blood on the Snow with Jack Hallam. The Emerald Graves - Lorn Mullone at the Battle of Vinegar Hill. Pipe and Drum - A tale of the Battle of Assaye seen through the eyes of a Highlander of the 78th Foot. Plains Wolf - Rifleman Arthur Cadoc impresses a certain Spanish Guerrillero. Summer is Coming - There is nothing more horrific than the horrors of the French retreat in icy Russia, 1812. The Diabolical Circumstance of Captain Bartholomew Chivers - A funny story in the vein of Harry Flashman. Flowers of Toulouse - A chilling story. Lamentation - A redcoat looks back on his life after the Battle of New Orleans. Enemy at the Gates - The bloody defence of Hougoumont. The Bravest of the Brave - Ney's final moments at Waterloo.