The Fuehrer had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised.In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Momuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.Focusing on the eleven-month period between D-Day and V-E Day, this fascinating account follows six Monuments Men and their impossible mission to save the world's great art from the Nazis.

    But try as she might, she can’t escape the spirits who haunt her. This time the ghost is Timmy, whose disappearance ten years earlier coincided with the abduction of several boys. His family is convinced he drowned, but Jesse suspects something more sinister. Until Timmy appeared, Jesse’s biggest problem was that her best friend, Maggie Keegan, aka Sister Angelina the Catholic nun, might not be allowed to be her maid of honor. But that pales in comparison to what Jesse faces now: Timmy was Maggie’s little brother. And Jesse knows that if Timmy is ever to find peace, he needs to reveal the mystery of his disappearance—which could subject Maggie and her family to some painful secrets and truths. As for Maggie? Well, she’s been navigating her own crisis of the heart and soul, as she tries to deal with—and resist—her deepening feelings for local cop Marty D’Amato. Learning about Timmy’s appearances only drives her further into confusion and anguish, but pray as she might, she’s finding no answers.To complicate things even more, Jesse’s investigation into the ten-year-old cold case has tapped into someone’s fear of being caught. She receives anonymous threatening notes, followed by a destructive attack on Bert, her beloved Volkswagen Beetle. And now, the mysterious assailant has escalated his attacks, putting Jesse in mortal danger. It looks like this time her spectral encounter is too personal, and it may cost her a friendship. It may cost Jesse her life—unless the ghost of a seven-year-old boy can keep her safe.

    He brings this vibrant city's long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the 20th century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

    “A tantalizing whodunit” (Boston Globe) and a “riveting, wonderfully vivid account [that] takes you into the underworld of obsessed art detectives, con men, and thieves” (Jonathan Harr, author of The Lost Painting), The Gardner Heist is true crime history at its most spellbinding.

    A charming tale for young and old captures the spirit of the ancient Principality of Liechtenstein and creates an enduring legend of this enchanting country.

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    A selection of 8 short stories:The Muse's TragedyA JourneyThe PelicanSouls BelatedA CowardThe Twilight of the GodsA Cup of Cold WaterThe Portrait

    Kitty Kennedy loses her lover before Carolan is born; Katharine, Carolan's child, chooses what must inevitably be a life of danger; but it is Carolan, sensitive and proud, bold and reckless, who must suffer most deeply and who is the central figure around whom events revolve.Her adventures in the East End, in Newgate Jail and in the foul women's quarters on the prison ship transporting her to Australia are told with terrible clarity and a powerful imagination. The profligacy, perversion, vice and cruelty of that age are forcefully recreated. Having survived the journey and been taken to the house of Materman of Sydney, Carolan finds that her experiences have changed her from an innocent girl to a ruthless woman, determined to establish herself in the Masterman household, and her method of doing so is such as will haunt her for the rest of her life. The main characters in this unusual novel are not only vivid but convincing.There is the gay and amorous Marcus, vain Kitty, bawdy Margery and sweet Katharine; there is Masterman who, for love of Carolan, forgets he is ambitious and a Puritan; the pious Esther, and Carolan herself--these and many others, living in a world of crime and horror, dirt and luxury, cruelty and indifference are all reaching out hopefully to better times beyond the symbolic Blue Mountains.

    . . . [and] the iconoclastic charm of the artist keeps the pages turning ." -The Washington Post "A definitive life of Francis Bacon. . . . Stevens and Swan are vivid scene setters. . . . Francis Bacon does justice to the contradictions of both the man and the art." -The Boston Globe A decade in the making: the first comprehensive look at the life and art of Francis Bacon, one of the iconic painters of the twentieth century--from the Pulitzer Prize-winning authors of de Kooning: An American Master. Francis Bacon created an indelible image of mankind in modern times, and played an outsized role in both twentieth century art and life--from his public emergence with his legendary Triptych 1944 (its images so unrelievedly awful that people fled the gallery), to his death in Madrid in 1992.Bacon was a witty free spirit and unabashed homosexual at a time when many others remained closeted, and his exploits were as unforgettable as his images. He moved among the worlds of London's Soho and East End, the literary salons of London and Paris, and the homosexual life of Tangier. Through hundreds of interviews, and extensive new research, the authors probe Bacon's childhood in Ireland (he earned his father's lasting disdain because his asthma prevented him from hunting); his increasingly open homosexuality; his early design career--never before explored in detail; the formation of his vision; his early failure as an artist; his uneasy relationship with American abstract art; and his improbable late emergence onto the international stage as one of the great visionaries of the twentieth century. In all, Francis Bacon: Revelations gives us a more complete and nuanced--and more international--portrait than ever before of this singularly private, darkly funny, eruptive man and his equally eruptive, extraordinary art. Bacon was not just an influential artist, he helped remake the twentieth-century figure.

    Little did Will know this would make him a witness to countless horrific deaths on both sides of the conflict and, ultimately, to the largest mass execution in United States history. Amidst the chaos, Will’s life intersects with the Dakota warrior called “Cut Nose,” so named after having part of his nose bitten off in a fight, and Anja Lund, a young schoolteacher whose spirit is unyielding despite heartbreak at every turn. As the stakes grow increasingly higher, these three form powerful and mysterious connections with each other, intertwining their fates through both love and war. Featuring heart-stopping battles, intrigue, and romance, Cut Nose will keep readers electrified until the last page.

    Lily is quickly drawn to her mistress’s gaiety and sharp intelligence, the power of her poetry, and her deep emotional need. It is a strange intimacy that will last sixteen years.It is Lily who smuggles Miss Barrett out of the gloomy Wimpole Street house, witnesses her secret wedding to Robert Browning in an empty church, and flees with them to threadbare lodgings and the heat, light, and colors of Italy. As housekeeper, nursemaid, companion, and confidante, Lily is with Elizabeth in every crisis – birth, bereavement, travel, literary triumph. As her devotion turns almost to obsession, Lily forgets her own fleeting loneliness. But when Lily’s own affairs take a dramatic turn, she comes to expect the loyalty from Elizabeth that she herself has always given.

    Art in Theory, 1815–1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.

    Freud—once dubbed "the Ingres of existentialism"—has almost single-handedly redefined the figurative painting of our time. No other living artist possesses his ability to paint the texture and thinness of skin over flesh, and his distinctive portraits have a haunting quality that makes them impossible to forget. This volume, with over one hundred superb reproductions of his greatest paintings, pays tribute to one of the most original and accomplished artists of the twentieth century.

    The documents in this collection show that although in some ways universal, the idea of freedom has never been a fixed, timeless concept with a single, unchanging definition. In fact, the history of the United States is in part a story of debates and struggles over freedom. Crises like the American Revolution, the Civil War, and the Cold War have permanently transformed the meaning of freedom. So too have demands by various groups of Americans for greater freedom. The primary-source selections in this book include presidential proclamations and letters by runaway slaves, famous court cases and obscure manifestos, prevailing ideas and dissenting ones. The voices range from Las Casas and Pontiac through Jefferson, Thoreau, Douglass, and Lincoln to Stanton, Sanger, Garvey, Luce, Byrd, and Obama. The Fourth Edition of Voices of Freedom includes new documents that better reflect the religious aspects of American history. It remains a comprehensive collection that offers a diverse gathering of authors and a wide breadth of opinion. Fully compiled and edited by Eric Foner, the collection includes headnotes and critical questions for each document. The book is organized as a companion to the textbook Give Me Liberty! An American History, Fourth Edition, by Eric Foner, and it can also be used with other texts in the American history survey and other courses.

    There she met the legendary couple Frida Kahlo and Diego Rivera. Welcomed into their home, she immersed herself in their private lives and the cultural and artistic diversity of the country, taking hundreds of photographs. These powerful photographs, among the last taken before Kahlo’s death, bear poignant witness to Frida’s beauty and talent. Showcasing more than 100 of these rare images, many of which have never been published before, the book also includes previously unpublished commentary by Gisèle Freund about Frida Kahlo, texts by Kahlo’s biographer Gérard de Cortanze and art historian Lorraine Audric, as well as a link to a previously unreleased color film, shot by Freund, showing Diego Rivera at work.