Their friendship survived everything from the awkward years of junior high to the transformative upheavals of early adulthood—until, at the young age of 25, Shelly lost her life to complications caused by Preeclampsia.We Hope You Like This Song is a tribute to the ineffable, incomparable bond that we call friendship, and a celebration of living life to the fullest. Housley recounts how she and her sister found a way to keep Shelly’s memory alive—by spending a year doing crazy things that Shelly would have done, like giving Valentines to strangers, singing at a karaoke bar, and letting her boyfriend pick out her outfits for a week. In the process, she paints a vivid, often hilarious, portrait of her fun-loving, social butterfly best friend and the many adventures they had growing up together in '80s and ’90s small-town America. Sweet, poignant, and yet somehow laugh-out-loud funny, We Hope You Like This Song is a touching story of love, loss, and the honoring of a friendship after it’s gone.

    With the Nazi Party at the height of its power, the occupying army empties Poland’s towns and cities of their Jewish populations. As neighbor turns on neighbor and survival often demands unthinkable choices, Poland has become a moral quagmire—a place of shifting truths and blinding ambiguities.Blending folklore and fact, Helen Maryles Shankman shows us the people of Wlodawa, a remote Polish town: we meet a cold-blooded SS officer dedicated to rescuing the creator of his son’s favorite picture book, even as he helps exterminate the artist’s friends and family; a Messiah who appears in a little boy’s bedroom to announce that he is quitting; a young Jewish girl who is hidden by the town’s most outspoken anti-Semite—and his talking dog. And walking among these tales are two unforgettable figures: the enigmatic and silver-tongued Willy Reinhart, Commandant of the forced labor camp who has grand schemes to protect “his” Jews, and Soroka, the Jewish saddlemaker and his family, struggling to survive.

    But behind all the glamour is the little-known tale of OPI's unlikely origins-an intimate and inspiring story of a timid schoolgirl who arrives in this country with little money and no English and becomes the business leader and industry game-changer known worldwide as "Suzi, the First Lady of Nails." In I'm Not Really a Waitress--titled after OPI's top-selling nail color--Suzi reveals the events that led her family to flee Communist Hungary and eventually come to New York City in pursuit of the American dream. She shares how those early experiences gave rise to OPI's revolutionary vision of freedom and empowerment, and how Suzi transformed an industry by celebrating the power of color-and of women themselves.

    Alone, starving, freezing at times, and running and hiding for her life, Musia sought refuge in the forest for two years while Holocaust death camps loomed nearby. Child of the Forest is based on the true story and tribulations of Shulamit "Musia" Perlmutter, born in 1929 to Simcha and Fruma Perlmutter, and stands as a memorial to her extraordinary courage.

    That man was Fritz Kolbe, who had decided to betray his country after years of opposing Nazism. While Dulles was skeptical, Kolbe's information was such that he eventually admitted, "No single diplomat abroad, of whatever rank, could have got his hands on so much information as did this man; he was one of my most valuable agents during World War II." Using recently declassified materials at the U.S. National Archives and Kolbe's personal papers, Lucas Delattre has produced a work of remarkable scholarship that moves with the swift pace of a Le Carré thriller.

    It had been her ‘soul place’ as a child, she said – a holiday home for her and her family, but much more – a sanctuary, a refuge. In the 1930s, she had been forced to leave the house, fleeing to England as the Nazis swept to power. The trip, she said, was a chance to see it one last time, to remember it as it was. But the house had changed. Nearly twenty years later Thomas returned to the house. It was government property now, derelict, and soon to be demolished. It was his legacy, one that had been loved, abandoned, fought over – a house his grandmother had desired until her death. Could it be saved? And should it be saved?He began to make tentative enquiries – speaking to neighbours and villagers, visiting archives, unearthing secrets that had lain hidden for decades. Slowly he began to piece together the lives of the five families who had lived there – a wealthy landowner, a prosperous Jewish family, a renowned composer, a widower and her children, a Stasi informant. All had made the house their home, and all – bar one – had been forced out. The house had been the site of domestic bliss and of contentment, but also of terrible grief and tragedy. It had weathered storms, fires and abandonment, witnessed violence, betrayals and murders, had withstood the trauma of a world war, and the dividing of a nation.As the story of the house began to take shape, Thomas realized that there was a chance to save it – but in doing so, he would have to resolve his own family’s feelings towards their former homeland – and a hatred handed down through the generations.The House by the Lake is a groundbreaking and revelatory new history of Germany over a tumultuous century, told through the story of a small wooden house. Breathtaking in scope, intimate in its detail, it is the long-awaited new history from the author of the bestselling Hanns and Rudolf.

    He was a hero. The Dr. Spock of his day, he established orphanages run on his principle of honoring children and shared his ideas with the public in books and on the radio. He famously said that "children are not the people of tomorrow, but people today." Korczak was a man ahead of his time, whose work ultimately became the basis for the U.N. Declaration of the Rights of the Child.Korczak was also a Polish Jew on the eve of World War II. He turned down multiple opportunities for escape, standing by the children in his orphanage as they became confined to the Warsaw Ghetto. Dressing them in their Sabbath finest, he led their march to the trains and ultimately perished with his children in Treblinka.Albert Marrin examines not just Janusz Korczak's life but his ideology of children: that children are valuable in and of themselves, as individuals. He contrasts this with Adolf Hitler's life and his ideology of children: that children are nothing more than tools of the state.And throughout, Marrin draws readers into the Warsaw Ghetto. What it was like. How it was run. How Jews within and Poles without responded. Who worked to save lives and who tried to enrich themselves on other people's suffering. And how one man came to represent the conscience and the soul of humanity.

    To Rainer Maria Rilke, she was an "extraordinary woman" without whose influence "my whole development would not have been able to take the paths that have led to many things." And to Sigmund Freud, she was "an understander par excellence," the second woman in his life (after his beloved sister-in-law Minna Bernays) and the only woman among his colleagues with whom he would maintain a long and continuous correspondence.Although Lou Andreas-Salome is best known today for her relationships with these three men of genius, she was well known in her own right during the early years of this century as both a writer and a psychoanalyst. She commuted between artistic circles in Berlin, Vienna, Paris and St. Petersburg during the formative years of modern European culture, and her writings -- on religion, psychoanalysis and women -- reflected many of the themes that would preoccupy thinkers throughout this century.Her memoirs, "Looking Back," published posthumously in German in 1951, are now available in English.

    The entire family, including their personal physician, retainers, and even their pets, became tragic victims of the Bolshevik revolution. They were arrested, exiled, and ultimately secretly murdered in a small cellar of a house in the Urals, in the summer of 1918. In this book, you will follow the events which led up to their eventual tragic fate through personal words of each family member, as well as their close friends and associates. Their letters, diaries, and postcards - many of which have been translated into English here for the first time - tell a unique story, and have yet a lot to reveal. Translated from Russian by Helen Azar, along with Eva and Dan McDonald, who translated most of the 1918 letters from French, this book offers an extraordinary glimpse into the very private world, and the final years, of the last Russian imperial family - which they chronicle in their own words.

    During the Great Caucasus War of 1834-1859, the warring mountain tribes of Daghestan and Chechnya united under the charismatic leadership of the Muslim chieftain Imam Shamyl, the "Lion of Daghestan", and held at bay the invading Russian army for nearly 25 years. Lesley Blanch vividly recounts the epic story of their heroic and bloody struggle for freedom and the life of a man still legendary in the Caucasus.

    As a fourteen-year old Jewish boy living in Prague in the early 1940s, Petr Ginz dutifully records the increasingly precarious texture of daily life. With a child’s keen eye for the absurd and the tragic, he muses on the prank he played on his science class and then just pages later, reveals that his cousins have been called to relinquish all their possessions, having been summoned east in the next transport. The diary ends with Petr's own summons to Thereisenstadt, where he would become the driving force behind the secret newspaper Vedem, and where he would continue to draw, paint, write, and read, furiously educating himself for a future he would never see. Fortunately, Petr's voice lives on in his diary, a fresh, startling, and invaluable historical document and a testament to one remarkable child's insuppressible hunger for life.

    Throughout the war, Atkins recruited, trained, and mentored the agents for the SOE's French Section, which sent more than four hundred young men and women into occupied France, at least one hundred of whom never returned and were reported MPD (missing presumed dead) after the war. Twelve of these were women and among Atkins' most cherished spies. When the war ended in 1945, she made it her personal mission to find out what happened to them and the other agents lost behind enemy lines, tracing rigorously their horrific final journeys. But as the woman who carried out this astonishing search appeared quintessentially English, Atkins was nothing of the sort. As we follow her through the devastation of postwar Germany, we learn Atkins herself covered her life in mystery so that even her closest family knew almost nothing of her past.In A Life in Secrets Sarah Helm has stripped away Vera Atkins' many veils. Drawing on recently released sixty-year-old government files and her unprecedented access to the private papers of the Atkins family, Helm vividly reconstructs a complex and extraordinary life.

    They forged economic dynasties, built mansions and estates, assembled libraries, endowed charities, and advised a German kaiser and two American presidents. But their very success made the Warburgs lightning rods for anti-Semitism, and their sense of patriotism became increasingly dangerous in a Germany that had declared Jews the enemy.Ron Chernow's hugely fascinating history is a group portrait of a clan whose members were renowned for their brilliance, culture, and personal energy yet tragically vulnerable to the dark and irrational currents of the twentieth century.

     Scattered across the landscape that was Nazi Germany, the Resistance looked puny: too little, too late. And yet it was made of many heroic men and women who were not afraid to risk their lives to stand up to a regime they knew was wrong. For those who have never known life under such a regime, it is hard to grasp the daily terror that makes an act of political graffiti a capital offense, that labels resistance “treason.” Now, drawing on archival materials and on interviews with those few resisters who survived, Anton Gill brings their story to light. Here are union leaders and businessmen, priests and communists, students and factory workers; above all, here are the only people who had any real chance at more than symbolic resistance: those in the Army, the Foreign Office, the Abwehr. For these, obeying the dictates of conscience meant betraying the demands of government, and every day brought the risk of denunciation and death. ‘A sober and useful analysis of the resistance to Hitler [that] reminds us of the astonishing moral courage human beings can display...The vast majority of Germans simply did not have the bravery to stand up to Hitler – but then who among us, confronted with the brutality of that regime, would have mustered the courage?’ – Robert Harris, author of Fatherland, in The Sunday Times ‘Mr. Gill fluidly conveys the attitudes and personalities of key figures in the resistance and the links among them.’ – The New York Times Book Review ‘Gill’s illuminating study cogently argues that Hitler was not an irresistible force and that he succeeded only because he was allowed to.’ – Publishers Weekly Anton Gill has been a freelance writer since 1984, specialising in European contemporary history but latterly branching out into historical fiction. He is the winner of the H H Wingate Award for non-fiction for his study of survivors of the Nazi concentration camps, ‘The Journey Back From Hell’. Endeavour Press is the UK’s leading independent publisher of digital books.

    "There is no doubt that from the very beginning of their occupation the Nazis were intent on destroying Poland as a nation, and in his absorbing account of wartime Poland, Richard Lucas outlines the variety of means that they employed for the purpose." --The New York Review of Books "A superior work." --Library Journal "An eloquent, gripping account." --Publisher's Weekly "Lukas tells the story with an outrage properly contained within the framework of a scholarly narrative." --Washington Post