Unfortunately, her father disagrees and comes up with an ingenious plan. To curb the love life of his youngest, Robert Morgan proclaims that neither of his younger daughters can marry until Maddie does. This causes a stir and a generous pot is set up for whoever can take Maddie off the market.Aghast at being hounded by sweaty bachelors anxious to win the pot and her hand, Maddie turns to her brother for help. Her brother's solution is to spread the story that Maddie was pining away for the love of her life, Evan Montgomery, who left for the war and has never returned. Things go from bad to worse when the ladies in town, struck by the romance of long lost love, demand that Maddie's father rescind his proclamation and that the mayor give Maddie the deed to the dilapidated Montgomery ranch.When Maddie protests that her brother has gone too far, he replies with a shrug and the carefree statement that she needn't worry because after eight years, it's unlikely that any Montgomery would show up.As luck would have it, two years later Trevor Montgomery returns home to find a beautiful stranger living there, claiming to be his brother's fiancé. A fiancé Trevor wishes were his own. Torn between his loyalty to his brother and the love in his own heart, Trevor works to uncover the truth behind the woman who has stolen more than his family home.

    But the earl knows something about Phyllis that means she will always be looked after.LiesAs lady's maid to Martha, Phyllis is the American heiress's only confidant in England: she knows Martha doesn't love the recently widowed Lord Melton, the man Martha's socially ambitious father is determined she marries, but there's another secret - a secret that makes Phyllis give up everything to protect her friend.LoyaltyMartha begins making preparations to return to America with Phyllis, her father and new husband on the Titanic but the burden of deception eclipses Phyllis's hope for a new future. As she struggles to protect Martha, Phyllis must decide where her loyalties lie, unaware of the undiscovered secrets in her own past and of the tragedy that is about to unfold on that fateful crossing.

    Unknown to Freya, these women, over centuries, fought with whatever weapons came to hand – deception, endurance, even murder – to preserve their home and family.Freya falls in love with the house, but her inheritance includes an enigmatic letter telling her to ‘restore the balance’ of the Lady’s Well. Besides this, the house seems to be haunted by the scent of flowers.In the past, the Lady’s Well was a place of healing, and Freya soon feels safe and at home, but she has demons of her own to conquer before she can accept the happiness that beckons.

     Stretching between these figures is a cast of artists, writers, and scientists--mostly women, mostly queer--whose public contribution has risen out of their unclassifiable and often heartbreaking private relationships to change the way we understand, experience, and appreciate the universe. Among them are the astronomer Maria Mitchell, who paved the way for women in science; the sculptor Harriet Hosmer, who did the same in art; the journalist and literary critic Margaret Fuller, who sparked the feminist movement; and the poet Emily Dickinson.Emanating from these lives are larger questions about the measure of a good life and what it means to leave a lasting mark of betterment on an imperfect world: Are achievement and acclaim enough for happiness? Is genius? Is love? Weaving through the narrative is a set of peripheral figures--Ralph Waldo Emerson, Charles Darwin, Elizabeth Barrett Browning, Herman Melville, Frederick Douglass, Nathaniel Hawthorne, and Walt Whitman--and a tapestry of themes spanning music, feminism, the history of science, the rise and decline of religion, and how the intersection of astronomy, poetry, and Transcendentalist philosophy fomented the environmental movement.

    Each book in this powerful Civil War trilogy from award-winning novelist Lynn Austin's powerful Civil War trilogy offers a unique and shattering perspective on the conflict while exploring the deep affect the war had on the faith of a nation.

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.

    poet laureate in 2006 — comes alive in this richly detailed, self-revealing memoir.Hall’s invaluable record of the making of a poet begins with his childhood in Depression-era suburban Connecticut, where he first realized poetry was “secret, dangerous, wicked, and delicious,” and ends with what he calls “the planet of antiquity,” a time of life dramatically punctuated by his appointment as poet laureate of the United States. Hall writes eloquently of the poetry and books that moved and formed him as a child and young man, and of adolescent efforts at poetry writing — an endeavor he wryly describes as more hormonal than artistic. His painful formative days at Exeter, where he was sent like a naive lamb to a high WASP academic slaughter, are followed by a poetic self-liberation of sorts at Harvard. Here he rubs elbows with Frank O’Hara, John Ashbery, and Edward Gorey, and begins lifelong friendships with Robert Bly, Adrienne Rich, and George Plimpton. After Harvard, Hall is off to Oxford, where the high spirits and rampant poetry careerism of the postwar university scene are brilliantly captured. At eighty, Hall is as painstakingly honest about his failures and low points as a poet, writer, lover, and father as he is about his successes, making Unpacking the Boxes — his first book since being named poet laureate — both revelatory and tremendously poignant.

    Chapin: One LoveLorana Hoopes: A Second Chance for ChristmasElizabeth Maddrey: So You Love to Hate Your BossEvangeline Kelly: Love's SacrificeValerie Comer: Ruby RadianceNaomi Rawlings: Love's Violet SunriseValerie M. Bodden: Heart's HomeMelissa Tagg: Someday SoonMandi Blake: A Thousand WordsCarol Moncado: The Lifeguard, The Runaway Bride, & Frozen CustardClick to pre-order your copy now!

    In prose alternately stark, lush and hallucinatory, occasionally nightmarish and often absurd, the seven stories in this collection are suffused with fear and desire, introducing us to a company of indelible characters reeling with love, jealousy, megalomania, and despair.As in his debut novel, The Evolution of Bruno Littlemore, the voices in these stories speak from the margins: a dominatrix whose longtime client, a US congressman, drops dead during a tryst in a hotel room; an addict in precarious recovery who lands a job driving a truck full of live squid; a heartbroken performance artist who attempts to eat himself to death as a work of art. From underground radicals hiding in Morocco to an aging hippy in Colorado in the summer before 9/11 to a young drag queen in New York at the cusp of the AIDS crisis, these stories rove freely across time and place, carried by haunting, peculiar narratives that form the vast tapestry of American life.Hale’s work has earned accolades from writers as disparate as novelist Jonathan Ames, who compared discovering his work to watching Mickey Mantle play ball for the first time; Washington Post critic Ron Charles, who declared him “fully evolved as a writer,” and bestselling author Jodi Picoult, who simply called him “brilliant.” Pairing absurdity with philosophical musings on the human condition and the sway our most private selves and hidden pasts hold over us, the stories in The Fat Artist reside in the unnerving intersections between life and death, art and ridicule, consumption and creation.

    

    Yep, that’s my name believe it or not. My parents may be strange, but they raised my sister, younger brother and me to be independent, strong and to be our own people. Add to those qualities, I was also a tad dramatic, slightly complicated and a whole lot mushy. Whatever. I like who I am.Love has not been mean to me, but neither has it been kind. Until one day, when a hot sexy spunk with a smirk that lit me up from the inside caught my attention. Luca quickly became my everything. Yes, we had issues here and there, and yeah, his family hated me, but love always won out in the end. Right?Luca Massimo Donatella. I was name for my father and my grandfather, raised to be as great as them. Family always came first, my mother the most important being in my life. Until a blonde stunner came sashaying into my life and flipped it on its head.Meadow broadened my way of seeing life, she showed me fun was just as important as being responsible . She gave me the chance to be the man I always wanted to before life got complicated by the death of my father. She taught me how to love from the deepest part of my heart. She was my game changer. Then the game dramatically changed in a way neither of us saw coming.

    My Dad was the town alcoholic, binging most weekends. Growing up, I always picked him up from the bars. I try to not hold it against him though. He lost the love of his life when my Mom left him. He never bounced back from that… turning to the bottle instead. Growing up with an alcoholic father made me learn a lot about my life. Most importantly, I never want to be a Dad. Until the day that Emma comes back into my life… she makes me want things I never dreamed I would want. Emma I give James my first time and I want to give him mine forever! But when confusing test results reveal that I am pregnant, I can’t help but worry that I may have just lost James forever. A short story romance with an alpha older male, a younger bbw, and a HEA. Hope Ford writes short, steamy, sweet romances. There is always an alpha male (because who doesn’t love an alpha male) and a woman he makes his queen.

    He makes sure to always do the right thing and be responsible. With his mom deployed and his dad constantly working, Leo is often left in charge of his two younger siblings. Then Leo's brother, Jack, gets caught up in a dangerous plot that rocks the community. Can Leo keep his promise to stand by his brother no matter what, or will he stand on the side of justice?"--Page 4 of cover.

    Blinded in the same fire that killed her mother when she was young, marriage is not even a thought for her. Until the day her father announces her engagement to a man she has never met.Donovan Harding, the Duke of Oakhampton, has suffered many losses, with his wife and his fortune sacrificed on the altar of an illness. With no good options left, he must marry again. But his new bride’s secret might be more than he can handle.Tied together by the strings of his son’s violin, their marriage is a precarious one. When a fire claims her childhood home and a constable brings news of a murder, the strings begin to unravel. A familiar voice, awakening memories of her past, threatens to tear away all that she loves, just as it had the fateful night she lost her vision and her mother.*If you like powerful Dukes, loving Duchesses and a marvelous depiction of the majestic Regency and Victorian era, then Through the Eyes of a Blind Duchess is the novel for you.This is Patricia Haverton's 14th novel, a historical Regency romance novel of 80,000 words (around 400 pages). No cheating, no cliffhangers, and a sweet happily ever after.Pick up "Through the Eyes of a Blind Duchess" today to discover Patricia's captivating story!

    He's too old for me. He doesn't do relationships. He likes his s*x dirty, and I have zero experience. But worst of all? He's my best friend's dad. I haven’t seen David since I went away to college three years ago. But this week my best friend and I are tagging along on his business trip to Paris. The moment I see him, all my old feelings come rushing back. He looks better than ever. I know it's wrong, but I can't deny this attraction. Especially when I accidentally walk in on him fresh out of the shower, wearing nothing but his birthday suit… David I've spent the last three years avoiding Madison. She's perfect—smart, beautiful, ambitious, fun. But as my daughter's best friend, she's also strictly off-limits. It hasn't been easy to stay away. She's got these killer curves that make me instantly hard and the sweetest smile that makes me want to break all my own rules—the rules I've followed to a T for the past 20 years: no spending the night, no repeats, no strings. And this week, I won’t be able to avoid Madison at all. She'll be on my private jet for the 8-hour flight from New York to Paris, and then we’ll be sharing the same hotel suite. I only have so much self-control… This standalone romance novel comes with a guaranteed HEA, no cheating, and no cliffhanger.