At a time when Leonardo, Michelangelo, and Raphael were revolutionizing Western art and culture, Erasmus was helping to transform Europe’s intellectual and religious life, developing a new design for living for a continent rebelling against the hierarchical constraints of the Roman Church. When in 1516 he came out with a revised edition of the New Testament based on the original Greek, he was hailed as the prophet of a new enlightened age. Today, however, Erasmus is largely forgotten, and the reason can be summed up in two words: Martin Luther. As a young friar in remote Wittenberg, Luther was initially a great admirer of Erasmus and his critique of the Catholic Church, but while Erasmus sought to reform that institution from within, Luther wanted a more radical transformation. Eventually, the differences between them flared into a bitter rivalry, with each trying to win over Europe to his vision.In Fatal Discord, Michael Massing seeks to restore Erasmus to his proper place in the Western tradition. The conflict between him and Luther, he argues, forms a fault line in Western thinking—the moment when two enduring schools of thought, Christian humanism and evangelical Christianity, took shape. A seasoned journalist who has reported from many countries, Massing here travels back to the early sixteenth century to recover a long-neglected chapter of Western intellectual life, in which the introduction of new ways of reading the Bible set loose social and cultural forces that helped shatter the millennial unity of Christendom and whose echoes can still be heard today. Massing concludes that Europe has adopted a form of Erasmian humanism while America has been shaped by Luther-inspired individualism.

    The story of Sylvia Beach's love for Shakespeare and Company supplies the lifeblood of this book.

    And if we look to English to make sense, why is it that we drive on parkways and park on driveways?There's only one man to solve these and other riddles of our spoken tongue: David Feldman, who in his bestselling books Imponderables and Why Do Clocks Run Clockwise? established himself as the unchallenged expert on answering the unanswerable. Word Imponderables have always been favorites with Feldman's legions of fans, and in this volume he gets to the source of all the mysteries surrounding our curious vocabulary. Why do we mind our Ps and Qs and now our Vs and Ws? Is a caddy really a little cad? Which Toms lent their names to Peeping, Collins, and a gun? How does a weasel go "pop"--and why, for that matter? Who are the Joneses we're supposed to be worrying about keeping up with? Why do some people get your goat instead of your mynah bird? Has anyone ever been given long shrift? And why is that pole that you won't ever touch something with always ten feet long?Who Put the Butter in Butterfly? is a reference book you can't afford to be without--if only to amaze your friends with the knowledge that the person ultimately responsible for "23 skiddoo" is Charles Dickens. So don't beat around the bush, and don't wait until the eleventh hour or until the jig is up: Here is compuslive reading for anyone incurably curious about the idiosyncrasies of the language.

    In this collection of lively and provocative pieces he talks about what readers want from books and how to look at the literature we encounter in a new light.

     It was fought in clandestine operations and through the daring acts of spies and saboteurs from both Allied and Axis forces. Ladislas Farago, a former US intelligence chief, uncovers the lengths that the various nations went to in order to win the war. Looking at each nation individually, from Britain with MI.5 to Germany and its division called Abwehr under Wilhelm Canaris, America with the O.S.S. to France’s Deuxième Bureau, Farago exposes how sophisticated and successful their intelligence services were. Burn After Reading explains how espionage and counter-intelligence was operated throughout the war, providing details on a number of missions that were undertaken. Farago, through a number of vivid biographical sketches, details how it was not just intelligence services that shaped espionage during World War Two, but also how individuals, military and civilian, made their impact. This fascinating work is essential reading for anyone interested in what Farago described as “a kind of Fourth Estate of war.” Ladislas Farago was a chief of research and planning in the U.S. Navy’s Special Warfare Branch before becoming an author. He wrote a number of best-selling books on history and espionage and a number of his works were made into films. Burn After Reading was first published in 1961 and he died in 1980.

    Believing that this dramatic change "cannot be understood apart from the seductive personalities who articulated its goals," he intersperses his argument with incisive portraits of the life and thought of Allen Ginsberg, Norman Mailer, Timothy Leary, Susan Sontag, Eldridge Cleaver and other "cultural revolutionaries" who made their mark.For all that has been written about the counterculture, until now there has not been a chronicle of how this revolutionary movement succeeded and how its ideas helped provoke today's "culture wars." The Long March fills this gap with a compelling and well-informed narrative that is sure to provoke discussion and debate.

    After more than a decade of research, the celebrated scholar and activist Mab Segrest locates the deep historical roots of this startling fact, turning her sights on a long-forgotten cauldron of racial ideology: the state mental asylum system in which psychiatry was born and whose influences extend into our troubled present.In December 1841, the Georgia State Lunatic, Idiot, and Epileptic Asylum was founded. A hundred years later, it had become the largest insane asylum in the world with over ten thousand patients. Administrations of Lunacy tells the story of this iconic and infamous southern institution, a history that was all but erased from popular memory and within the psychiatric profession.Through riveting accounts of historical characters, Segrest reveals how modern psychiatric practice was forged in the traumas of slavery, the Civil War, Reconstruction, and Jim Crow. Deftly connecting this history to the modern era, Segrest then shows how a single asylum helped set the stage for the eugenics theories of the twentieth century and the persistent racial ideologies of our own times. She also traces the connections to today’s dissident psychiatric practices that offer sanity and create justice.A landmark of scholarship, Administrations of Lunacy restores a vital thread between past and present, revealing the tangled racial roots of psychiatry in America.

    The entries explore all aspects of literature from around the world: biographies of poets and playwrights, novelists and belle trists; plot synopses and character sketches from important works; historical data on literary schools, movements, terms and awards; myths and legends; and more.Completely revised and updated, this fourth edition captures the diversity of today's canon, with greater attention to African-American, Eastern, Middle Eastern, African, South American, Eastern European and women's literature.For nearly 50 years, this unique single-volume encyclopedia of world literature has been hailed as the best available. Here are over 10,000 informative entries, covering everything a reader could wish to know:Biographies of poets, playwrights, novelists, essayists and belle trists from around the world and through the ages, from Aristophanes to Toni Morrison, from Chuang Tzu to Juan Rulfo.Plot summaries of important literary works, ranging from Beowulf to Wuthering Heights to Things Fall Apart.Sketches of principal characters from literature, from Salome to Leopold Bloom.Myth, legend and folklore, covering everything from Isis to the Midgard Serpentto to the paladins.Biographies of artists, musicians, philosophers and other historical personages ranging from Roman emperors to U.S. presidents who figure prominently in literature.Accounts of significant schools and movements in literature, such as the Bloomsbury Group and the Beat writers.Original titles, as well as the most familiar English titles, for works in languages other than English.Recipients of major literary awards, including Pulitzer and Nobel prize winners.And more...For nearly 50 years, William Rose Benet and the editors who succeeded him have upheld the level of quality that distinguished the original Benet's Reader's Encyclopedia. Like its predecessors, this new edition will teach and delight, illuminate and expound, and enrich the pleasure of reading in countless ways.

     The annals of history are littered with horribly bad military leaders. These combat incompetents found amazing ways to ensure their army's defeat. Whether it was a lack of proper planning, miscalculation, ego, bad luck, or just plain stupidity, certain wartime stratagems should never have left the drawing board. Written with wit, intelligence, and eminent readability, How to Lose a Battle pays dubious homage to these momentous and bloody blunders, including: Cannae, 216 B.C.; the bumbling Romans lose 80,000 troops to Hannibal's forces. The Second Crusade; an entire Christian army is slaughtered when it stops for a drink of water. The Battle of Britain; Hitler's dreaded Luftwaffe blows it big-time. Pearl Harbor; more than one warning of the impending attack is there, but nobody listens. How to Lose a Battle includes more than thirty-five chapters worth of astonishing (and avoidable) disasters, both infamous and obscure; a treasure trove of trivia, history, and jaw-dropping facts about the most costly military missteps ever taken.

    The twentieth century comes to life as an age of ideas - a time when, for good and for ill, the thoughts of the few reigned over the lives of the many. Judt presents the triumphs and the failures of prominent intellectuals, adeptly explaining both their ideas and the risks of their political commitments. Spanning an era with unprecedented clarity and insight, Thinking the Twentieth Century is a tour de force, a classic study of modern thought by one of the century's most incisive thinkers.The exceptional nature of this work is evident in its very structure - a series of intimate conversations between Judt and his friend and fellow historian Timothy Snyder, grounded in the texts of the time and focused by the intensity of their vision. Judt's astounding eloquence and range are on display here as never before. Traversing the complexities of modern life with ease, he and Snyder revive both thoughts and thinkers, guiding us through the debates that made our world. As forgotten ideas are revisited and fashionable trends scrutinized, the shape of a century emerges. Judt and Snyder draw us deep into their analysis, making us feel that we too are part of the conversation. We become aware of the obligations of the present to the past, and the force of historical perspective and moral considerations in the critique and reform of society, then and now.In restoring and indeed exemplifying the best of intellectual life in the twentieth century, Thinking the Twentieth Century opens pathways to a moral life for the twenty-first. This is a book about the past, but it is also an argument for the kind of future we should strive for: Thinking the Twentieth Century is about the life of the mind - and the mindful life.

    One bookshelf can creak with character in a bohemian coffee shop and another can groan with gravitas in the Library of Congress. Writer and historian Lydia Pyne finds bookshelves to be holders not just of books but of so many other things: values, vibes, and verbs that can be contained and displayed in the buildings and rooms of contemporary human existence. With a shrewd eye toward this particular moment in the history of books, Pyne takes the reader on a tour of the bookshelf that leads critically to this juncture: amid rumors of the death of book culture, why is the life of the bookshelf in full bloom?Object Lessons is published in partnership with an essay series in the The Atlantic.

    After years of bitter squabbles over who would inherit the family land, they finally decided to divide the territory and go their separate ways. In a moment of staggering significance, one grandson inherited the area we now know as France, another Germany and the third received the piece in between: Lotharingia.Lotharingia is a history of in-between Europe. It is the story of a place between places. In this beguiling, hilarious and compelling book, Simon Winder retraces the various powers that have tried to overtake the land that stretches from the mouth of the Rhine to the Alps and the might of the peoples who have lived there for centuries.

    It examines why the witch-trials took place; how many trials and victims there were, and where; why their incidence was so uneven in Europe; who accused whom; and why witch-hunting eventually petered out. In the process it illuminates the social, economic and political history of early modern Europe, and in particular the position of women within it. For this Second Edition, Brian Levack has revised his text to take account of scholarship since 1987. The notes and references have been greatly expanded, and the entire text reset.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    “There is no routine of an office to keep you going, only the blank page each morning, and you never know where your words are coming from, those divine words.” In The Spooky Art, Mailer discusses with signature candor the rewards and trials of the writing life, and recommends the tools to navigate it. Addressing the reader in a conversational tone, he draws on the best of more than fifty years of his own criticism, advice, and detailed observations about the writer’s craft.   Praise for The Spooky Art   “The Spooky Art shows Mailer’s brave willingness to take on demanding forms and daunting issues. . . . He has been a thoughtful and stylish witness to the best and worst of the American century.”—The Boston Globe   “At his best—as artists should be judged—Mailer is indispensable, an American treasure. There is enough of his best in this book for it to be welcomed with gratitude.”—The Washington Post  “[The Spooky Art] should nourish and inform—as well as entertain—almost any serious reader of the novel.”—Baltimore Sun“The richest book ever written about the writer’s subconscious.”—The Philadelphia Inquirer   “Striking . . . entrancingly frank.”—Entertainment Weekly   Praise for Norman Mailer   “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times   “A writer of the greatest and most reckless talent.”—The New Yorker   “A devastatingly alive and original creative mind.”—Life   “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books   “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune   “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati PostFrom the Hardcover edition.