Told in a succession of short and powerful poems, it takes us deep into the cyclone of the narrator’s emotions: despair, anger, guilt, resentment, and ultimately, acceptance.

    But when things in her hometown start becoming volatile, Jude and her mother are sent to live in Cincinnati with relatives.At first, everything in America seems too fast and too loud. The American movies that Jude has always loved haven’t quite prepared her for starting school in the US—and her new label of “Middle Eastern,” an identity she’s never known before. But this life also brings unexpected surprises—there are new friends, a whole new family, and a school musical that Jude might just try out for. Maybe America, too, is a place where Jude can be seen as she really is.

    But Reha’s parents don’t understand why she’s conflicted—they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked—Reha means “star” and Punam means “moon”—but they are a universe apart.Then Reha finds out that her Amma is sick. Really sick.Reha, who dreams of becoming a doctor even though she can’t stomach the sight of blood, is determined to make her Amma well again. She’ll be the perfect daughter, if it means saving her Amma’s life.

     On that fateful day, Kai loses nearly everyone and everything he cares about in the storm. When he’s offered a trip to New York to meet kids whose lives were changed by 9/11, Kai realizes he also has a chance to look for his estranged American father. Visiting Ground Zero on its tenth anniversary, Kai learns that the only way to make something good come out of the disaster back home is to return there and help rebuild his town.Running through my ruined town,pack flapping like wingsagainst my back.Plowing through blocksstrewn with heaps ofrefrigeratorsblackboardsbicyclestaxisbustedpianosshelvesdesksstairsallmixedtogetherin a marshlandgrave.

    But she still wants to be seen for who she is. She wants her parents to notice that she is growing up. She wants her best friend to like her better than she likes a certain boy. She wants, more than anything, to mush the dogs out to her grandparents' house, by herself, with Roxy in the lead. But sometimes when it's just you, one mistake can have frightening consequences . . . And when Willow stumbles, it takes a surprising group of friends to help her make things right again.Using diamond-shaped poems inspired by forms found in polished diamond willow sticks, Helen Frost tells the moving story of Willow and her family. Hidden messages within each diamond carry the reader further, into feelings Willow doesn't reveal even to herself.Diamond Willow is a 2009 Bank Street - Best Children's Book of the Year.

    But when her dad moved to the old family farm last year, her life was suddenly divided. Now on weekdays she’s a city girl, called Ellen, who hangs out with her friends, plays the sax, and loves old movies. And on weekends she’s a country girl, nicknamed Joey, who rides horseback with her cousin, Hayden, goes fishing, and listens to bluegrass. So where do her loyalties lie? Who is the real JoEllen? Linked free-verse poems, illustrated with a quirky array of found objects and mementos, create the vivid, realistic portrait of a young girl at a defining moment in her life.

    When she's barefoot and running, she can hear her heart beating . . . thump-THUMP, thump-THUMP. It's a rhythm that makes sense in a year when everything's shifting: Her mother is pregnant, her grandfather is forgetful, and her best friend, Max, is always moody. Everything changes over time, just like the apple Annie's been assigned to draw. But as she watches and listens, Annie begins to understand the many rhythms of life, and how she fits within them.Twelve-year-old Annie ponders the many rhythms of life the year that her mother becomes pregnant, her grandfather begins faltering, and her best friend (and running partner) becomes distant.

    Life is lonely for Kasienka. At home her mother's heart is breaking and at school friends are scarce. But when someone special swims into her life, Kasienka learns that there might be more than one way for her to stay afloat. The Weight of Water is a startlingly original piece of fiction. A brilliant coming-of-age story, it also tackles the alienation experienced by many young immigrants. Moving, unsentimental, and utterly page-turning, we meet and share the experiences of a remarkable girl who shows us how quiet courage prevails.

    I wonder how much of us we inherit, and how much we create.Connor’s grandmother leaves his dad a letter when she dies, and the letter’s confession shakes their tight-knit Italian American family: The man who raised Dad is not his birth father.But the only clues to this birth father’s identity are a class ring and a pair of pilot’s wings. And so Connor takes it upon himself to investigate—a pursuit that becomes even more pressing when Dad is hospitalized after a stroke. What Connor discovers will lead him and his father to a new, richer understanding of race, identity, and each other.In this eloquent first novel in verse by renowned poet Marilyn Nelson, she tells the story of a boy embracing his newfound genealogy and his surprising connection to American history.

    To cope, she tries to live by the Fat Girl Rules–like “no making waves,” “avoid eating in public,” and “don’t move so fast that your body jiggles.” And she’s found her safe space–her swimming pool–where she feels weightless in a fat-obsessed world. In the water, she can stretch herself out like a starfish and take up all the room she wants. It’s also where she can get away from her pushy mom, who thinks criticizing Ellie’s weight will motivate her to diet. Fortunately, Ellie has allies in her dad, her therapist, and her new neighbor, Catalina, who loves Ellie for who she is. With this support buoying her, Ellie might finally be able to cast aside the Fat Girl Rules and starfish in real life–by unapologetically being her own fabulous self.

    She’s spent summers in California for as long as she can remember, but this year she and her mother are staying with her grandparents in Japan as they await the arrival of Ema’s baby sibling. Her mother’s pregnancy has been tricky, putting everyone on edge, but Ema’s heart is singing—finally, there will be someone else who will understand what it’s like to belong and not belong at the same time.But Ema’s good spirits are muffled by her grandmother who is cold, tightfisted, and quick to reprimand her for the slightest infraction. Then, when their stay is extended and Ema must go to a new school, her worries of not belonging grow. And when the tragedy of 9/11 strikes, Ema, her parents, and the world watch as the twin towers fall…As Ema watches her mother grieve for her country across the ocean—threatening the safety of her pregnancy—and her beloved grandfather falls ill, she feels more helpless and hopeless than ever. And yet, surrounded by tragedy, Ema sees for the first time the tender side of her grandmother, and the reason for the penny-pinching and sternness make sense—her grandmother has been preparing so they could all survive the worst.Dipping and soaring, Somewhere Among is the story of one girl’s search for identity, inner peace, and how she discovers that hope can indeed rise from the ashes of disaster.

    In this prequel to Newbery Medal winner The Crossover, Chuck Bell takes center stage, as readers get a glimpse of his childhood and how he became the jazz music worshipping, basketball star his sons look up to.

    A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULEOr, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES.And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator.

    Families change and new friendships form as these terrific kids grow up and move on in this whimsical novel-in-verse about finding your voice and making sure others hear it. Eighteen kids,one year of poems,one school set to close.Two yellow bulldozerscrouched outside,ready to eat the buildingin one greedy gulp. But look out, bulldozers.Ms. Hill’s fifth-grade classhas plans for you.They’re going to speak up and work togetherto save their school. Awards:Arnold Adoff Poetry Award for New Voices Honor BookCybils Award in PoetryAn NCTE Notable Verse NovelBank Street Best Children's Book of the YearILA-CBC Choices Reading Lists, Children’s ChoicesSCBWI Crystal Kite Finalist, Midatlantic RegionLectio Book Award FinalistNominated for:Massachusetts Children's Book AwardNew Hampshire Great Stone Face Book AwardPennsylvania Young Reader’s Choice AwardsRhode Island Children’s Book AwardWisconsin State Reading Association Children's Book Awards

    After her father died in the mines and her mother ran off, he was her last caretaker. They’d always dreamed of leaving Caboose, West Virginia together someday, but instead she’s in foster care, feeling more stuck and broken than ever.But then Sasha discovers family she didn’t know she had, and she finally has something to hold onto, especially sweet little Mikey, who’s just as broken as she is. Sasha even makes her first friend at school, and is slowly learning to cope with her brother’s death through writing poetry, finding a new way to express herself when spoken words just won’t do. But when tragedy strikes the mine her cousin works in, Sasha fears the worst and takes Mikey and runs, with no plans to return. In this sensitive and poignant portrayal, Sarah Dooley shows us that life, like poetry, doesn’t always take the form you intend.