Now for the first time in English, all of Borges' dazzling fictions are gathered into a single volume, brilliantly translated by Andrew Hurley. From his 1935 debut with The Universal History of Iniquity, through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language. Together these incomparable works comprise the perfect one-volume compendium for all those who have long loved Borges, and a superb introduction to the master's work for those who have yet to discover this singular genius.

    From an imperial capital in the eighteenth century to Garibaldi's adventures in the nineteenth, from the vineyards of Italy to the English seaside in our time, he finds the "stages, transitions, arguments" that define us. A newly divorced real estate agent can't resist invading his reticent girlfriend's privacy, but the information he finds reveals only his callously shallow curiosity. A couple come together through an illicit cigarette and a song shared over the din of a Chinese restaurant. A widower revisiting the Scottish island he'd treasured with his wife learns how difficult it is to purge oneself of grief. And throughout, friends gather regularly at dinner parties and perfect the art of cerebral, sometimes bawdy banter about the world passing before them.Whether domestic or extraordinary, each story pulses with the resonance, spark, and poignant humor for which Barnes is justly heralded.

    Few people ever visit Scrape, and the unlucky ones who live there never seem to escape. They fill their days with fish fries, cheap beer, tobacco, firearms, and sex. But Scrape is about to be invaded by a plague of monsters unlike anything ever seen in the history of the world. First there's La Llorona -- the screaming woman in white -- and her horde of ghost children. Then come the black, hairy hands. Thousands, millions, scurrying on fingers like spiders or crabs. But the hands are nothing to El Abuelo, a wicked creature with a magical bullwhip, and even El Abuelo don't mean shit when the devil comes to town.

    Shipp has brought together ten monster tales from today's masters of horror and supernatural suspense.Stories by:Scott NicholsonLisa TuttleNate KenyonLisa MortonKealan Patrick BurkeSimon WoodJeremy C. ShippElizabeth MassieJoe McKinneyJoseph NassisePraise for Jeremy C. Shipp:“Jeremy C. Shipp’s boldness, daring, originality, and sheer smarts make him one of the most vital younger writers who have colonized horror literature in the past decade. Shipp’s modernist clarity, plus his willingness to risk damn near everything, put him up at the head of the pack with the very best.”–Peter Straub, author of Ghost Story"Shipp's clear, insistent voice pulls you down into the rabbit hole and doesn't let go." --Jack Ketchum, author of The Girl Next Door

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    Welcome to another kind of terror as Peter Straub leads us into the outer reaches of the psyche. Here the master of the macabre is at his absolute best in seven exquisite tales of living, dying and the terror that lies in between…No one tells a story like Peter Straub. He dazzles with the richness of his plots and the eloquence of his prose. He startles you into laughter in the face of events so dark that you begin to question your own moral compass. Then he reduces you to jelly by spinning a tale so terrifying – and surprising – that you have to sleep with the lights on. Now, with these seven acclaimed stories he has given us his finest and most imaginatively unsettling collection yet.‘WHEN STRAUB TURNS ON ALL HIS JETS, NO ONE IN THE SCREAM FACTORY CAN EQUAL HIM.’STEPHEN KING

    In fact, he can even write. And the story he has to tell is a truly disturbing—yet strangely heartwarming—one.Convinced he'll bring about a peaceful coexistence between zombies and humans if he can demonstrate his unique condition to Howard Stein, the man responsible for the zombie virus, Barnes sets off on a grueling cross-country journey to meet his maker. Along the way he recruits a small army of "super" zombies that will stop at nothing to reach their goal. There's Guts, the dreadlocked boy who can run like the wind; Joan, the matronly nurse adept at reattaching decaying appendages; Annie, the young girl with a fierce quick-draw; and Ros, who can actually speak. United they embark on an epic quest to attain what all men, women—and, apparently, zombies—yearn for: equality.Brains is a blood-soaked, darkly humorous story that will have readers rooting for Barnes and his zombie posse to the very end.

    She was hoping the girl would not ask.Spells and stories, urban legends and immigrant tales: the magic in Isabel Yap’s debut collection jumps right off the page, from the joy in her new novella, 'A Spell for Foolish Hearts' to the terrifying tension of the urban legend 'Have You Heard the One About Anamaria Marquez'.

    Splatterpunk legend John Skipp turns the mirror back on ourselves, showing us all the ways that make us the worst monsters of all. A decade in the making, The Art of Horrible People collects John Skipp's most horrific, hilarious, and starkly honest short stories, raising horror fiction to gleefully deranged new heights.

    They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.

    It is here that Jeeves makes his first appearance with these unremarkable words: "Mrs. Gregson to see you, sir." Years later, when Jeeves became a household name, Wodehouse said he blushed to think of the off-hand way he had treated the man at their first encounter...In the story "Extricating Young Gussie," we find Bertie Wooster's redoubtable Aunt Agatha "who had an eye like a man-eating fish and had got amoral suasion down to a fine point." The other stories are also fine vintage Wodehouse: the romance between a lovely girl and a would-be playwright, the rivalry between the ugly policeman and Alf the romeo milkman, and the plight of Henry in the title piece, The Man with Two Left Feet, who fell in love with a dance hostess.

    Uncle Burst's belief that his face is made of pasta is one of the milder notions with which he regales the family. Uncle Snapper is confined to a treehouse because of the uncontrollable urges he feels once his gun is loaded. Uncle Blute drowned in the lake at the wheel of his Morris Traveller, where he remains perfectly preserved. And Nanny Jack refuses all efforts to bury her and strikes terror into her relatives' hearts as she abandons yet another final resting place. Throughout this happy breed strolls a nameless anti-hero, who, when not kidnapped by clowns or puzzling out the fossilised family tree, is passionately in love with his spaced-out sister, Adrienne ...

    she used to be a Demon Hunter.Now retired, she's more interested in the domestic than the demonic. So when she catches sight of a demon in Walmart, she tells herself it's some other Hunter's problem. But when that demon attacks her in her kitchen, retirement is no longer an option.Now Kate has to kick a little demon butt, figure out why the creatures are trying to take her out and take over her home town, and at the same time take care of her 2-year-old, deal with a hormonal 14-year-old, get the family to Mass on time, and try to keep her past a secret from her daughter and her husband.She's a little out of practice, but hey ... if she can juggle two kids and an impromptu dinner party, ridding the town of demons should be a piece of cake. Like the saying goes, Carpe Demon ... and Kate intends to do just that.

    The Spot and Smudge series explores the love of a unique family, the loyalty of their very special dogs, and the perils of underestimating them. These smart, imaginative stories weave together elements of horror, thriller, mystery, espionage, crime, medical drama, and genetic engineering. Note: This series contains some colorful language and mature themes. "Shove over brother, let me show you the proper bloody way to strangle someone." The Hogans weren’t looking to start a war. They just wanted to leave their troubles behind, move closer to grandma, and let their kids adopt some damn puppies. But their quaint new town is harboring some gruesome secrets… …and their strange new pups are not what they appear to be. There’s a dark connection between these mysterious orphaned canines and the town’s twisted criminals…and that connection is dragging the Hogans into a ruthless fight they aren’t prepared to win. But the grit of a devoted family, like the loyalty of a faithful pair of dogs, shouldn't be underestimated… …Especially when those cunning dogs are the most significant leap forward in the forty million years of canine evolution.

    In its place is his wife's junk. Billy is now Tina, and Tina is dead. That's because Billy's dead. His lifeless body is still in bed and empty beer bottles and a container of antifreeze litter the kitchen counter. Over the next 24 hours, Billy and an odd assortment of neighbors, all experiencing their own bouts of body switcheroo, try to figure out what happened and why. Can they do it before the Feds find Billy's body? Was it aliens that caused this, or God, or the government? And did Edgar Winter really sleep with his sheep? Pro football Hall of Famer Terry Bradshaw has those answers in a story that asks, What Would Kirk Cameron Do?