A highly readable and beautifully illustrated re-telling of the most famous stories from Greek mythology.

    They caused a sensation in the religious world as they revealed the mysteries of Gnostic Christianity. The gospels selected for this volume reveal intimate conversations between Jesus and his disciples and shed new light on his relationship with Mary Magdalene. The Gospel of Thomas, also included, consists of symbolic mini-parables, many of which are not in the New Testament.

    Here are Icarus flying too close to the sun, mighty Hercules, Achilles and that darn heel, the Trojans and their wooden horse, brave Perseus and beautiful Andromeda, wandering Odysseus and steadfast Penelope. Their stories and the stories of the powerful gods and goddesses who punish and reward, who fall in love with and are enraged by the humans they have created, are set forth simply but movingly, in language that retains the power and drama of the original works by Aeschylus, Sophocles, Euripides, and Homer. In Gustav Schwab’s masterful retelling, they are made accessible to readers of all ages.Part of the Pantheon Fairy Tale and Folklore Library

    Based on Dr. Stephen LaBerge's extensive laboratory work at Stanford University mapping mind/body relationships during the dream state, as well as the teachings of Tibetan dream yogis and the work of other scientists, including German psycholgist Paul Tholey, this practical workbook will show you how to use your dreams to: Solve problems; Gain greater confidence; improve creativity, and more.

    "The hushed reverence of the gallery can fool you into believing masterpieces are polite things; visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock, rough up your composure, and then proceed in short order to re-arrange your sense of reality. . . ."With the same disarming force, The Power of Art propels us on an eye-opening, breathtaking odyssey, zooming in on eight extraordinary masterpieces, from Caravaggio's David and Goliath to Picasso's Guernica. Jolting us far from the comfort zone of the hushed art gallery, Schama closes in on intense make-or-break turning points in the lives of eight great artists who, under extreme stress, created something unprecedented, altering the course of art forever.The embattled heroes—Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso and Rothko—each in his own resolute way, faced crisis with steadfast defiance, pitting passion and conviction against scorn and short-sightedness. The masterpieces they created challenged convention, shattered complacency, shifted awareness and changed the way we look at the world.With vivid storytelling and powerfully evocative descriptive passages, Schama explores the dynamic personalities of the artists and the spirit of the times they lived through, capturing the flamboyant theatre of bourgeois life in Amsterdam, the passion and paranoia of Revolutionary Paris, and the carnage and pathos of Civil War Spain.Most compelling of all, The Power of Art traces the extraordinary evolution of eight "eye-popping" world-class works of art. Created in a bolt of illumination, such works "tell us something about how the world is, how it is to be inside our skins, that no more prosaic source of wisdom can deliver. And when they do that, they answer, irrefutably and majestically, the nagging question of every reluctant art-conscript . . . 'OK, OK, but what's art really for?'"

    Rick Strassman conducted US DEA-approved clinical research at the University of New Mexico in which he injected 60 volunteers with DMT, one of the most powerful psychedelics known. His detailed account of those sessions is an inquiry into the nature of the human mind and the therapeutic potential of psychedelics. DMT, a plant-derived chemical that is also manufactured by the human brain, consistently produced near-death and mystical experiences. Many volunteers reported convincing encounters with intelligent nonhuman presences, especially "aliens." Nearly all felt that the sessions were among the most profound experiences of their lives.Strassman's research connects DMT with the pineal gland, considered by Hindus to be the site of the seventh chakra and by René Descartes to be the seat of the soul. DMT: The Spirit Molecule makes the case that DMT, naturally released by the pineal gland, facilitates the soul's movement in and out of the body and is an integral part of the birth and death experiences, as well as the highest states of meditation and even sexual transcendence. Strassman also believes that alien abduction experiences are brought on by accidental releases of DMT. If used wisely, DMT could trigger a period of remarkable progress in the scientific exploration of the most mystical regions of the human mind and soul.

    With explanations of strange phenomena from both folklore and modern scientific research, it examines famous hauntings, historical figures and events, and myths and legends surrounding ghosts and spirits in different cultures. This edition covers recent breakthroughs and incidences, new information about important myths, and current research into ghosts and other paranormal occurrences.

    in a long-sealed cave in a remote region of China. Among them, written in Chinese, were scrolls that recounted a history of Jesus' life and teachings in beautiful Taoist concepts and imagery that were unknown in the West. These writings told a story of Christianity that was by turns unique and disturbing, hopeful and uplifting. The best way to describe them is collectively, with a term they themselves use: The Jesus Sutras. The origins of Christianity seem rooted in Western civilization, but amazingly, an ancient, largely unknown branch of Christian belief evolved in the East. Eminent theologian and Chinese scholar Martin Palmer provides the first popular history and translation of the sect's long-lost scriptures--all of them more than a thousand years old and comparable in significance to the Dead Sea Scrolls. Gathered, deciphered, and interpreted by a team of expert linguists and scholars, these sacred texts present an inspiring use of Jesus' teachings and life within Eastern practices and meditations--and provide an extraordinary window into an intriguing, profoundly gentler, more spiritual Christianity than existed in Europe or Asia at the time, or, indeed, even today. Palmer has devoted more than a decade to seeking the extant writings and other evidence of this lost religion. His search was triggered by an encounter with an immense, mysterious carved (stele) stone from the 8th century that resides in a Chinese museum collection called the Forest of Stones. The Chinese text on this stonecommemorates the founding of a " religion of light" in China by a great Western teacher and features a unique cross that merges Taoist symbolism with the Christian cross. The scrolls, the stone, and a strange map of the area around a hallowed temple (where Lao Tzu wrote the Tao Te Ching before disappearing forever) gave Palmer enough information to rediscover one of the earliest Christian monasteries. At the site was an 8th century pagoda still intact, and within it, in 1998, Palmer and his team found more evidence, including statues, underground passageways, and artifacts, that helped them uncover and recreate the era and rituals of the Taoist Christians. The Taoist Christians, who wrote the Jesus Sutras recognized equality of the sexes, preached against slavery, and practiced nonviolence toward all forms of life. In particular, this tradition offered its followers a more hopeful vision of life on earth and after death than the dominant Eastern religions, teaching that Jesus had broken the wheel of karma and its consequent punishing, endless reincarnations. Vividly re-creating the turbulence of a distant age that is remarkably evocative of our own times, Palmer reveals an extraordinary evolution of spiritual thought that spans centuries. A thrilling modern quest that is also an ancient religious odyssey, The Jesus Sutras shares a revolutionary discovery with profound historical implications--imparting timeless messages and lessons for men and women of all backgrounds and faiths.

    Described by many as ‘the Bible of Tarot readers’, the books brought awareness of myth and modern psychology to the Tarot’s ancient esoteric symbolism. Now, for the first time, the texts for 'The Major Arcana' and 'The Minor Arcana' appear in one volume. To mark this special occasion, Rachel Pollack has revised and updated the book in the light of her thirty years’ teaching, reading, and writing about Tarot cards. She has also written a new preface describing her own journey through the Tarot’s world of symbols.The Tarot is an eternally fascinating set of strange and beautiful pictures. But beyond this lies a world of potent symbols granting access to a path of self knowledge, personal growth and freedom. These symbols connect us to the great stories of world mythology and the eternal truths of the soul. 'Seventy Eight Degrees of Wisdom'shows you how to use Tarot as an effective and accessible means of self-enlightenment. The book includes a complete section on how to give Tarot readings, as well as an analysis of the origins, meaning and psychological aspects of Tarot divination.

    Here is a masterful reconstruction of Celtic Mythology and Arthurian Legend combined into a program of practical instruction in Mythical Thinking and Magical Techniques. The 21 Lessons of Merlyn is a complete introductory course in Celtic Druidism, packaged within the framework of 21 authentic and expanded story-lessons.

    Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece "Slaughterhouse-Five;" wry dispatches from Vonnegut's years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Gunter Grass, and Bernard Malamud. Vonnegut's unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels--from a crackpot scheme for manufacturing "atomic" bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. ("Knopf, for example, might give John Updike's contract to Simon and Schuster, and receive Joan Didion's contract in return.") Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. - On a job he had as a young man: "Hell is running an elevator throughout eternity in a building with only six floors."- To a relative who calls him a "great literary figure" "I am an American fad--of a slightly higher order than the hula hoop."- To his daughter Nanny: "Most letters from a parent contain a parent's own lost dreams disguised as good advice."- To Norman Mailer: "I am cuter than you are." Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote.

    Here are colorful descriptions of deities, creation myths, depictions of death and the afterlife, teachings on the relationship between humanity and the sacred, religious rituals and practices, and prayers and hymns.Mircea Eliade, a recognized pioneer in the systematic study of the history of the world's religions, includes excerpts from the Quran, the Book of the Dead, the Rig Veda, the Bhagavad Gita, the Homeric Hymns, and the Popol Vuh, to name just a few. Oral accounts from Native American, African, Maori, Australian, Aborigine, and other peoples are also included.Here is fascinating reading for anyone interested in the world's religions and myths. In an outstanding collection, Eliade demonstrates humanity's diversity as well as the universal threads that unite us all.

    Dr. Hoeller traces this fascinating story throughout time and shows how Gnosticism has inspired such great thinkers as Voltaire, Blake, Yeats, Hesse, Melville, and Jung.

    A Bible in English threatened the power of the monarch and the Church. Early translators like Tyndale, whose work greatly influenced the King James, were hunted down and executed, but the demand for English Bibles continued to grow. Indeed it was the popularity of the Geneva Bible, with its anti-royalist content, that eventually forced James I to sanction his own, pro-monarchy, translation. Errors in early editions--one declared that "thou shalt commit adultery"--and Puritan preferences for the Geneva Bible initially hampered acceptance of the King James, but it went on to become the definitive English-language Bible. This fascinating history of a literary and religious masterpiece explores the forces that led to the decision to create an authorized translation, the method of translation and printing, and the central role this version of the Bible played in the development of modern English. McGrath's history of the King James Bible’s creation and influence is a worthy tribute to a great work and a joy to read.

    -- and embellishes it with his own ironic humor, brilliant insights, and piercing observations. We meet a vast array of historical figures in a staggering novel of love, war, philosophy, and adventure . . . "There isn't a page of CREATION that doesn't inform and very few pages that do not delight."-- John Leonard, The New York Times