But even her fevered imagination cannot anticipate the horror they have been hiding from her. In these and other gripping and disturbing tales, women are confronted by the evil around them and surprised by the evil they find within themselves.With wicked insight, Joyce Carol Oates demonstrates why the females of the species—be they six-year-old girls, seemingly devoted wives, or aging mothers—are by nature more deadly than the males.

    The collection consists of five short stories: 'The Small Rain', 'Lowlands', 'Entropy', 'Under the Rose', and 'The Secret Integration', as well as an introduction written by Pynchon himself for the 1984 publication. The five stories were originally published individually in various literary magazines but in 1984, after Pynchon had achieved greater recognition, Slow Learner was published to collect and copyright the stories into one volume. The introduction also offers a rare insight into Pynchon's own views on his work and influences.

    Like Faulkner's Mississippi and Cormac McCarthy's American West, Gay's Tennessee is redolent of broken souls. Mining that same fertile soil, his debut collection, I Hate to See That Evening Sun Go Down, brings together thirteen stories charting the pathos of interior lives. Among the colorful people readers meet are: old man Meecham, who escapes from his nursing home only to find his son has rented their homestead to "white trash"; Quincy Nell Qualls, who not only falls in love with the town lothario but, pregnant, faces an inescapable end when he abandons her; Finis and Doneita Beasley, whose forty-year marriage is broken up by a dead dog; and Bobby Pettijohn -- awakened in the night by a search party after a body is discovered in his back woods. William Gay expertly sets these conflicted characters against lush backcountry scenery and defies our moral logic as we grow to love them for the weight of their human errors.

    Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language.From the opening story, "Willing", about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being, Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America. In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world--no flower or stone--as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is. In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties. In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Haagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.

    A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut.Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut's characteristically insouciant line drawings, Look at the Birdie is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Contents: Letter from Kurt Vonnegut, Jr., to Walter J. Miller, 1951. Confido F U B A R Shout About It from the Housetops Ed Luby's Key Club A Song for Selma Hall of Mirrors The Nice Little People Hello, Red Little Drops of Water The Petrified Ants The Honor of a Newsboy Look at the Birdie King and Queen of the Universe The Good Explainer

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    A young woman visits her father following his nervous breakdown, and a devoted sister is profoundly unsettled by the sermon her brother insists on reciting. Whether in childhood or Vietnam, in memory or the eternal present, these people are revealed in the extenuating, sometimes extreme circumstances of everyday life, and in the complex consequences of their decisions—that, for instance, can bring together an innocent inner-city youth and a little girl attacked, months earlier, by a dog in a wintry park. Yet each story, however crucial, is marked by Mr. Wolff’s compassionate understanding and humor.In short, fiction of dazzling emotional range and absolute authority.

    Elsewhere, an aerobics instructor—the daughter of a Holocaust survivor—makes the most shocking leap imaginable to save her soul. These are just a few of the characters you'll encounter in Sam Lipsyte's richly imagined world.Featuring a grizzled and possibly deranged male doula, a doomsday hustler who must face the multi-universal truth of "the real-ass jumbo," and a tawdry glimpse of a high school shot-putting circuit in northern New Jersey, circa 1986, Lipsyte's short stories combine the tragicomic brilliance of his beloved novels with the compressed vitality of Venus Drive. The Fun Parts is Lipsyte at his very best—a far-ranging exploration of new voices and vistas from "the most consistently funny fiction writer working today" (Time).

    This is a place where a boy with keys for fingers is a hero, a woman's children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

    Hempel, fiercely admired by writers and reviewers, has a sterling reputation that is based on four very short collections of stories, roughly fifteen thousand stunning sentences, written over a period of nearly three decades. These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With compassion, wit, and the acutest eye, Hempel observes the marriages, minor disasters, and moments of revelation in an uneasy America. When "Reasons to Live, " Hempel's first collection, was published in 1985, readers encountered a pitch-perfect voice in fiction and an unsettling assessment of the culture. That collection includes "San Francisco," which Alan Cheuse in "The Chicago Tribune" called "arguably the finest short story composed by any living writer." In "At the Gates of the Animal Kingdom, " her second collection, frequently compared to the work of Raymond Carver, Hempel refined and developed her unique grace and style and her unerring instinct for the moment that defines a character. Also included here, in their entirety, are the collections "Tumble Home" and "The Dog of the Marriage." As Rick Moody says of the title novella in Tumble Home, "the leap in mastery, in seriousness, and sheer literary purpose was inspiring to behold.... And yet," he continues, ""The Dog of the Marriage, " the fourth collection, is even better than the other three...a triumph, in fact." "The Collected Stories of Amy Hempel" is the perfect opportunity for readers of contemporary American fiction to catch up to one of its masters. Moody's passionate and illuminating introduction celebrates both the appeal and the importance of Hempel's work.

    Richard Brautigan is the author of "Willard & His Bowling Trophies", "Trout Fishing in America", "In Watermelon Sugar" & "A Confederate General From Big Sur".Revenge of the lawn --1692 Cotton Mather newsreel --1/3, 1/3, 1/3 --The gathering of a Californian --A short story about contemporary life in California --Pacific Radio fire --Elmira --Coffee --The lost chapters of Trout fishing in America: "Rembrandt Creek" and "Carthage Sink" --The weather in San Francisco --Complicated banking problems --A high building in Singapore --An unlimited supply of 35 millimeter film --The Scarlatti Tilt --The wild birds of heaven --Winter rug --Ernest Hemingway's typist --Homage to the San Francisco YMCA --The pretty office --A need for gardens --The old bus --The ghost children of Tacoma --Talk show --I was trying to describe you to someone --Trick or treating down to the sea in ships --Blackberry motorist --Thoreau rubber band --44:40 --Perfect California day --The post offices of eastern Oregon --Pale marble movie --Partners --Getting to know each other --A short history of Oregon --A long time ago people decided to live in America --A short history of religion in California --April in god-damn --One afternoon in 1939 --Corporal --Lint --A complete history of Germany and Japan --The auction --The armored car --The literary life in California, 1964 --Banners of my own choosing --Fame in California, 1964 --Memory of a girl --September California --A study in California flowers --The betrayed kingdom --Women when they put their clothes on in the morning --Halloween in Denver --Atlantisburg --The view from the dog tower --Greyhound tragedy --Crazy old women are riding the buses of America today --The correct time --Holiday in Germany --Sand Castles --Forgiven --American flag decal --The World War I Los Angeles airplane

    Written between the 1920s and 1950s, these sixty-five tales—eleven of which have been translated into English for the first time—display all the shades of Nabokov's imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur's samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers an intoxicating draft of the master's genius, his devious wit, and his ability to turn language into an instrument of ecstasy.The Wood-SpriteRussian Spoken HereSoundsWingstrokeGodsA Matter of ChanceThe SeaportRevengeBeneficenceDetails of A SunsetThe ThunderstormLa VenezianaBachmannThe DragonChristmasA Letter That Never Reached RussiaThe FightThe Return of ChorbA Guide to BerlinA Nursery TaleTerrorRazorThe PassengerThe DoorbellAn Affair of HonorThe Christmas StoryThe Potato ElfThe AurelianA Dashing FellowA Bad DayThe Visit to the MuseumA Busy ManTerra IncognitaThe ReunionLips to LipsOracheMusicPerfectionThe Admiralty SpireThe LeonardoIn Memory of L.I. ShigaevThe CircleA Russian BeautyBreaking the NewsTorpid SmokeRecruitingA Slice of LifeSpring in FialtaCloud, Castle, LakeTyrants DestroyedLikMademoiselle OVasiliy ShishkovUltima ThuleSolus RexThe Assistant ProducerThat in Aleppo OnceA Forgotten PoetTime and EbbConversation Piece, 1945Signs and SymbolsFirst LoveScenes From the Life of A Double MonsterThe Vane SistersLance

    In the extraordinary "Why China?" a man drags his family to the Xi'an province in a desperate attempt to reclaim his lost integrity, only to find himself more remote and mysterious than the place where his journey led. In settings as exotic as Kenya and Bora Bora, as glamorous as downtown Manhattan, or as familiar as suburban Illinois, Egan's characters—models, housewives, schoolgirls—seek transformation of the body and spirit, and transcendence of the borders of desire.

    edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.